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Top 10 Concerts: Must-See Shows in the Twin Cities and Beyond This Week

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Celebrating Music Across Genres and Venues

When she arrived at the Dakota last August, the veteran Texas singer-songwriter’s “Mileage” album was days ahead of the release, her first album for Sun Records. Now she returns having collected her first Grammy for best contemporary blues album for “Mileage,” which features the acoustic Delta blues “Done” with Larkin Poe and a remake of “That’s All Right,” the Arthur Crudup tune that Elvis Presley turned into one of his first hits in 1954, done to a swampy blues groove with gospel harmonies. Foster is back at the Dakota for two nights of her special mix of soul, gospel, blues, jazz, folk — oh, let’s just call it Americana.

What started in 2021 as a set of summer house concerts in Duluth is now an intimate gathering of outstanding musicians from around the country. For the festival’s closing concert, string players from the San Francisco Symphony, Dallas Symphony Orchestra, the Calidore String Quartet, the New England Conservatory of Music and elsewhere will join forces to breathe life into the small-scale creations of Domenico Scarlatti, Pablo de Sarasate, Jennifer Higdon, Franz Schubert and Johannes Brahms.

Also: mgk, formerly known as Machine Gun Kelly, is doing a surprise pop-up concert to promote his new rootsy album “Lost Americana.” The event is free with sign-up and takes place at the Electric Fetus.

We’ve seen a lot of both these veteran alt-rock bands in the Twin Cities in recent years, but take their frequent tours as a sign they’re in fine form and having fun. Wayne Coyne and his Oklahoman acid-punk-pioneering Lips always seem to be having a good time with their many inflatables and stage gimmicks and singalongs from classic albums like “The Soft Bulletin” and “Yoshimi Battles the Pink Robots.” Isaac Brock’s nervy Washington State unit of “Float On” fame didn’t seem to be having fun for many years but put on a spirited and playful set at Surly last summer with the Pixies. Buzzing Chicago duo Friko is scheduled to open.

Even though fans have been tantalized by the reissue of “Buckingham Nicks,” they’ve been bummed about Stevie Nicks’ concert postponement next week at Xcel Energy Center because of a shoulder injury. She promises to return on Nov. 12. Meanwhile, get a Fleetwood Mac fix with one of the Twin Cities’ best tribute bands doing a free outdoor show in one of the metro’s loveliest parks. Pamela McNeill, Mary Jane Alm and Jeff Engholm are the featured vocalists in this nine-piece band covering everything from “Rhiannon” to “Go Your Own Way.”

OK, we’ll admit it. We weren’t too excited to see these somewhat slapstick ‘90s punk rockers on the lineup for last year’s Minnesota Yacht Club festival, but like a discernibly large part of the crowd, we had fun singing/shouting along to their many radio and MTV hits, including “Come Out and Play” and “Self Esteem.” The Orange County vets are getting radio play again with “Make It All Right,” from their new album, “Supercharged.” Whether their fan base is charged enough to fill an arena is questionable, but openers Jimmy Eat World and New Found Glory should help fill seats.

Also: Dustin Lynch, who has scored nine No. 1 country hits including “Chevrolet” featuring Jelly Roll, becomes the latest star to sing after a Twins game. After several years of charming local audiences with their jazzy and western-swinging guitar/sax/bass retro grooves, Jake Hanson, Nelson Devereaux and Ted Olsen are finally celebrating the release of the Riffin’ Trio’s first EP with Aby Wolf, Beemer and other surprise guests.

Those Medley Kids, an all-star group of Twin Cities players featuring vocalist Bill Pyle III, will visit the prog-rock sounds of Rush, King Crimson, Yes and Genesis’ “The Lamb Lies Down on Broadway.” The countdown to closing time at Palmer’s Bar continues with a rocking patio lineup featuring the Scarlett Goodbye, Faith Boblett and the Heavy Sixers.

It looks as if this is the last concert of the season — or maybe for a long time — at this utilitarian amphitheater serving the greater Twin Cities area. Who knows what shows Somerset will attract after the state-of-the-art Shakopee Amphitheater opens in 2026 since both are operated by Live Nation? To close things out in Somerset, it’s the duality dude known simply as Hardy, who has scored a string of country hits mentioning trucks and beer, as well as making noise in hard-rock circles. After appearing at country fests this summer in Iowa, Wisconsin and Minnesota, Hardy headlines his own gig. With three openers including Koe Wetzel of “High Road” success, it’s like a mini-fest.

Also: Jane Monheit, the technically superb New York jazz vocalist, is back at the Dakota. “How to Save a Life” hitmakers the Fray return. Seven local mainstay acts that usually play original tunes are cutting loose with tribute-band sets for a great local cause at the third annual We Got You Covered concert, featuring the de’Lindas, Doug Collins and the Receptionists, the Mighty Mofos, the New Brunettes, RuDeGirl, the Wandering Sons and the Belfast Cowboys, benefitting Foothold Twin Cities. Robert Wilkinson and his influential Twin Cities combo Flamin’ Ohs are heading up another benefit for the Parkinson’s Foundation with Annie & the Bang Bang.

