Jazz legend passes while immersed in her passion

A Legacy of Jazz and Innovation

Sheila Jordan, a legendary jazz singer known for her pioneering work in bebop and scat singing, has passed away at the age of 96. Her death was shared by her daughter, Tracey, through an Instagram post on Monday, August 11. In the message, she described how her mother peacefully passed away at 3:50 p.m., surrounded by music that defined her life. Joan Belgrave, a close friend, played a bebop tune called “Bill for Bennie” by Jordan’s late husband, Marcus Belgrave, as Sheila drifted off to sleep.

Tracey expressed gratitude for the support received from the jazz community and mentioned that funds raised on her mother's GoFundMe page would be used to pay off medical debt and secure a plot for her at Woodlawn Cemetery in the Jazz Corner. A memorial service is planned for the future at Saint Peter’s Church in New York City.

Early Life and Career

Born in Detroit on November 18, 1928, Jordan was raised by her grandparents in Pennsylvania. She moved to New York in the 1950s, where she married Duke Jordan in 1952. During this time, she studied under Lennie Tristano and began performing in jazz clubs, laying the foundation for her influential career. According to AllMusic, despite having a relatively small voice, Jordan made the most of her instrument, earning recognition as one of the most consistently creative jazz singers.

Scott Yanow, a respected jazz historian, praised Jordan for her ability to improvise logical lyrics that often rhymed, her superb scat singing, and her emotional interpretation of ballads. He noted that her contributions helped pave the way for later artists such as Norah Jones and Diana Krall.

Musical Contributions and Achievements

Jordan's career saw her featured on George Russell’s 1962 rendition of “You Are My Sunshine” for his album “The Outer View (Riverside).” The following year, she released her debut album, “Portrait of Sheila,” becoming one of the few singers to lead her own project through Blue Note Records. However, it took a decade before she returned to the music scene, collaborating with Carla Bley, Roswell Rudd, and co-leading a group with Steve Kuhnin in the late 1970s.

By the 1980s, Jordan was recording as a leader for numerous projects, including her final album, “Portrait Now,” released in February. Among her many accolades, she was honored as a 2012 recipient of the National Endowment for the Arts, the nation’s highest honor in jazz.

Recognition and Impact

In a press release announcing her passing, the NEA highlighted Jordan’s exceptional talent as a scat singer and her ability to reach emotional depths in ballads. Whether performing well-known standards or original material, she brought a unique voice to every song. Beyond her musical achievements, Jordan also dedicated herself to education, teaching at the City College of New York and serving as a faculty member for Jazz in July at the University of Massachusetts at Amherst and the Vermont Jazz Center in Brattleboro, Vermont. She conducted workshops internationally, further cementing her legacy as a mentor and educator.

A Lasting Influence

Sheila Jordan’s impact on the world of jazz is undeniable. Her innovative style and dedication to the art form left an indelible mark on the genre. From her early days in New York to her later years as a revered figure in the jazz community, she inspired generations of musicians and fans alike. As her family prepares for a future memorial service, the jazz world mourns the loss of a true pioneer who helped shape the sound of modern jazz.

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Rascal Flatts Returns to Iowa State Fair for 25th Anniversary Tour

Rascal Flatts' Return to the Iowa State Fair: A Nostalgic Performance with Mixed Results

Country trio Rascal Flatts made their third appearance at the Iowa State Fair, bringing with them a mix of nostalgia and high expectations. The band, consisting of Gary LeVox on lead vocals, Jay DeMarcus on bass guitar, and Joe Don Rooney on lead guitar, is currently on a 2025 tour titled "Life is a Highway Tour," celebrating their 25 years of performing together at the Grandstand.

In 2020, the group announced they would be taking a break after two decades of music-making, followed by a planned tour. However, the pandemic forced the cancellation of that tour. They officially disbanded in 2021, but it seems the band couldn't resist marking their silver anniversary with a new album and a series of shows.

As the lights dimmed, the band opened with Thin Lizzy's "The Boys Are Back in Town," setting the tone for an evening filled with hits from their extensive catalog. LeVox took the stage, reflecting on the past 25 years of Rascal Flatts. He humorously noted how technology has evolved since their early days, when cassette players were the norm, and now everything can be streamed directly to a phone.

Despite the nostalgic sentiment, the performance had its challenges. The band played a series of hits back-to-back, which left the audience struggling to keep up. The energy was high, but the lack of structure made it difficult to build momentum throughout the set.

LeVox's vocal performance remained strong, showcasing his signature voice that has defined country music over the years. His delivery of slower songs like "My Wish" and "Bless the Broken Road" was particularly moving, with the crowd singing along in unison.

However, the live mix posed some issues. The powerful instrumentation, including heavy bass and loud guitars, often drowned out LeVox’s voice, making it challenging for the audience to hear him clearly. This issue was especially noticeable during moments where he invited the crowd to sing along.

The band also introduced a new track, "I Dare You," a collaboration with The Jonas Brothers. The song, part of their latest album "Life Is a Highway: Refueled Duets," showcased their creative evolution while still maintaining their signature sound.

The evening also featured opening act Neal McCoy, who delivered a high-energy set that resonated with the audience. Known for his 90s hits, McCoy brought a mix of classic country and rock n roll, engaging the crowd with his charisma and storytelling.

McCoy’s performance included songs like "The Shake" and "No Doubt About It," as well as a medley of rock n roll classics. His ability to connect with the audience and his smooth baritone voice made for a memorable opening act.

The show concluded with Rascal Flatts’ encore, featuring their hit "Life Is a Highway." The performance served as a fitting end to the evening, highlighting the band's enduring appeal and their ability to bring people together through music.

As the Iowa State Fair continues, the Grandstand remains a hub for entertainment, with upcoming acts like American rock-and-roll tribute band Hairball set to take the stage next. The fair offers a variety of experiences, from food to music, making it a must-visit event for locals and visitors alike.

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Alabama's Link to the Rock Legend Behind a Classic Hit

A Legacy of Music and Friendship

Bobby Whitlock, a key figure in the creation of one of rock’s most iconic albums, "Layla and Other Assorted Love Songs," left an indelible mark on music history. Known for his work with Derek and the Dominos, Whitlock played the Hammond organ, provided backing vocals, and contributed to writing several tracks on the 1970 album. His role was particularly significant in the closing track, “Thorn Tree in the Garden,” which he wrote about the loss of his dog while living in Los Angeles. This deeply personal song became a highlight of the album, showcasing Whitlock's emotional depth and musical talent.

The Journey of a Musician

Whitlock's journey took him from Memphis to Alabama’s Muscle Shoals area in the early 2000s. He spent time in what had once been the reception area of the legendary Muscle Shoals Sound studio before moving to a home in Florence. There, he lived with his partner, musician Kim “Coco” Carmel. Their relationship led to several collaborative albums, featuring guest musicians such as country legend Willie Nelson. The two eventually married, forming a partnership that would last throughout their lives.

A Connection with Jason Isbell

Jason Isbell, a Grammy-winning singer and songwriter, grew up in the Shoals and Green Hill areas. He first encountered "Layla" at the age of ten, when he taped it off a local radio broadcast. The song left a profound impact on him, leading him to purchase the album on cassette and vinyl. Isbell often spoke of how the album shaped his musical journey and inspired his own career.

After Whitlock moved to Alabama, Isbell reached out to him, and they formed a friendship. They spent time together, playing songs and sharing their passion for music. Whitlock recognized Isbell's guitar skills and invited him to join him for a couple of shows, a gesture that meant a lot to Isbell. Their collaboration included appearances at the Muscle Shoals Songwriter Showcase, where Whitlock praised Isbell's talent on stage.

A Lasting Influence

Whitlock's influence extended beyond his work with Clapton and the Allman Brothers Band. He contributed to various other projects, including George Harrison’s "All Things Must Pass" and the Rolling Stones’ "Exile On Main St." His songs were also recorded by artists like Ray Charles, Cher, and Sheryl Crow, highlighting his versatility and talent.

Remembering a Friend

When news of Whitlock's passing spread, many in the music community expressed their grief. Eric Clapton, who had worked with Whitlock in Derek and the Dominos, shared his condolences on social media, honoring his friend and collaborator. Pattie Boyd, the muse behind "Layla," also paid tribute, recalling the fun times they shared at Friar Park.

Whitlock's legacy lives on through his music and the friendships he built. Kelvin Holly, a longtime guitarist with Little Richard, remembered him as a unique individual, describing how he would often spend mornings creating art from driftwood. His creativity and passion for life left a lasting impression on those who knew him.

A Timeless Classic

Fifty-five years after its release, "Layla" remains a timeless classic, celebrated for its powerful storytelling, innovative sound, and emotional depth. Whitlock's contributions to the album continue to resonate with fans and musicians alike, ensuring that his voice and talent will be remembered for generations to come.

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20 Cover Songs That Outshine the Original

The Power of a Cover: 20 Unforgettable Reimaginations

Cover songs have had their share of ups and downs over the years. From the rise of reality TV shows that brought back forgotten classics to the impact of iconic commercials that transformed pop tunes into emotional ballads, there's no denying that covers can be polarizing. However, when done right, a cover can elevate a song to new heights, revealing hidden depths and emotions that even the original artist might not have realized were there.

Here are 20 of the best cover songs that have left a lasting impression on music lovers around the world.

Please Please, Please Let Me Get What I Want – Gavin Clark

Originally by The Smiths, this track was reimagined by singer-songwriter Gavin Clark for the 2006 film This Is England. Clark’s version took the melancholic tone of the original and deepened it, adding a layer of despair and isolation that resonated with listeners. Although Clark passed away at the age of 46, his interpretation of the song remains a powerful tribute to the original.

Make You Feel My Love – Adele

Bob Dylan wrote "Make You Feel My Love" in 1997, but it was Adele who transformed it into a soul-stirring ballad. Her heartfelt vocals turned the song into a masterpiece, capturing the essence of heartache and longing. Adele herself praised the lyrics, saying they perfectly expressed what she wanted to convey in her music.

Hurt – Johnny Cash

Johnny Cash's rendition of "Hurt," originally by Nine Inch Nails, is one of the most haunting covers ever recorded. Cash's version, produced by Rick Rubin, turned the aggressive rock track into a somber reflection on life and regret. Trent Reznor, the original writer, was deeply moved by Cash's interpretation, calling it an emotional experience.

Valerie – Amy Winehouse

Amy Winehouse's take on "Valerie," originally by The Zutons, showcased her unique voice and talent. Unlike the original, which had a more upbeat vibe, Winehouse's version brought a sense of joy and celebration, highlighting her ability to make any song her own.

I Will Always Love You – Whitney Houston

Whitney Houston's version of Dolly Parton's "I Will Always Love You" became a defining moment in her career. Her powerful vocals transformed the country ballad into a soaring love song that resonated with audiences worldwide. Parton was impressed by Houston's interpretation, recognizing the emotional depth she brought to the track.

Go West – The Pet Shop Boys

The Pet Shop Boys' cover of "Go West," originally by The Village People, added a new dimension to the song. Their version, which incorporated elements of baroque music, celebrated the spirit of freedom and community. It became a beloved anthem, especially among football fans.

Torn – Natalie Imbruglia

Natalie Imbruglia's cover of "Torn," originally by Anne Preven, was a breakthrough for her. Her emotive performance turned the indie track into a powerful anthem, showcasing her talent for melodrama. The song became a massive hit and remains a fan favorite.

Nothing Compares 2 U – Sinéad O’Connor

Sinéad O’Connor's version of "Nothing Compares 2 U," originally by Prince, was a poignant and emotional performance. Her raw vocals and the accompanying video, which featured her crying over her late mother, made the song a timeless classic.

Red Red Wine – UB40

UB40's reggae version of "Red Red Wine," originally by Neil Diamond, became a definitive cover. Their chilled-out take on the song was so popular that even Diamond himself admired it. The track was later recognized as one of his favorite covers.

Emotion – Destiny’s Child

Destiny’s Child's slowed-down version of "Emotion," originally by Samantha Sang, brought a new level of sophistication to the song. Beyoncé's powerful vocals and the track's emotional depth made it a standout in their discography.

Fell In Love With A Boy – Joss Stone

Joss Stone's cover of "Fell In Love With A Boy," originally by The White Stripes, was a bold reinterpretation. Her soulful vocals and the production by Questlove gave the track a fresh and groovy feel, making it a standout in her early career.

At Last – Etta James

Etta James's version of "At Last," originally by Glenn Miller, was a defining moment in her career. Her jazzy interpretation brought a new level of sophistication to the song, making it synonymous with her legacy.

Fields of Gold – Eva Cassidy

Eva Cassidy's haunting vocal performance of "Fields of Gold," originally by Sting, was a posthumous masterpiece. Her pure and beautiful voice captivated listeners, and even Sting was moved by her interpretation.

Lilac Wine – Miley Cyrus

Miley Cyrus's cover of "Lilac Wine," originally by Hope Foye, showcased her growth as an artist. Her mature and emotionally charged performance surprised fans and demonstrated her versatility.

All Along The Watchtower – Jimi Hendrix

Jimi Hendrix's electric guitar-driven version of "All Along The Watchtower," originally by Bob Dylan, is considered one of the greatest covers of all time. Dylan himself preferred Hendrix's version, acknowledging its impact on his own performances.

Tainted Love – Soft Cell

Soft Cell's synth-pop version of "Tainted Love," originally by Gloria Jones, was a groundbreaking track. Marc Almond's tortured vocals and the ominous disco sound made it a classic that continues to resonate with listeners.

Song to the Siren – This Mortal Coil

This Mortal Coil's haunting cover of "Song to the Siren," originally by Tim Buckley, was a standout on their debut album. Liz Fraser's ethereal vocals added a dreamlike quality to the track, which was later featured in David Lynch's Lost Highway.

Smells Like Teen Spirit – Tori Amos

Tori Amos's piano-driven version of "Smells Like Teen Spirit," originally by Nirvana, brought a different perspective to the grunge anthem. Her intense and claustrophobic interpretation highlighted the emotional depth of the song.

Running Up That Hill – Chromatics

Chromatics' retro-disco take on "Running Up That Hill," originally by Kate Bush, brought a phantasmagorical chill to the track. Their neon-lit soundscapes and Ruth Radelet's dramatic vocals made it a standout reinterpretation.