As if there hasn’t been much for him to march and rage against in the interim, Trent Reznor finally saw fit to return to the road this year with his angst-fueled, piggies-lambasting techno-metal band for their first Minnesota gig in 12 years. No surprise the pent-up demand put a hurt on the box office, with only very limited seats remaining at face value. Shows so far on the Peel It Back Tour have focused on classic NIN cuts rather than new music from the upcoming “Tron: Ares” soundtrack. But it features some new twists to the old stuff, including help from German producer/opener Boys Noize and some clever staging.

Bluesmen from different generations but the same northern part of Louisiana, Shephard and Rush came together in a big and beautiful way on a new collaborative album, “Young Fashioned Ways.” The 91-year-old Rush told the Star Tribune that he and his fellow Louisiana native “were only going to record two songs together, but we just kept recording we were having so much fun.” The fun continues on a joint tour that gives the elder singer/guitarist a chance to lean on the younger guitar slinger and his sturdy band. They have two Minnesota stops on their trek.

Also: After her would-be tourmates the 29:11 South Africa Ensemble were denied U.S. visas for their series of Midwest performances, the Twin Cities’ hopeful hip-hop hero Dessa is going ahead with her hometown show and hoping to capture the spirit of the transatlantic collaboration. WDGY, the now-oldies radio station that was one of two Twin Cities Top 40 outlets in the 1960s, will commemorate the 60th anniversary of the Beatles’ Aug. 21 performance at the old Met Stadium on the same site, which is now Mall of America. A Hard Day’s Night, a tribute band, will recreate the set list from that historic concert. Last call is nearing for piano legend Cornbread Harris’ Church of Cornbread evening shows at Palmer’s Bar.

Long before there were TV talent competitions for a cappella ensembles, this New York septet was building a reputation for sounding like a full band with just voices. Now in their 26th year, Naturally 7 still boasts four original members, including founding brothers Roger and Warren Thomas. Last year, the septet dropped “Naturally 7 @theMovies, Volume One,” featuring their inventive interpretations of such tunes as “Stayin’ Alive,” “Sound of Silence” and “Lose Yourself.”

Also: John Rzeznik and Goo Goo Dolls are back for what seems like their annual Minnesota visit to reprise “Iris” and “Slide,” with Dashboard Confessional opening. Canada’s contribution to the Blink-182-led pop-punk movement for millennials, Simple Plan, is out celebrating its 25th anniversary with a mini-fest like opening entourage featuring Bowling for Soup, 3OH!3 and Lolo. Colorado’s dramatic, cult-loved folk-rocker Gregory Alan Isakov is taking on Surly Brewing Festival Field with Canadian roots duo Ocie Elliott opening.

His hotly hyped new record landed with a thud, and he has a bad rep with Twin Cities fans after thrice canceling on them in the 2010s. So tickets to Weezy’s first local arena show since before COVID haven’t exactly flown off the shelf. The New Orleans rap king has a lot of incentive to come and reprove himself, though, and to maybe finally convince fans to check out “Tha Carter VI.” Set lists have included a handful of tunes off the new record along with more than 30 better-known hits going back 20 years. Tyga and Belly Gang Kushington will open.

Also: Lettuce, the jazz-funk band that got its start at the Berklee College of Music in the 1990s, adds some hip-hop seasoning on their latest, “Cook.” Minnesota jazz mainstays Steve Kenny Quintet celebrate the new album “Blue Chunks.” Power belter Claudio Sanchez and his enduring metal band Coheed and Cambria are back with Taking Back Sunday. Cleveland’s pop-rocker/comedian Dave Hill was last seen in town opening for actor Michael Shannon’s R.E.M. tribute tour. Outlaw countryman Cole Diamond hosts the last installment of his Whiskey Wednesdays shows at Palmer’s.

Jazz legend passes while immersed in her passion

Jazz legend passes while immersed in her passion

A Legacy of Jazz and Innovation

Sheila Jordan, a legendary jazz singer known for her pioneering work in bebop and scat singing, has passed away at the age of 96. Her death was shared by her daughter, Tracey, through an Instagram post on Monday, August 11. In the message, she described how her mother peacefully passed away at 3:50 p.m., surrounded by music that defined her life. Joan Belgrave, a close friend, played a bebop tune called “Bill for Bennie” by Jordan’s late husband, Marcus Belgrave, as Sheila drifted off to sleep.

Tracey expressed gratitude for the support received from the jazz community and mentioned that funds raised on her mother's GoFundMe page would be used to pay off medical debt and secure a plot for her at Woodlawn Cemetery in the Jazz Corner. A memorial service is planned for the future at Saint Peter’s Church in New York City.

Early Life and Career

Born in Detroit on November 18, 1928, Jordan was raised by her grandparents in Pennsylvania. She moved to New York in the 1950s, where she married Duke Jordan in 1952. During this time, she studied under Lennie Tristano and began performing in jazz clubs, laying the foundation for her influential career. According to AllMusic, despite having a relatively small voice, Jordan made the most of her instrument, earning recognition as one of the most consistently creative jazz singers.

Scott Yanow, a respected jazz historian, praised Jordan for her ability to improvise logical lyrics that often rhymed, her superb scat singing, and her emotional interpretation of ballads. He noted that her contributions helped pave the way for later artists such as Norah Jones and Diana Krall.

Musical Contributions and Achievements

Jordan's career saw her featured on George Russell’s 1962 rendition of “You Are My Sunshine” for his album “The Outer View (Riverside).” The following year, she released her debut album, “Portrait of Sheila,” becoming one of the few singers to lead her own project through Blue Note Records. However, it took a decade before she returned to the music scene, collaborating with Carla Bley, Roswell Rudd, and co-leading a group with Steve Kuhnin in the late 1970s.

By the 1980s, Jordan was recording as a leader for numerous projects, including her final album, “Portrait Now,” released in February. Among her many accolades, she was honored as a 2012 recipient of the National Endowment for the Arts, the nation’s highest honor in jazz.

Recognition and Impact

In a press release announcing her passing, the NEA highlighted Jordan’s exceptional talent as a scat singer and her ability to reach emotional depths in ballads. Whether performing well-known standards or original material, she brought a unique voice to every song. Beyond her musical achievements, Jordan also dedicated herself to education, teaching at the City College of New York and serving as a faculty member for Jazz in July at the University of Massachusetts at Amherst and the Vermont Jazz Center in Brattleboro, Vermont. She conducted workshops internationally, further cementing her legacy as a mentor and educator.

A Lasting Influence

Sheila Jordan’s impact on the world of jazz is undeniable. Her innovative style and dedication to the art form left an indelible mark on the genre. From her early days in New York to her later years as a revered figure in the jazz community, she inspired generations of musicians and fans alike. As her family prepares for a future memorial service, the jazz world mourns the loss of a true pioneer who helped shape the sound of modern jazz.

AtHeart: A K-Pop Band Defying Boundaries from Los Angeles

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The Debut of AtHeart: A New Chapter in K-Pop

AtHeart, a fresh girl group making waves in the K-pop scene, recently unveiled their first EP titled “Plot Twist” during a debut showcase held at Blue Square in central Seoul. This event marked the beginning of their global journey and highlighted their unique approach to music and performance.

The group's choreographer, Lia Kim, shared some key advice with the members: "Just be yourself." This message resonated deeply with the rookie artists as they stepped into the spotlight for the first time. Lia Kim, known for her work at 1Million Dance Studio, has been instrumental in shaping AtHeart into what is now considered K-pop's next big act. Her collaboration with Titan Content, a U.S.-based agency led by a former SM Entertainment executive, has set the stage for this new generation of performers.

A Unique Formation

AtHeart is the first K-pop group launched by Titan Content. While the agency's U.S. headquarters handles production and distribution, talent development still takes place in Seoul. This blend of international and local expertise has created a unique environment for the group's growth. The debut showcase featured the release of their five-track EP, which includes the title track and other songs such as “Push Back,” “Dot Dot Dot …,” “Knew Me,” and “Good Girl (AtHeart).” The title track combines dreamy pop with EDM elements, showcasing the group's versatility and innovation.

The Team Behind the Group

The success of AtHeart is not just due to the members but also the experienced team at Titan Content. The agency's founding team includes industry veterans such as Board Chairman Nikki Semin Han, former co-CEO of SM Entertainment; CEO Katie Kang, who played a pivotal role in SM Entertainment's casting and training process; Chief Visual Officer Guiom Lee, founder of Dazed Korea; and Chief Business Officer Dom Rodriguez, who was recognized on Billboard’s “40 under 40” list in 2023. Lia Kim serves as chief performance officer, further emphasizing the high level of expertise guiding the group.

Challenges and Aspirations

With seven members—Nahyun, Seohyeon, Bome, Arin, Michi, Katelyn, and Aurora, who missed the debut showcase due to health reasons—the group faces significant pressure. The average age of the members is 16, with Michi being the oldest at 16 and Nahyun the youngest at 14. Despite the challenges, the members remain focused on their goals.

“It’d be a lie if we say there’s no pressure,” said Arin. “But with all the support and feedback from our company’s executives, we’ll do our best to become an act that can leave a lasting footprint.”

A Mission Beyond Music

Beyond achieving musical success, AtHeart aims to connect with their audience on a deeper level. The group's name symbolizes mind, heart, and love, reflecting their mission to share these feelings with everyone. According to the agency, the concept of the album is centered around the “butterfly effect,” aiming to create a significant impact through their artistry.