Hallelujah – Jeff Buckley

Jeff Buckley's version of "Hallelujah," originally by Leonard Cohen, is widely regarded as the definitive cover. His soulful and emotionally charged performance elevated the song to new heights, making it a timeless classic.

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Billy Joel Recalls Dad's Harsh Reaction to His 'Moonlight Sonata' Mistake

A Complex Relationship with a Musical Legacy

Billy Joel, the iconic "Piano Man," has always been known for his powerful music and storytelling. But behind the scenes, his relationship with his father, Howard Joel, was anything but harmonious. The five-time Grammy winner recently opened up about the complicated bond he shared with his late father, a classical pianist who had very strict views on music.

Strict Standards and Unforgiving Consequences

Howard Joel was a firm believer in following the original compositions of classical pieces. This meant that any deviation from the written score was met with disapproval. Billy recalled an incident during his childhood when he attempted to put his own spin on Beethoven’s "Moonlight Sonata." Instead of playing it in its traditional somber tone, he chose to make it more upbeat and energetic, influenced by the rock & roll music of the time.

This creative choice did not sit well with his father. “He came down the stairs. Bam! I got whacked,” Billy remembered. The impact was so severe that he was knocked unconscious for a minute. “And I remember waking up going, 'Well, that got his attention.' And that was my memory of his piano lessons. So, he didn't teach me much.”

A Lack of Support and Understanding

Billy's sister, Judy Molinari, provided additional insight into their father's approach to music and parenting. She explained that Howard never showed much kindness or understanding towards Billy's musical talent. “He didn’t really see it. And with Howard, classical music, it had to be strict by the book. Exactly how, say, Beethoven wrote it.”

The tension between Howard and Billy was evident not only in their musical interactions but also in their family life. Billy mentioned that he never saw his parents having fun together during his childhood. “I saw stuff with them when I was a little kid that was not, not good. Things were very tense between them.”

A Divorce That Brought Relief

The couple eventually divorced in the 1950s, which Billy and his sister found somewhat relieving. “We were actually a little 'relieved' when our parents eventually got divorced... because then there wasn't gonna be any more arguments or fighting or any of that scary stuff moving forward.”

After the divorce, Howard moved back to Europe, and Billy never really had the chance to get to know him. Instead, he looked up to his maternal grandfather, Philip Nyman, who became the dominant male figure in his life. “He was the dominant male figure in my life. Brilliant man. He was a big influence on me.”

Reconnecting After Years Apart

Despite the distance, Billy would eventually reconnect with his father in his early 20s when he found Howard living in Vienna. Their relationship, though strained, eventually led to a moment of reconciliation. The two even shared the stage together during Billy’s 1995 concert in Nuremberg.

A New Documentary Explores the Past

The first installment of Billy Joel: And So It Goes, an HBO documentary exploring his life and career, is now available on HBO Max. The second episode is set to air on July 25. The documentary offers a deep dive into Billy's personal history, including his complex relationship with his father and the challenges he faced growing up.

Through this documentary, fans and viewers get a rare glimpse into the life of one of music's most beloved artists, shedding light on the influences and experiences that shaped his journey.

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Brian May's Favorite Song: Technically Incredible and Unpredictable

A Legacy of Rock and Roll: Brian May's Musical Inspirations

Brian May, a name synonymous with rock and roll, has carved out an indelible mark as the lead guitarist and co-founder of Queen. His contributions to the band have not only shaped its iconic sound but also influenced generations of musicians worldwide. As he celebrates his 78th birthday today, it’s a fitting time to reflect on the musical influences that helped mold his legendary style.

May's role in Queen extended beyond just playing guitar; he was a vital force behind many of the band's most memorable tracks. From the electrifying riffs of "Don't Stop Me Now" to the powerful melodies of "Brighton Rock," his work has left an enduring legacy. Fans often find themselves mesmerized by his unique approach to the instrument, which blends technical mastery with emotional depth.

In a 2013 interview, journalist Liz Barnes from My Planet Rock asked May to share some of his favorite tracks that have influenced his career. One of the songs he highlighted was Rainbow's "Since You've Been Gone." He described it as "quintessential" and praised the song's blend of pop rock elements with a strong rock foundation. May also commended Ritchie Blackmore's guitar work, calling him a trailblazer and technically incredible musician.

"It's uncompromising, it's a great song, and it's brilliantly played," May said. "People don't talk about Ritchie Blackmore enough. I don't know why. But he was such a trailblazer and technically incredible, unpredictable in every possible way, which is great."

May's admiration for Blackmore was mutual, as evidenced by a video where he shared his initial impressions of Queen. He recalled hearing them perform a song about a train around 1974 or 1975, which left a lasting impression on him. He was particularly struck by Freddie Mercury's vocal talent, noting that Mercury had a voice that combined the power of Ronnie James Dio with an operatic flair.

"I've noticed that Freddie Mercury has a cross between Ronnie (James) Dio and almost like an operatic type of voice. To me, he was a true star; he knew exactly how to milk an audience. What a musician," May remarked.

He also praised Queen's other members, especially Brian May himself. "Some of the stuff they put down all those four-part harmonies... very, very clever stuff. Of course there's Brian, who is probably one of the nicest guys in the business. A brilliant guitar player to boot."

Reflecting on their collaboration, May added, "I've worked with Brian on other stuff, and he is such a nice man. He is a bit too tall, but he can't help that. They are a wonderful band, an excellent band, and I was very surprised that they did so well in America."

Beyond "Since You've Been Gone," May's list of favorite tracks includes Queen's "Made in Heaven" and "I Want It All," as well as Black Sabbath's "Paranoid," Buddy Holly's "Maybe Baby," and his work with Kerry Ellis, "Anthem." These selections highlight the diverse range of influences that have shaped his musical journey.

As fans continue to celebrate Brian May's contributions to music, it's clear that his passion for rock and roll remains as strong as ever. His legacy is not just in the songs he played but in the inspiration he continues to provide to aspiring musicians around the world.

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Earth Wind & Fire's Timeless Magic Shines in Kansas City Concert

A Legacy That Still Resonates

Despite the fact that only two original members are still part of the band, musical pioneers Earth, Wind, and Fire continue to captivate audiences after more than 50 years of creating soulful melodies. Since their formation in 1969, EWF has reached incredible heights, often regarded as one of the greatest bands of all time. Their iconic hits, such as "Boogie Wonderland," "Reasons," and "September," have become staples at family gatherings, and they kept a packed crowd at the Starlight Theater moving and grooving on a Friday evening.

The Kansas City concert felt like a family gathering, with fans from multiple generations dancing under the moonlight and singing along to the 20-song set. For many, the experience was deeply personal, rooted in memories that span decades.

Anitra Warren, for example, has been a fan since childhood and has seen the band perform nearly 10 times, including a concert at Arrowhead Stadium. She attended Friday’s show with several classmates from Southeast High, who graduated in 1979. “It’s just a good thing to listen to music and reminisce about all these different songs that came out at different times,” said Warren, now 63.

LaChelle T. attended the concert with her sister and the father of her children, Richard Mitchell. LaChelle and her sister, Portia King, grew up hearing Earth, Wind and Fire in their home. “It was my uncle,” LaChelle explained. “He would wash my grandmother’s car and sing those songs. I knew all the lyrics because of him.”