A Strong Start

The group's debut has already garnered attention, with the music video for “Good Girl (AtHeart)” surpassing 10 million views on YouTube. Additionally, Girls' Generation's Sooyoung made a special appearance, adding to the excitement surrounding the group. Nahyun, the youngest member, shared her emotional experience of meeting her idol, expressing how much it meant to her.

“Our role model as a group is Girls’ Generation, so we were especially more nervous before meeting Sooyoung,” Nahyun said. “But she offered us advice and support."

As AtHeart continues to build their presence in the K-pop industry, their journey reflects a blend of talent, dedication, and the support of a strong team. Their story is just beginning, and the world is watching closely.

Rascal Flatts Returns to Iowa State Fair for 25th Anniversary Tour

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Rascal Flatts' Return to the Iowa State Fair: A Nostalgic Performance with Mixed Results

Country trio Rascal Flatts made their third appearance at the Iowa State Fair, bringing with them a mix of nostalgia and high expectations. The band, consisting of Gary LeVox on lead vocals, Jay DeMarcus on bass guitar, and Joe Don Rooney on lead guitar, is currently on a 2025 tour titled "Life is a Highway Tour," celebrating their 25 years of performing together at the Grandstand.

In 2020, the group announced they would be taking a break after two decades of music-making, followed by a planned tour. However, the pandemic forced the cancellation of that tour. They officially disbanded in 2021, but it seems the band couldn't resist marking their silver anniversary with a new album and a series of shows.

As the lights dimmed, the band opened with Thin Lizzy's "The Boys Are Back in Town," setting the tone for an evening filled with hits from their extensive catalog. LeVox took the stage, reflecting on the past 25 years of Rascal Flatts. He humorously noted how technology has evolved since their early days, when cassette players were the norm, and now everything can be streamed directly to a phone.

Despite the nostalgic sentiment, the performance had its challenges. The band played a series of hits back-to-back, which left the audience struggling to keep up. The energy was high, but the lack of structure made it difficult to build momentum throughout the set.

LeVox's vocal performance remained strong, showcasing his signature voice that has defined country music over the years. His delivery of slower songs like "My Wish" and "Bless the Broken Road" was particularly moving, with the crowd singing along in unison.

However, the live mix posed some issues. The powerful instrumentation, including heavy bass and loud guitars, often drowned out LeVox’s voice, making it challenging for the audience to hear him clearly. This issue was especially noticeable during moments where he invited the crowd to sing along.

The band also introduced a new track, "I Dare You," a collaboration with The Jonas Brothers. The song, part of their latest album "Life Is a Highway: Refueled Duets," showcased their creative evolution while still maintaining their signature sound.

The evening also featured opening act Neal McCoy, who delivered a high-energy set that resonated with the audience. Known for his 90s hits, McCoy brought a mix of classic country and rock n roll, engaging the crowd with his charisma and storytelling.

McCoy’s performance included songs like "The Shake" and "No Doubt About It," as well as a medley of rock n roll classics. His ability to connect with the audience and his smooth baritone voice made for a memorable opening act.

The show concluded with Rascal Flatts’ encore, featuring their hit "Life Is a Highway." The performance served as a fitting end to the evening, highlighting the band's enduring appeal and their ability to bring people together through music.

As the Iowa State Fair continues, the Grandstand remains a hub for entertainment, with upcoming acts like American rock-and-roll tribute band Hairball set to take the stage next. The fair offers a variety of experiences, from food to music, making it a must-visit event for locals and visitors alike.

Alabama's Link to the Rock Legend Behind a Classic Hit

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A Legacy of Music and Friendship

Bobby Whitlock, a key figure in the creation of one of rock’s most iconic albums, "Layla and Other Assorted Love Songs," left an indelible mark on music history. Known for his work with Derek and the Dominos, Whitlock played the Hammond organ, provided backing vocals, and contributed to writing several tracks on the 1970 album. His role was particularly significant in the closing track, “Thorn Tree in the Garden,” which he wrote about the loss of his dog while living in Los Angeles. This deeply personal song became a highlight of the album, showcasing Whitlock's emotional depth and musical talent.

The Journey of a Musician

Whitlock's journey took him from Memphis to Alabama’s Muscle Shoals area in the early 2000s. He spent time in what had once been the reception area of the legendary Muscle Shoals Sound studio before moving to a home in Florence. There, he lived with his partner, musician Kim “Coco” Carmel. Their relationship led to several collaborative albums, featuring guest musicians such as country legend Willie Nelson. The two eventually married, forming a partnership that would last throughout their lives.

A Connection with Jason Isbell

Jason Isbell, a Grammy-winning singer and songwriter, grew up in the Shoals and Green Hill areas. He first encountered "Layla" at the age of ten, when he taped it off a local radio broadcast. The song left a profound impact on him, leading him to purchase the album on cassette and vinyl. Isbell often spoke of how the album shaped his musical journey and inspired his own career.

After Whitlock moved to Alabama, Isbell reached out to him, and they formed a friendship. They spent time together, playing songs and sharing their passion for music. Whitlock recognized Isbell's guitar skills and invited him to join him for a couple of shows, a gesture that meant a lot to Isbell. Their collaboration included appearances at the Muscle Shoals Songwriter Showcase, where Whitlock praised Isbell's talent on stage.

A Lasting Influence

Whitlock's influence extended beyond his work with Clapton and the Allman Brothers Band. He contributed to various other projects, including George Harrison’s "All Things Must Pass" and the Rolling Stones’ "Exile On Main St." His songs were also recorded by artists like Ray Charles, Cher, and Sheryl Crow, highlighting his versatility and talent.

Remembering a Friend

When news of Whitlock's passing spread, many in the music community expressed their grief. Eric Clapton, who had worked with Whitlock in Derek and the Dominos, shared his condolences on social media, honoring his friend and collaborator. Pattie Boyd, the muse behind "Layla," also paid tribute, recalling the fun times they shared at Friar Park.

Whitlock's legacy lives on through his music and the friendships he built. Kelvin Holly, a longtime guitarist with Little Richard, remembered him as a unique individual, describing how he would often spend mornings creating art from driftwood. His creativity and passion for life left a lasting impression on those who knew him.

A Timeless Classic

Fifty-five years after its release, "Layla" remains a timeless classic, celebrated for its powerful storytelling, innovative sound, and emotional depth. Whitlock's contributions to the album continue to resonate with fans and musicians alike, ensuring that his voice and talent will be remembered for generations to come.

Tyrese Gibson's Ex Demands Jail for $492K Divorce Debt

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Tyrese Gibson Faces Potential Jail Time Over Unpaid Legal Fees

A recent legal motion has brought Tyrese Gibson back into the spotlight, this time for allegedly refusing to pay nearly $500,000 in court-ordered legal fees from his divorce. The motion, filed by attorneys representing his ex-wife, Samantha Lee, claims that Gibson is willfully ignoring a judgment requiring him to pay $492,651.99 to cover her legal costs. This comes shortly after he was ordered to pay $73,000 in back child support last year. Now, her legal team is urging the court to hold Gibson in criminal contempt, which could result in up to 20 days in jail. The demand follows months of unpaid balances and multiple enforcement attempts, marking another chapter in their highly publicized legal battle.

Tyrese Gibson’s Rise in the Music Industry

Before becoming a household name in Hollywood, Tyrese Gibson made a name for himself in the music world as one of R&B’s most distinctive voices. Born on December 30, 1978, in Los Angeles, California, Gibson signed with RCA Records in 1998. His debut single, “Nobody Else,” reached the top 40 on the Billboard Hot 100, setting the stage for his self-titled debut album, Tyrese. The album, fueled by the hit “Sweet Lady,” went platinum and established Tyrese as a rising R&B heartthrob.

Over the next few years, Tyrese continued to build his music catalog with albums like 2000 Watts (2001) and I Wanna Go There (2002), both earning gold certifications from the RIAA. The 2002 single “How You Gonna Act Like That” became a defining moment in his career, peaking at No. 7 on the Billboard Hot 100. In 2006, he experimented with his sound on Alter Ego, a double-disc album featuring him rapping under the alias Black Ty. Though critically mixed, the project showcased his interest in hip-hop. His 2011 release Open Invitation earned a Grammy nomination for Best R&B Album, while Black Rose in 2015 debuted at No. 1 on the Billboard 200, cementing his place in contemporary R&B.

From Music to Hollywood: Tyrese’s Acting Career

While Tyrese made his mark in music, his transition to acting expanded his influence into Hollywood. He made his feature film debut in John Singleton’s 2001 classic Baby Boy, playing the role of Jody, a young man navigating adulthood and fatherhood. The film received critical acclaim and marked Tyrese as a compelling screen presence. In 2003, he joined the Fast & Furious franchise as Roman Pearce, a wisecracking street racer who became a central figure in the series. Over the years, he appeared in several successful installments, helping the franchise gross billions globally.

In addition to his work in Fast & Furious, Tyrese starred in Michael Bay’s Transformers trilogy as Robert Epps, further solidifying his status as an action film regular. He reunited with Singleton for Four Brothers (2005) and expanded his range with roles in comedies like Ride Along 2 (2016) and superhero fare with Morbius (2022). Whether in crime dramas, sci-fi epics, or comedic roles, Tyrese’s film career has proven durable and wide-ranging.

What Samantha’s Lawyers Are Demanding

Samantha Lee’s legal team has filed their fourth motion, asserting that Gibson has ignored repeated demands to pay the court-ordered fees, which now include accrued interest pushing the balance close to $500K. The attorneys representing her—The Gleklen Law Firm and Bloom Lines Alexander—are seeking a criminal contempt order, along with up to 20 days of incarceration to enforce compliance.