Sue Scott traveled from Cleveland to attend the concert for her 70th birthday. She and her friends, including Molly Whaley, tailgated before the event and wore custom earrings inspired by the band’s albums. “In all our family weddings, the first song played is ‘September,’” Whaley said. She and her sister, Kathy Barsness, made the trip from Iowa for the show.

When asked which songs they hoped to hear, many fans simply responded, “All of them.”

A Night of Musical Excellence

The concert began at 8:15 p.m., with the band launching into one of their most popular hits, “Shining Star.” Each member entered the stage wearing coordinating black and gold glittery ensembles, setting the tone for an unforgettable performance. The current lineup, led by original members Philip Bailey and Ralph Johnson, features a 12-member band. B. David Whitworth, who has been with the group since 1996, and Bailey’s son, Philip Bailey Jr., who joined in 2008, add to the vocal power of the ensemble. Each vocalist also plays an instrument, ensuring a well-rounded performance that highlights both their musical and vocal talents.

“There’s a party in Kansas City,” Bailey said to the crowd during the opening number. The Rock and Roll Hall of Fame band maintained the essence of their era, with synchronized dances, tambourine tosses, and constant audience interaction. Every musician on stage had a moment to shine, and throughout the show, images of the band’s history were displayed on the screen behind them.

Mitchell reflected on how EWF and other soul bands from the 1970s created music that resonated with people. “They tell stories based on their life, how they struggled to get where they are,” he said. “They are the pioneers of all this.”

A Grand Finale

Earth, Wind and Fire saved some of their most beloved songs for the end of the night. The final 15 minutes of the show featured “Fantasy,” “Boogie Wonderland,” and “September,” with almost the entire theater singing and dancing along. Before the closing number, “In the Stone,” Kansas City Mayor Quinton Lucas took the stage alongside Mayor Pro Tem Ryana Parks-Shaw and Councilmember Darrell Curls to declare the day “Earth, Wind and Fire Day.” This special recognition added a final touch to a high-quality, clean performance.

Lucas noted that Missouri Rep. Emanuel Cleaver II was among the audience members. “I am just amazed at how they truly still got it,” Parks-Shaw said after announcing the proclamation. The concert proved that Earth, Wind and Fire remain a powerful force in music, capable of bringing together generations through the timeless magic of their sound.

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Emotional Confession Never Shared Before Bandmate's Death

The Complex Legacy of Bob Bryar

The passing of Bob Bryar, the former drummer of My Chemical Romance, marked a significant loss for the music world. He passed away in November last year at the age of 44, with his body discovered at his home in Tennessee after weeks of silence. His death was particularly tragic, as it was reported that his body had already begun to decompose when found by authorities.

Frank Iero, the band's guitarist, shared a heartfelt tribute on Instagram, reflecting on their complicated relationship and expressing deep regret over not being able to say certain things to Bob. "I still don’t feel like this is real… people your age, your peers, the ones you shared so much time and experience with aren’t supposed to just suddenly leave your life forever," he wrote.

A Deep and Complicated Friendship

Frank described Bob as an enigma, someone who could inhabit both sides of any spectrum at once. He was a friend and bandmate, yet also a stranger for much of their lives. Their relationship was often characterized by long periods of silence, especially when they weren't actively performing together. Frank admitted that he would hear about what Bob was up to through rumors or online activity, but it never felt like he truly knew the person behind those stories.

Despite the distance, Frank recognized Bob's incredible talent and humor. He described him as "eccentric as f--- and funny as hell." However, Bob could also be mean and aggressive, often pushing people to their limits. Yet, when someone needed help, Bob was always the first to offer support.

Struggles and Regrets

Bob's struggles were evident, and Frank recalled an incident where Bob and his friends were scammed by a dog trainer, resulting in one of his dogs being killed. This event deeply affected Bob emotionally, leading to a rift within the band. Frank admitted that he tried to reach out to Bob during this difficult time, but the damage was already done.

"It was ultimately a bandaid that didn't hold," Frank said. "The damage was done and Bob was too far gone." He later had to inform Bob that he was being kicked out of the band. After that, Bob became increasingly isolated.

Unfinished Conversations

Frank expressed his regret over not being able to tell Bob he was sorry. "I don't think I ever got to tell him I was sorry," he wrote. He also wished he had finished the text conversation they had in September. These unfinished moments weighed heavily on him.

Fans responded to Frank's post with overwhelming support. Many praised the honesty and depth of his tribute, sharing messages of condolences and understanding. One fan wrote, "This is a beautiful tribute. I’m so sorry." Another commented, "The complexity of the relationship certainly reads out in a powerful and meaningful way."

A Lasting Impact

Bob Bryar's legacy continues to resonate with those who knew him, especially within the music community. His story highlights the complexities of friendship, the challenges of personal struggles, and the importance of communication. While some conversations may never be completed, the impact of his life and work remains profound.

Frank's tribute serves as a reminder of the deep connections that can form between artists, even amidst the chaos and confusion of life. It's a testament to the bittersweet nature of relationships that are both meaningful and painful.

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Iconic Nigerian Musicians Who Shaped Afrobeats

Afrobeats has become a global sensation, no longer just a regional music style. It has evolved into one of Africa's most significant cultural exports, with albums available on Spotify and Apple Music that fill playlists and sell out venues across Europe and the United States. Nevertheless, several prominent Nigerian artists laid the foundation long before stars such as Burna Boy, Wizkid, and Davido took the world by storm.

These pioneers established a unique musical style that has evolved into what is currently referred to as Afrobeats by blending modern sounds with traditional African rhythms. This article explores the prominent Nigerian artists whose innovations, challenges, and creative excellence contributed to Afrobeats becoming a global sensation.

1. Fela Anikulapo Kuti - The Originator of Afrobeat

It is impossible to start a conversation about Afrobeats without referencing Fela Kuti. While Fela's original Afrobeat style differs from Afrobeats (with an 's'), the link between them is undeniable. Fela merged jazz, funk, highlife, and traditional Yoruba rhythms to develop Afrobeat in the late 1960s. Moreover, he initiated a movement beyond just creating music.

Pulsating beats and sharp political critique were featured in his tracks like "Zombie"Water No Get Enemyand "Sorrow Tears and Blood." The lyrical courage, instrumental compositions, and sense of cultural pride found in modern Afrobeats are all evident examples of Felas' impact.

Today's musicians openly recognize Fela as a key influence, especially Burna Boy. Fela set the benchmark for future artists through his focus on African identity, self-expression, and addressing colonial histories. International artists such as Beyoncé, J, and Cole incorporate and reference his enduring music.

2. King Sunny Adé - The Master of Juju

King Sunny Adé has played a vital role in promoting Nigerian music on a global scale, even though his work isn't officially categorized as Afrobeats. Undoubtedly the monarch of Juju music, he developed a sound that is both accessible and uniquely Nigerian by combining guitars, synthesizers, and modern instruments with traditional Yoruba drumming.

He achieved recognition in international markets during the 1980s, performing on stages across the globe and earning a Grammy nomination—a rare feat for African artists at the time.

His impeccable stage performance, skilled guitar work, and authentic cultural background have influenced the professionalism and ambitions of current Afrobeats artists. African music, as showcased by King Sunny Adé, proved to be deeply rooted in tradition while also achieving global commercial success.