This latest controversy builds on a long-running legal battle. In April 2023, Tyrese was ordered to pay $10,690 per month in child support for his daughter Soraya, with $7,500 allocated toward Samantha’s legal fees. When he failed to comply, the court found him in contempt and temporarily detained him until he paid roughly $73K, which is less than the full outstanding sum. Tyrese vowed to appeal the order, maintaining that he has "never not taken care of my kids" despite the mounting pressures and public outcry.

Financial Struggles and Legal Orders

The nearly half-million-dollar legal bill is exclusively tied to Samantha’s divorce attorneys. The court order was issued during their separation, and the current motion argues that Gibson is willfully ignoring a binding financial obligation. The request for jail time represents a significant escalation—from debt to criminal contempt enforcement.

Samantha’s legal filings emphasize that Tyrese has the means to pay but continues to avoid the debt. The motion characterizes the non-payment as a “blatant disregard” of court orders and seeks severe sanctions in response.

Public Reaction and Social Media Buzz

Social media reactions have been strong, with comments on Instagram showing different feelings about the bold action. One user posted, “This is why I’m scared to get married,” highlighting how fans compare his secrecy and drama to other high-profile celebrity moves. Other commentary has praised Samantha’s tenacity in enforcing equitable separation terms, drawing both support and backlash toward Gibson.

What Happens Next

If the judge signs off on the contempt motion, Tyrese could face up to 20 days in jail for refusing to pay the legal fees. He may respond via appeal or potentially negotiate a payment plan. The broader implications reflect ongoing tensions between celebrity privacy, legal obligations, and public scrutiny.

Despite Tyrese’s love for his family, this legal saga adds to his complex dynamic. The price of divorce underscores how public figures remain accountable in private matters. The request for jail time over unpaid legal fees adds a dramatic new chapter to a story that started with a custody and divorce battle. Whether followers see it as accountability or disproportionate judgment, this case highlights how even wealth and fame cannot escape court orders.

Despite his legal issues, fans are eager to see how this drama will change his music. With more than 30+ years in music, the R&B crooner is still making iconic hits today.

Conductor Ready for Cabrillo Music Festival

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A Vibrant Celebration of Contemporary Music

The Cabrillo Festival of Contemporary Music is currently underway, offering a unique opportunity for the public to experience the power of live orchestral performances. On Tuesday, attendees gathered at the Santa Cruz Civic Auditorium for a free open rehearsal, where guest conductor Daniela Candillari led the orchestra through a series of musical selections. This event provided a glimpse into the artistic process and allowed audience members to witness the precision and passion that define the festival.

Now in its 63rd season, the festival continues to showcase cutting-edge compositions and innovative performances. The opening night on Friday will feature a program titled Lumina, which includes works by renowned composers such as John Corigliano, Nina Shekhar, and Missy Mazzoli. One of the highlights of the evening will be the West Coast premiere of Mazzoli’s Violin Concerto, performed by soloist Jennifer Koh. In this piece, Koh takes on the role of a soothsayer and healer, guiding the orchestra through “five interconnected healing spells” that promise to captivate listeners.

On Saturday, the festival will present another exciting program called Chasing Light, which explores the themes of light and iridescence. This performance will include a “heart-pumping relay race through the orchestra,” creating an energetic and dynamic atmosphere. The program also features the world premiere of a new song cycle composed by Stacy Garrop for baritone Sidney Outlaw and soprano Michelle Areyzaga. Garrop’s work draws inspiration from the correspondence, papers, and speeches of Frederick Douglass and Susan B. Anthony, whose 45-year friendship was marked by shared ideals and mutual support. The composition vividly portrays their courage in the face of opposition, “painting their struggles in suffrage with vibrant historical hues.”

Throughout the festival, which runs until August 10, audiences can enjoy a wide range of events, including concerts, talks, workshops, and open rehearsals. These activities bring together over 20 composers, seven guest artists, and a world-renowned Festival Orchestra consisting of 72 professional musicians. The festival serves as a platform for emerging and established voices in contemporary music, fostering creativity and collaboration.

As the longest-running festival in the United States dedicated to new music and orchestral performance, the Cabrillo Festival of Contemporary Music remains a vital cultural institution. Its commitment to innovation and artistic excellence ensures that each season brings fresh perspectives and groundbreaking works to the stage. Whether attending a concert, participating in a workshop, or simply experiencing an open rehearsal, attendees are immersed in a world where music transcends boundaries and inspires change.

Justin Trudeau Smiles Through Stroll With Katy Perry Ahead Of Dinner Date

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Katy Perry and Justin Trudeau Share a Cozy Evening in Montreal

Katy Perry was recently spotted taking a relaxed walk through Montreal’s Mount Royal Park with former Canadian Prime Minister Justin Trudeau, setting the stage for an intimate dinner date. The outing has sparked widespread interest and speculation among fans, especially following Perry’s recent split from her longtime fiancé, Orlando Bloom.

The pair appeared to be on good terms during their stroll, with Trudeau smiling throughout the walk. They were later seen heading to Le Violon, an upscale restaurant in the city, where they dined together. According to reports, the couple maintained a level of decorum, with no public displays of affection. The chef who served them, Danny Smiles, confirmed that the pair visited the kitchen to personally thank the staff, further emphasizing their respectful demeanor.

Before heading to the restaurant, Trudeau dropped Perry and her pet off at the Ritz-Carlton, likely to freshen up and change into more formal attire. At the dinner, Perry seemed engaged in conversation with Trudeau, often leaning in across the table as they sipped cocktails. Their interaction suggested a comfortable and familiar relationship, leading many to wonder if there might be more to their connection than just friendship.

Social Media Reacts to the Outing

Fans took to social media to express their mixed reactions to the pairing. Some found the combination of the pop star and the former prime minister intriguing, while others questioned the appropriateness of such a meeting. One fan wrote, “Not even surprised. Probably the only world leader who knows all her songs by heart – and has a unique dance choreographed to each one of them!” Another expressed shock, saying, “Wow, I never would have thought about this combo!”

While some fans supported the pairing, others voiced concerns about the potential implications of such a relationship. One user commented, “Katy Perry is barking up the wrong tree; she's looking pretty desperate these days,” while another said, “This is the weirdest link-up.”

The Breakup with Orlando Bloom

Perry’s split from Orlando Bloom has been a topic of discussion, with sources suggesting that tensions between the couple arose due to the controversies surrounding her participation in a recent space trip. Bloom reportedly did not approve of her decision to join the all-female Blue Origin mission, which included other notable figures like Aisha Bowe and Lauren Sanchez.

According to insiders, Bloom had always been skeptical about the mission, believing it to be a “stupid idea” that would lead to backlash. He was frustrated and disappointed by Perry’s choice, despite knowing the potential consequences.

In addition to the space trip, the underwhelming reception of Perry’s latest album also contributed to the strain in her relationship with Bloom. A source told People Magazine that the singer was deeply frustrated by the negative reviews, which added stress to their already complicated dynamic.

Struggling with Composure During Performances

As part of her ongoing “Lifetimes” world tour, Perry has admitted that she struggles to maintain her composure while performing breakup songs. During a recent show in California, fans voted for her to perform “Not Like the Movies,” a song that references her split from Bloom.

Perry initially hesitated, asking, “You're gonna make me sing this song in this time in my life?” before agreeing to perform it. She then assured the audience, “I'm gonna try not to cry. Don't worry. I won't cry.”

She explained that the song dates back to her first divorce from ex-husband Russell Brand, adding that she would attempt to hold her composure when singing “The One That Got Away” a week before her period. Her candid remarks highlighted the emotional challenges she faces while navigating both her personal life and professional career.

Razer Blackshark V3 Pro Review – Soaring to New Heights

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Design and Features

The Razer BlackShark V3 Pro maintains a design that's familiar to those who have used previous iterations of the BlackShark lineup. It features thin, aluminum yokes that extend outward as telescoping arms for fit adjustments. The headband is made of flexible aluminum wrapped in a leatherette upper with a padded sports mesh cushion underneath for comfort. Despite its weight of 376g, it feels lighter due to its thoughtful design.

The earcups are oval-shaped, giving the headset a pilot-like appearance but with a slim profile and rounded edges that prevent it from feeling bulky. The earpads are made with dense memory foam and wrapped in a velvety sports mesh for breathability. This combination ensures comfort during long gaming sessions without causing fatigue. Unlike some other headsets, the sports mesh minimizes sweat around the ears, making it ideal for extended use.

On the right earcup, there are buttons for cycling through EQ presets, adjusting chat volume, and toggling ANC and ambient modes. These settings switch quickly, eliminating the need to hold a button or wait for changes. On the left side, there is a mic mute toggle, power button, USB-C charging port, and microphone jack. A master volume knob protrudes from the left earcup for easy access, allowing digital volume control on the platform being used.

The BlackShark V3 Pro also includes a 45-degree inward swivel for the earcups, which makes it easier to store when not in use. While not as wide as some other headsets, this feature adds convenience. Additional features include active noise cancellation, simultaneous audio, and a wired analog input. The ANC is strong at its highest setting, though it can affect sound tuning if overused. Simultaneous Bluetooth allows for an additional audio feed, useful for mobile devices. A USB-C to 3.5mm converter is included for compatibility with various devices.

Software and Battery Life

Razer Synapse remains a crucial part of the BlackShark V3 Pro experience, offering customization options for EQ settings and other features. While the software can be finicky, it works well enough to bring out the best in the headset. Customization is primarily focused on EQ settings, which are essential for optimizing performance. Synapse includes built-in profiles for popular games like Counter-Strike 2, Valorant, and Call of Duty Warzone. Users can also create custom EQ settings across 10 bands.