3. Ebenezer Obey - The Thinker Armed with a Guitar

Nigerian music was brought stories by Ebenezer Obey, a renowned figure in Juju music. His lyrics, often wrapped in appealing guitar melodies and rhythmic beats, regularly included social observations, moral teachings, and deep thoughts. Due to Obey's musical contributions, artists now perceive music as a tool for education and societal transformation, not just as a form of amusement.

His calm but engaging performance paved the way for artists who use music to explore issues such as poverty, corruption, and perseverance—themes that are common in numerous modern Afrobeats tracks.

4. Sir Victor Uwaifo - The Musical Prodigy with the Guitar

Renowned for his highlife songs such as "JoromiSir Victor Uwaifo merged contemporary musical equipment with his Edo traditions. Uwaifo, the first Nigerian artist to receive a gold record, is famous for his creative use of the electric guitar and lively stage shows.

Afrobeats artists were later encouraged to explore native sounds and local languages due to his innovation and uniqueness. His ability to blend pop elements with traditional myths showed future generations how to spread African storytelling more broadly.

5. Onyeka Onwenu - The Graceful Horse

Among the rare female artists who managed to thrive in the male-dominated Nigerian music industry during the 1980s and 1990s was Onyeka Onwenu, also referred to as The Elegant Stallion.

Her music addressed themes such as nationalism, love, and women's rights. She created a style that was both aware and marketable by combining pop, highlife, and Igbo traditional music. Her well-known songs include "One Love" and "Iyogogomirrored the values that contemporary Afrobeats musicians often promote: unity and cultural heritage.

Today's stars such as Tiwa Savage, Tems, and Ayra Starr owe their success to her example, proving that female artists could achieve both commercial success and cultural significance.

6. Majek Fashek - The Rainmaker

By combining reggae with African rhythms and messages of spiritual freedom, Majek Fashek brought the genre into the Nigerian mainstream. His 1988 hit "Send Down the Rain" is still considered one of Nigeria's most renowned songs. He had broad popularity and incorporated elements of rock, soul, and reggae into African music. Future Afrobeats artists who aimed to convey African stories in a global context found motivation in Majek's activism and international outlook.

His performance on MTV and other global stages showed that Nigerian artists could reach the world while maintaining their core message.

7. Daddy Showkey - The Ghetto Soldier

Through Galala, a dance and music style that began in the streets of Ajegunle, LagosDaddy Showkeybrought the experience of the ghetto into Nigerian popular culture during the late 1990s and early 2000s. Although it was a time of change, it raised the profile of street culture and regional music. Success didn't necessarily have to originate from elite backgrounds, as shown by artists such as Showkey.

Influential artists such as Olamide, Zlatan, and others who later became prominent in street-pop enriched the variety of Afrobeats, with their music highlighting the struggles and energy of everyday Nigerians.

8. 2Baba (previously 2Face Idibia) - The Pop Prophet

Maybe the connection between today's Afrobeats scene and Nigeria's older musicians was 2Baba. His 2004 single, African Queen, sparked a cultural shift. Nigerian pop music received global attention because of this track, which also marked a move towards the appealing romantic style that defines much of Afrobeats nowadays.

Once part of Plantashun Boiz, 2Baba introduced a sense of purity and genuine emotion to African rhythms, reggae, and R&B. His widespread appeal among the diaspora and across Africa proved that Nigerian pop music had global market potential. He became a role model for a new wave of Afrobeats musicians who saw commercial music as both an artistic expression and a viable business.

9. D'banj - The Performer Who Brought Africa to the Global Stage

In the mid-2000s, Dbanj and producer Don Jazzy revolutionized the Nigerian music scene. Hits such as "Oliver Twist", Why Me" and "Tongolo" were issued by their label MoHits Records and entered the UK charts.

Dbanj played a key role in shaping the Afrobeats pop culture identity through his charm, performance style, and international outlook. He joined Kanye West's G, which provided new opportunities. Okay. Oh. D Music and collaborated with Big Sean and Snoop Dogg. He showed Afrobeats artists that the global stage was not only accessible but also attainable. His bold branding and marketing approach have since been copied by Davido and Wizkid.

10. P-Square - The Musical Pair That Transformed African R&B

The African pop music scene was transformed by the duo Peter and Paul Okoye, widely recognized as P-Square. They gained widespread popularity across the continent due to their lively performances, memorable tracks, and stylish dance routines. Songs like "Do Me," "Personally," and "No One Like You" played a key role in shaping the rhythmic, danceable, and widely loved sound that became known as Afrobeats. Nigerian music received global attention thanks to P-Square's commercial achievements, worldwide tours, and collaborations (including with artists like Akon and Rick Ross).

Conclusion: The Giants Whose Shoulders Uphold Afrobeats

Afrobeats didn't emerge suddenly. It is the outcome of many years of creativity, resistance, happiness, and persistent innovation. Current global artists are inspired by the musical narratives and self-assurance developed by the aforementioned pioneers.

They merged contemporary styles with traditional rhythms, performed in their native languages, and had the courage to envision beyond Africa's borders. From Fela's rebellion to 2Baba's soulful sound, influenced by Sunny Adé's global outlook, and Dbanj's entertainment style, these trailblazers paved the way for today's Afrobeats musicians. The legacies of these musical icons remain vital and significant as Afrobeats gains worldwide popularity. Besides producing music, they also made history.

Published by Daily News.

Tagged: Nigeria, Music, West Africa, Arts, Culture and Entertainment

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The Kutis, Uzama, and 8 Iconic Families in Nigerian Music

Nigerian music is fortunate to have skilled families that have given rise to people whose contributions have influenced various sectors of the industry.

These families have made a lasting impact on Nigerian music through the Afrobeat icon Fela Kuti the music of sociopolitical justice, which has been carried on by his descendants, is associated with the pioneer of Fuji musicAlhaji Sikiru Ayinde Barriser whose son Barry Jhayis influencing street pop music.

The Uzamas brothers Shallipopi, ZerryDL, and Famous Plutothe newest musical family whose efforts are bringing attention to the benin creative center and injecting an exhilarating energy into nigerian hip hop.

These are the 10 most prominent families in Nigerian music.

1. The Kutis - Fela Kuti, Yeni Kuti, Femi Kuti, Seun Kuti, Made Kuti

The Kutis, led by the lateAfrobeat pioneerFela Anikulapo Kutiare the most renowned music family in Nigerian music.

The unrest and courageous demands for sociopolitical fairness he expressed through his music have been carried forward by his offspring.Yeni, Femi and Seun, and his grandsonMade. Between them, The Kutis have received 8 Grammy nominations.which indicates their position as a global superpower.

The New Afrikan Shrine in Lagos serves as a spiritual hub for the Fela family.and a representation of fairness for the average person.

2. Ayinde Baloguns - Alhaji Sikiru Ayinde Barrister, Barry Jhay

Alhaji Sikiru Ayinde Barristerhad a significant influence on the Yoruba people, Nigeria, and the global stage by introducing Fuji Music, which is now one of the most widely appreciated musical styles being further developed by other renowned Fuji artists.

The tale handed down his skills to his offspring Barry Jhayone of the unique voices in Nigerian popular music.

3. The Uzamas - Shallipopi, ZerryDL, Famous Pluto

The Uzama brothers Shallipopi, ZerryDL, and Famous Plutothe newest musical family whose efforts are bringing attention to the benin creative center and injecting an exhilarating energy into nigerian hip hop.

Employing lively pidgin English, energetic rap rhythms, and eye-catching production, they have created a street anthem that has propelled them to fame.

4. The Uwaifos - Sir Victor Uwaifo, Andre Vibez

Sir Victor Uwaifo fondly called The Guitar Boy was among Nigeria's most renowned musical iconswhose contributions shaped the 70s and 80s. His popular song 'Mami Water' remains a timeless favorite across generations.

His influence is being furthered by his son, a music producer.Andre Vibez who is the person behindRema'his record-setting hit 'Calm Down'.

5. The Apatas - Niniola, Teni

Sisters Niniola and Teni are two of Nigeria's top vocalists whose sounds have captivated audiences over the past ten years.

The elder sibling Niniola carved a reputation for herself through her mesmerizing mix of Afrobeats and House music that gained her recognition.the Queen of Afro-House title.

Teni's strong voice, impressive range, and catchy personality have been evident in her numerous successful songs that have made her a well-known figure.

6. The Oyebanjos - D'banj, Kayswitch

Multi-award-winning Afrobeats legendD'banjhe requires no introduction, as his influence significantly boosted the global popularity of Afrobeats.

His influence also reaches the career of his younger brother.Kayswitch whose popularity was defined by the launch of several unforgettable hits.

7. The Ajerehs - Don Jazzy, D Prince

BrothersDon Jazzy and D Prince have a strong heritage in Nigerian music that began during their time at Mo'hit record, led by thepowerful team of Don Jazzy and D'banj.

Don Jazzy is considered the top producer and label head in Afrobeats. His brother D'Prince also achieved success as a popular music creator and as a label boss with his own imprint.Jonzing Worldwhich played a key role in the achievements of Rema and Ruger.

8. The Adedejis - DJ Enimoney, Olamide Baddo

Nigerian hip hop iconOlamide Baddo has captivated audiences with his popular tracks for 15 years. His record label YBNL has also played a key role in the rise of numerous stars, reflecting his legacy as one of the most influential personalities in Nigerian music.

His brother DJ Enimoney is a highly regarded DJ whose music has influenced the mainstream through popular tracks such as 'Codeine Diet'.

9. The Otedolas - DJ Cuppy, Tolani

Daughter of Nigerian billiionaireFemi Otedola, DJ Cuppy became well-known as a DJ and musician who has collaborated with various Afrobeats artists such asTekno, Zlatan, Fireboy, and more.

Her sister Tolani is an artist whose soothing tunes and character have enabled her to create a group of devoted followers.

10. The Ogulus - Burna Boy, Nissi

Grammy-winning star Burna Boyis among Nigeria's top musicianswhose contributions have documented numerous significant milestones in Nigerian music.

His younger sister, Nissi, is also a gifted musician who has received multiple accolades, including being featured on Forbes Africa's Women Impact List.

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Moroccan Surgeons Face Criticism for Playing Chaabi Music in the Operating Room

A video that went viral featuring Moroccan surgeons listening to loud traditional "chaabi" music and even dancing while performing surgery has caused significant public anger in Morocco, leading to calls for an official inquiry by the Health Ministry.

The video, which started spreading extensively on social media Monday night, shows a group of healthcare workers carrying out a surgical operation with lively Moroccan traditional music playing in the background. This incident has led many people from Morocco to doubt the professionalism of the medical personnel and the overall condition of hospital practices in the nation.

Although the Daily NewsAR made several efforts to secure an official response from the Ministry of Health and Social Protection, no formal statement or explanation had been released at the time of publication. In the meantime, public dissatisfaction keeps increasing, with many demanding an investigation into when and where the video was filmed, as well as the identities of the healthcare workers involved.

Health professionals and union representatives provided varied responses, which significantly contrasted with the prevailing online public opinion. In an interview with Daily NewsAR, Ali Lotfi, leader of the Moroccan Network for the Right to Health and the Right to Life, mentioned that employing music in operating rooms is not a novel concept and is, indeed, a standard procedure in numerous Western hospitals to help alleviate stress among surgical staff.

"The error," Lotfi stated, "wasn't the music per se, but the selection of genre—loud, energetic 'chaabi' music—which is completely contrary to the soothing atmosphere usually desired during surgery." He further noted that "dancing during a surgical operation is inappropriate," and pointed out the absence of definitive national regulations regarding music in operating rooms.

Karim Belmokadem, the head of the National Union of Public Health within the Democratic Federation of Labor, also highlighted that playing music in operating rooms is widely acknowledged for its healing impact in reducing stress among both patients and medical personnel. Nevertheless, he pointed out that the debate should encourage a more extensive discussion on enhancing healthcare facilities and oversight, instead of concentrating only on the selection of music.

A surgeon in active practice, who communicated with Daily NewsAR while remaining anonymous, emphasized the importance of confirming the video's authenticity, background, and location before forming any conclusions.

"At this stage, we are still uncertain if the scene occurred in a public or private establishment," the source mentioned, noting that numerous surgeons employ soothing music, like classical or instrumental pieces, to help reduce stress during intricate procedures.

The public's surprise," the physician clarified, "stemmed from the lively quality of the music and the bodily responses it triggered, which seemed inappropriate in a clean, intense setting.

As the video keeps circulating online and sparks public discussion, the lack of an official statement from health officials has further increased public worry. Many are now expecting specific measures from the ministry, either through a disciplinary investigation or more defined national guidelines regarding conduct and environment within operating rooms.

The post Moroccan doctors face criticism for playing 'chaabi' music while performing operations appeared first on Daily News International - Morocco News.

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How Chorale de Kigali Cultivates Timeless Musical Excellence