Other settings include ANC/ambient noise control, simultaneous audio mix, and audio enhancements such as bass boost and vocal clarity. Features like sidetone and noise gate levels are available, along with microphone tweaks. All settings are saved on the headset itself, ensuring preferences are maintained even without Synapse.

Battery life is rated at 70 hours, and real-world usage typically matches this. Factors like ANC, HyperSpeed latency, and simultaneous audio affect actual battery life. From personal testing, a full charge lasted about 50 hours over a week, which is more than sufficient for most users.

Sound Quality and Performance

Sound quality is a key highlight of the BlackShark V3 Pro. It delivers balanced and punchy audio, with spatial audio performance that enhances the gaming experience. While not as bass-heavy as some competitors, the default EQ settings offer good bass response. Users can adjust the EQ to suit their preferences, with many finding a universal profile for both music and games.

Testing across different games, including Call of Duty: Warzone and Counter-Strike 2, showed improved soundstage and audio cues. The positional audio and overall sound quality reflect improvements in the 50mm drivers, which reduce distortion and enhance detail in both games and music.

The microphone, while not as strong as the previous model, still performs well compared to other premium headsets. In recordings, the voice came through clearly and warmly, rivaling models like the Audeze Maxwell and SteelSeries Arctis Nova Pro.

Purchasing Guide

The Razer BlackShark V3 Pro is available for $249.99 at retailers like Amazon and directly from the Razer Store. It comes in a white color scheme to match the PlayStation 5 and a black variant with green stitching for Xbox users. The latter is recommended for Xbox players due to wireless connectivity requirements.

Scouted: Hate Running? This Treadmill Turns Exercise Into a Game

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A Unique Approach to Fitness

For those who are serious about running, the Aviron Victory treadmill might not be the best choice. However, if you're looking for creative ways to stay motivated and push through your workouts, this treadmill offers a fresh and engaging approach that can help you stay committed to your fitness goals.

Design and Features

The Aviron Victory treadmill is designed with practicality in mind. It has a low deck that sits just four inches tall at its highest point, making it feel more like running outdoors. The treadmill comes with a 22-inch touchscreen monitor that provides a variety of entertainment options. In addition to standard streaming services like Netflix, YouTube, Amazon Prime Video, and Hulu, the Aviron Victory includes apps such as Kindle and TikTok, allowing users to continue their reading or scrolling without interrupting their workout.

The treadmill also supports native music streaming from Spotify and Apple Music, offering a seamless experience for users who want to enjoy their favorite tunes while exercising. But what truly sets the Aviron Victory apart is its integration of games that make working out more enjoyable.

Gamification of Workouts

One of the standout features of the Aviron Victory is its gamified approach to exercise. The treadmill includes brightly colored, addictive games that encourage users to push their limits. For instance, one game involves using speed and incline to control a fire hose and put out fires in an endless row of burning buildings. Increasing the pace boosts water pressure, while adjusting the incline allows users to aim at different levels of the building.

Another game transforms running into a thrilling adventure, where users navigate a flying car around an illustrated lava lake, collecting points by passing through Sonic-style rings. This kind of interactive gameplay makes even the most mundane workouts exciting and engaging.

Personalization and Competition

The Aviron Victory allows users to create unique profiles for each member of the household. This feature enables friendly competition, as users can challenge each other for high scores. If you have friends who also own an Aviron treadmill, you can host real-time competitions. For those seeking more motivation, there are global leaderboards where users can compete against others worldwide. Additionally, the treadmill allows users to compare their current performance with their past runs, providing a sense of progress and achievement.

Virtual Environments and Training

For those who prefer a more relaxing workout, the Aviron Victory offers virtual environments that transport users to scenic locations. Imagine walking through the winding streets of Ribeauvillé, France, or exploring the sweeping mountains of Oregon’s Lewis and Clark National Park. These videos include ambient sounds that enhance the immersive experience, and the video speeds up to match the user's pace, creating a natural and enjoyable workout environment.

Trainer-led classes are also available for those who want to push their limits and improve their performance. Whether you're looking to stay motivated, relax, or challenge yourself, the Aviron Victory offers a variety of options to suit different preferences.

A New Perspective on Fitness

While there are many treadmills on the market that promise to help users run faster, farther, and with better form, the Aviron Victory takes a different approach. Instead of focusing solely on physical performance, it emphasizes making the workout experience fun and engaging. This shift in focus can be incredibly beneficial for those who struggle with staying motivated.

Although the Aviron Victory may not have made me look forward to jogging, it has successfully distracted me during my workouts. By taking my attention away from the clock, I've found that time passes more quickly, and I'm able to complete my sessions without feeling like I'm stuck on a treadmill. Plus, the possibility of earning a spot on the monthly leaderboard adds an extra layer of excitement.

Ultimately, the Aviron Victory treadmill is a great option for anyone looking to make their workouts more enjoyable and effective. With its combination of technology, gamification, and virtual environments, it offers a unique and compelling way to stay active and engaged.