Rwanda's leading Catholic choir, Chorale de Kigali (CDK), has remained consistent with its identity and delivered exceptional live musical performances, spiritual expression, and talent development for over six decades. The choir has overcome challenges associated with a world where musical trends change quickly and vocal authenticity is often overshadowed by digital enhancements. ALSO READ: Chorale de Kigali to celebrate World Music Day with 'Voices in Harmony Concert' Their latest concert on the occasion of World Music Day held at Kigali Universe left the audience of classical music enthusiasts amazed and moved by the talent each chorist displayed. "Chorale de Kigali is more than a Catholic choir," said Rwandan Minister of Foreign Affairs and International Cooperation, Olivier Nduhungirehe, a passionate music lover. From singing works by Handel, Mozart, Chopin, or Rwandan composers to performing Mozart's Le Mariage de Figaro, Rossini's Le Barbier de Séville, and other classical plays with perfection, Nduhungirehe described the choir as the Opéra de Kigali made up of musical virtuosos with incredible voices. Founded in 1963 by seminary-trained musicians such as Claver Karangwa, Leon Mbarushimana, Callixte Kalisa, Paulin Muswahili, and Saulve Iyamuremye, the choir initially started as a men-only ensemble inspired by the choral traditions of Catholic seminaries. Over time, it has evolved into a powerful and inclusive platform with over 150 active members, 60% of whom are young people, dedicated to the craft of live performance and vocal mastery. ALSO READ: When live performances become Rwandan music’s weak link A choir that builds voices from the ground up Germaine Utembinema is one of the longest-serving members in the choir, having joined in 1999 as a teenager. She stated that Chorale de Kigali is more than just a musical group but a nurturing family. "I came without knowing anything," she told The New Times, "But I've come to learn how to sing, about legendary performers, and how to evaluate vocal abilities." Through mentorship, regular rehearsals, and inspiration from global talents, Utembinema developed her soprano skills and grew both spiritually and musically. Rehearsals are taken seriously and occur three times a week in the evenings after work. Each session lasts two hours and focuses not only on individual vocal improvement but also on team coordination. "Our trainers usually tell us that we should remember we have a lot to give the audience. You are the best person in the hall. It's also amazing to see people turn up for you. The more you get used to it, the more it encourages you and eventually helps you deliver a great performance," she said. "We were fortunate to get the best trainers who encouraged us to learn from others who had done it perfectly. By that time, technology had already been introduced and helped us learn more lessons from them. It grew and was benchmarked against others. We shared lessons with other choirs, we practiced, and that's how we grew," she added. "If over 100 people can sing well in harmony, you can imagine the energy and discipline it takes," explains Jean Claude Byiringiro, a trainer and long-time member who joined in 1994, just months after the Genocide against the Tutsi. However, the genocide almost destroyed the choir. Many members were killed or forced into exile. "It was almost no more," said Byiringiro, who was then a young seminarian. "Reviving it took only three committed individuals but music lovers soon joined, including students from universities and seminaries." ALSO READ: Challenges affecting the growth of Rwanda’s music industry Among those who helped resurrect the choir was Jean Claude Hodari, the current president. He credits the role of resilience and structure in the choir's rebirth. "We were registered as a non-profit organisation aiming to develop written music to international standards," Hodari says. He explained that aspiring members go through a three-month probation period after submitting a formal application. During this time, their vocal range, be it soprano, alto, tenor, or bass, is assessed, or their instrumental talent is evaluated. Upon approval by a general meeting, they are officially inducted into the choir. However, talent development doesn't stop at vocal training. "We also train them how to compose," says Byiringiro. "Special time is dedicated to soloists, helping them deliver performances at a world-class level." "Just like how one joins a team as a newbie, it's the same when joining a choir. Trainers help the person take some steps until they reach a satisfying level. It's a similar situation in the choir as well. In the choir, there's teamwork, and that's where we place most of our focus. For everyone who sings, we're now exceeding 100 people. If all those people stand together to sing—and sing well—you can imagine the energy it takes," he explained. Chorale de Kigali's mission extends beyond singing in church. They interpret global musical history for Rwandan audiences, performing pieces that span centuries and continents, from 15th-century European compositions to traditional Rwandan melodies arranged in Pentatonic scales. Some of the music in their repertoire dates back to 1400 BC, originally played in Syria, and includes Greek music from 100 BC. During the World Music Day concert on June 21, they performed a rich fusion of classical and contemporary sounds, performing pieces like Turate u Rwanda, Tiritomba, Chiquitita, and the UEFA Champions League Anthem. With each piece, the choir illustrated how human stories and emotions can be conveyed across languages and generations through live performance. Embracing modernity while staying rooted To keep their sound fresh and relevant, the choir has recently started integrating modern instruments such as the violin, flute, trumpet, saxophone, and violoncello, many played by foreigners and local collaborators. "We are recruiting new talent to spice up our performances," Hodari says. "Live instrumentation is something we're expanding to inspire young Rwandans and grow their love for this kind of music." At its core, Chorale de Kigali remains committed to live, unfiltered music. Every note performed is real, every harmony rehearsed, and every voice shaped with intention. Whether singing sacred hymns or 15th-century operas, they connect audiences with the raw essence of music. For many members, the choir is not just a hobby but a healing space and a source of daily motivation. "Singing helps me relax," says Utembinema. "After a rehearsal, I wake up refreshed, ready to work, because I did something I loved last evening." ALSO READ: Chorale de Kigali adds World Music Day concert to choir’s calendar The choir has made an indelible legacy for decades "For example, we composed songs for Radio Rwanda. They composed a song at the launch of the Rusumo Bridge in 1972 that praised the development, the leaders, and also the Central Bank of Rwanda. They performed in many festivals outside the religious context but gained more popularity in many Catholic churches and mass gatherings."

Provided by SyndiGate Media Inc.Syndigate.info).

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I Almost Didn't Sing "Shape of You" — Ed Sheeran

...Song titled No. 1 'Most-Streamed Track of the Last Decade'

To mark the achievement, Ed Sheeran met with Apple Music's Zane Lowe to discuss the creation of 'Shape of You' and the song's enduring influence. ROTIMI IGE shares highlights.

Ed Sheeran discusses with Apple Music the creation of "Shape of You" and how he nearly didn't perform it himself...

Do you know what, when I wrote it, it never even occurred to me… I know this sounds strange, but I've written countless songs like that. Obviously, not exactly like this, but around 100 times where you're in the studio and you just think, "Let's create a mood and then just get through it, move on to the next one. At the end of the day, we'll look back at the five or six songs we've done and see if there's something good in there." So, it was the first day I worked with Steve Mac, me and Johnny went in and we just powered through, song after song, song after song. And at the end of the day, we looked back and said, "This one's okay." Then we were working on drums for a track on 'Divide' called "Eraser" that night. So, me and Johnny went to RAK Studios, and I played it [“Shape of You”] to Ben Cook and Ed Howard, who were the head of Asylum Records, who basically had me, Charli xcx, Anne-Marie, and Rudimental on their label. I said to them, "This could easily be a Rudimental song that you could get Rihanna on." And they said, "You're crazy. You should keep this one." And I said, "I don't know."

I'm just hearing it in a drum and bass beat now, I'm just hearing. "Oh ah, oh ah, oh ah, oh ah".

Do you understand what I'm saying? It just seemed like it could have fit in there. And then my album was flawless. "Castle on the Hill," "Happier." It was all within one genre. So, it felt like, as you mentioned, an exception. But I'm really glad I released it. It's only now, looking back, that I wish I had recognized how unique those moments were, because at the time I was just comparing it to everything else, and Kendrick's "DAMN." had come out, and I remember thinking, "That has had way more cultural impact than 'Shape of You.'" And so, I felt... I don't know, I felt strange about it the whole time, but now it's been eight years. I still play that song everywhere around the world. I can go anywhere in the world, even deep in the jungle of Cambodia, and I know that song. It's really reached some crazy places.

Ed Sheeran discusses with Apple Music how 'Shape of You' resonates with listeners around the world...

My point is that I've never considered 'Shape of You' as the song that defines me or the one I'll be known for. Yet it's strange because wherever we go around the world, we perform everywhere. Recently, we went to Bhutan, and that song was a hit there. Me and Cher have visited remote areas in Antarctica, Cambodia, and outback Australia, and that song somehow ends up being played everywhere.

Well, as you have this excellent hook, which I believe transcends trends and crosses language barriers.

But the rhythm too, because originally when I was creating it, I thought, "This is a dancehall rhythm." But then, when I was in India, they said, "Oh no, this is a Punjabi banger rhythm." And then when I was somewhere else, they'd say, "Oh no, this is that." It's a rhythm that... I play 'Shape of You' with Beoga, an Irish traditional band as well. And it really works with Baron too. So, it's just a rhythm that I believe is a universal one, basically.

Ed Sheeran discusses with Apple Music the variety of his musical output...

I believe I've come to understand that a discography or set list requires all these songs. If I were to play only slow ballads for two and a half hours, it would become monotonous. I appreciate where 'Shape of You' is placed in the set. I also like where 'Azizam' is positioned. I enjoy where 'Hearts Don't Break Around' is in the set, as well as 'Afterglow' or 'Castle,' because they create an engaging mix of a performance where you can pull out different tracks based on your mood.

We recently performed in Marseille, and I could immediately tell they were crazy. So, you can add more energetic crazy songs, and it works well.

Ed Sheeran discusses with Apple Music the enduring influence of 'Shape of You'...

No one can take the song away. Just like 'Shape of You' exists, I'll always be able to play it. I will keep on creating music and releasing it. However, I'm thankful for songs like this, which allow you to be anywhere in the world and still bring joy to someone with just a guitar.

RELATED: Ed Sheeran vs Grime on Mercury shortlist

Provided by SyndiGate Media Inc. (Syndigate.info).

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Inspired by Jesus: Singing Love with Ric Hassani

Singer and composer, Ikechukwu Ahiauzu, also known as Ric Hassani, shares details about his professional journey and other topics with FAITH AJAYI

You've been candid about some of the challenges and difficult times you've experienced throughout your career. What helped you stay focused and driven during those quiet periods when your music wasn't receiving the attention it deserved?

I understood that I was performing to the best of my ability. I was putting everything I had into every task, so I knew it would eventually pay off. Giving your best is the only guarantee and self-assurance you can have in situations that appear to be governed by time.

Your tone has always been distinctive—gentle, heartfelt, and touching. How would you characterize the development of your music from 'Gentleman' to your most recent album, 'Lagos Lover Boy?'

My earlier creations are precisely like me. They showcase my true self. However, with this album, I aimed to produce something lively. I wanted to combine my identity with the latest trends and sounds shaping the industry right now.

What inspired that title?

I aimed to deliberately highlight the essence of Afro R&B. This album serves as a means of curating a genre that blends Afrobeat rhythms with deep emotional and melodic richness.

Several people were taken aback that you included Portable on the record. What motivated this partnership, and how was the artistic journey in merging such different styles?

Portable is an exceptionally skilled performer. I was genuinely eager to connect two distinct worlds. For me to be that individual, I had to demonstrate my ability to enter any musical environment and still produce something remarkable. I appreciate Portable's authentic energy and creativity. I believe he is genuinely talented.

You added some gospel influences to the album. How does spirituality or belief impact your personal life and the way you create music?

I am profoundly spiritual. My belief is the most significant aspect of my life. The tale of Lagos Lover Boy ends with discovering God—the supreme love—and giving oneself back to the Creator.

You've spoken out about how RnB is not given enough recognition compared to Afrobeat in Nigeria. What do you believe the Nigerian audience now comprehends about RnB that they didn't before?

I believe individuals are starting to recognize the enduring nature of this sound. The music I create is designed to stand the test of time. You can enjoy it years later, and it will still sound new. That's one of the remarkable aspects of R&B.

You have been creating music for many years prior to achieving broad recognition. What lessons did that time of being unknown impart to you?

It showed me that there was still much more for me to discover and accomplish. It encouraged me to explore further and exert greater effort to transform into the individual I had imagined.

As a judge on the music reality program, Nigerian Idol, what is it like to hold the power to shape the future of upcoming musicians?

It is a significant honor to have the opportunity to coach and mentor participants. My time within the industry has provided me with valuable insights that I am now excited to pass on to emerging talents. It is truly a privilege for me.

What characteristics do you seek in emerging musicians, and what guidance do you frequently offer to them?

I seek enthusiasm—the flame and the struggle. That profound desire to achieve. While technical abilities can be acquired with time, that internal motivation must remain constant.

You have consistently embraced openness in your songwriting. Have you ever been concerned about coming across as 'too gentle' for the Nigerian audience, who typically prefer high-energy music?

I truly only do what I am passionate about. That's the only thing that counts. As long as I can enjoy my music and be satisfied with it, then I have accomplished what I set out to do.

In a music scene that's highly focused on performance and moves quickly, how can you maintain your artistic authenticity and remain faithful to your unique style?

My creativity is a present intended for the world. Therefore, every time I have the opportunity to create, I do so completely. In this manner, the quality of the work serves as its own shield and authenticity.

Do you compose music based on your own life events, or do you share narratives you observe in the world?

It combines elements of both. Occasionally, a strong film motivates me. At other times, I write based on my own values and life experiences.

What constitutes success in your opinion?

Achieving success begins with a particular way of thinking. The reality that I am engaged in work I cherish and dedicating my full effort is, in itself, success for me. The audience can recognize this through the standard of my musical creations.

What single fact have you learned about the Nigerian music scene?

It is very energetic. You must have a clear understanding of your true self. You cannot attempt to be someone different.

What are your expectations for your upcoming album?

I hope it demonstrates to people what it means to be deliberate in pursuing excellence. I desire for listeners to genuinely feel something; not merely hear noises, but engage in an emotional experience that resonates with them on a profound level.

How have you maintained your genuine nature while keeping up with the rapidly changing industry trends?

I have concentrated on performing tasks I am most skilled at and taking pleasure in the journey. The more you embrace your strengths, the better you can regularly deliver your finest work.

What are some personal hobbies or interests you're currently discovering that fans might find unexpected?

I read extensively. I've been deeply involved in personal development recently, which has led me to study a lot. I'm also a regular gym companion; I exercise often.

Being under the public eye brings significant stress. How do you maintain your visibility while remaining authentic to who you are?

I concentrate on the things I am most skilled at. Nowadays, I have a greater sense of self-understanding. Therefore, I act with clarity and direction.

You frequently express themes of love, openness, and principles. In a society that occasionally promotes the contrary, what maintains your focus and motivates you to create from a genuine perspective?

I am a devotee of Jesus, and I ground my truth in Him. I endeavor to make Jesus the benchmark in all that I produce.

An increasing dialogue is taking place regarding mental health and self-esteem within the entertainment sector. How do you handle self-care and emotional well-being?

I truly have a documentary called 'Self-Worth'. I think it's important to focus on ourselves because all our actions come from who we are. The better we feel internally, the more we can offer. Mental health must always be a top concern.

What is your understanding of celebrity, and how do you decide what to reveal or keep private?

My goal is to remain genuine. Being authentic allows others to recognize that you are also human. I lead my life in a manner that serves as a model—starting with myself—choosing actions that I will be satisfied with in the years to come.

If you had the opportunity to work with an artist from a different genre, who would you choose and what would be the reason?

It would certainly be Beyoncé.

What is one recent fan engagement or message that reminded you of your motivation?

I once got a message from a parent who used my music for their child during a coma. The music provided comfort during that difficult time. That deeply moved me.

What do you do to relax when you're not working?

I enjoy watching numerous films.

Provided by SyndiGate Media Inc.Syndigate.info).

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