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Showing posts with label music industry. Show all posts
Showing posts with label music industry. Show all posts

Jazz legend passes while immersed in her passion

Jazz legend passes while immersed in her passion

A Legacy of Jazz and Innovation

Sheila Jordan, a legendary jazz singer known for her pioneering work in bebop and scat singing, has passed away at the age of 96. Her death was shared by her daughter, Tracey, through an Instagram post on Monday, August 11. In the message, she described how her mother peacefully passed away at 3:50 p.m., surrounded by music that defined her life. Joan Belgrave, a close friend, played a bebop tune called “Bill for Bennie” by Jordan’s late husband, Marcus Belgrave, as Sheila drifted off to sleep.

Tracey expressed gratitude for the support received from the jazz community and mentioned that funds raised on her mother's GoFundMe page would be used to pay off medical debt and secure a plot for her at Woodlawn Cemetery in the Jazz Corner. A memorial service is planned for the future at Saint Peter’s Church in New York City.

Early Life and Career

Born in Detroit on November 18, 1928, Jordan was raised by her grandparents in Pennsylvania. She moved to New York in the 1950s, where she married Duke Jordan in 1952. During this time, she studied under Lennie Tristano and began performing in jazz clubs, laying the foundation for her influential career. According to AllMusic, despite having a relatively small voice, Jordan made the most of her instrument, earning recognition as one of the most consistently creative jazz singers.

Scott Yanow, a respected jazz historian, praised Jordan for her ability to improvise logical lyrics that often rhymed, her superb scat singing, and her emotional interpretation of ballads. He noted that her contributions helped pave the way for later artists such as Norah Jones and Diana Krall.

Musical Contributions and Achievements

Jordan's career saw her featured on George Russell’s 1962 rendition of “You Are My Sunshine” for his album “The Outer View (Riverside).” The following year, she released her debut album, “Portrait of Sheila,” becoming one of the few singers to lead her own project through Blue Note Records. However, it took a decade before she returned to the music scene, collaborating with Carla Bley, Roswell Rudd, and co-leading a group with Steve Kuhnin in the late 1970s.

By the 1980s, Jordan was recording as a leader for numerous projects, including her final album, “Portrait Now,” released in February. Among her many accolades, she was honored as a 2012 recipient of the National Endowment for the Arts, the nation’s highest honor in jazz.

Recognition and Impact

In a press release announcing her passing, the NEA highlighted Jordan’s exceptional talent as a scat singer and her ability to reach emotional depths in ballads. Whether performing well-known standards or original material, she brought a unique voice to every song. Beyond her musical achievements, Jordan also dedicated herself to education, teaching at the City College of New York and serving as a faculty member for Jazz in July at the University of Massachusetts at Amherst and the Vermont Jazz Center in Brattleboro, Vermont. She conducted workshops internationally, further cementing her legacy as a mentor and educator.

A Lasting Influence

Sheila Jordan’s impact on the world of jazz is undeniable. Her innovative style and dedication to the art form left an indelible mark on the genre. From her early days in New York to her later years as a revered figure in the jazz community, she inspired generations of musicians and fans alike. As her family prepares for a future memorial service, the jazz world mourns the loss of a true pioneer who helped shape the sound of modern jazz.

AtHeart: A K-Pop Band Defying Boundaries from Los Angeles

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The Debut of AtHeart: A New Chapter in K-Pop

AtHeart, a fresh girl group making waves in the K-pop scene, recently unveiled their first EP titled “Plot Twist” during a debut showcase held at Blue Square in central Seoul. This event marked the beginning of their global journey and highlighted their unique approach to music and performance.

The group's choreographer, Lia Kim, shared some key advice with the members: "Just be yourself." This message resonated deeply with the rookie artists as they stepped into the spotlight for the first time. Lia Kim, known for her work at 1Million Dance Studio, has been instrumental in shaping AtHeart into what is now considered K-pop's next big act. Her collaboration with Titan Content, a U.S.-based agency led by a former SM Entertainment executive, has set the stage for this new generation of performers.

A Unique Formation

AtHeart is the first K-pop group launched by Titan Content. While the agency's U.S. headquarters handles production and distribution, talent development still takes place in Seoul. This blend of international and local expertise has created a unique environment for the group's growth. The debut showcase featured the release of their five-track EP, which includes the title track and other songs such as “Push Back,” “Dot Dot Dot …,” “Knew Me,” and “Good Girl (AtHeart).” The title track combines dreamy pop with EDM elements, showcasing the group's versatility and innovation.

The Team Behind the Group

The success of AtHeart is not just due to the members but also the experienced team at Titan Content. The agency's founding team includes industry veterans such as Board Chairman Nikki Semin Han, former co-CEO of SM Entertainment; CEO Katie Kang, who played a pivotal role in SM Entertainment's casting and training process; Chief Visual Officer Guiom Lee, founder of Dazed Korea; and Chief Business Officer Dom Rodriguez, who was recognized on Billboard’s “40 under 40” list in 2023. Lia Kim serves as chief performance officer, further emphasizing the high level of expertise guiding the group.

Challenges and Aspirations

With seven members—Nahyun, Seohyeon, Bome, Arin, Michi, Katelyn, and Aurora, who missed the debut showcase due to health reasons—the group faces significant pressure. The average age of the members is 16, with Michi being the oldest at 16 and Nahyun the youngest at 14. Despite the challenges, the members remain focused on their goals.

“It’d be a lie if we say there’s no pressure,” said Arin. “But with all the support and feedback from our company’s executives, we’ll do our best to become an act that can leave a lasting footprint.”

A Mission Beyond Music

Beyond achieving musical success, AtHeart aims to connect with their audience on a deeper level. The group's name symbolizes mind, heart, and love, reflecting their mission to share these feelings with everyone. According to the agency, the concept of the album is centered around the “butterfly effect,” aiming to create a significant impact through their artistry.

A Strong Start

The group's debut has already garnered attention, with the music video for “Good Girl (AtHeart)” surpassing 10 million views on YouTube. Additionally, Girls' Generation's Sooyoung made a special appearance, adding to the excitement surrounding the group. Nahyun, the youngest member, shared her emotional experience of meeting her idol, expressing how much it meant to her.

“Our role model as a group is Girls’ Generation, so we were especially more nervous before meeting Sooyoung,” Nahyun said. “But she offered us advice and support."

As AtHeart continues to build their presence in the K-pop industry, their journey reflects a blend of talent, dedication, and the support of a strong team. Their story is just beginning, and the world is watching closely.

Sylvia Young, 86, Pioneer Who Discovered Amy Winehouse, Rita Ora, and Billie Piper Passes Away

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A Legacy of Talent and Vision

Sylvia Young, the founder of a renowned stage school that launched the careers of some of Britain’s most celebrated performers, has passed away at the age of 86. Her daughter, West End star Frances Ruffelle, confirmed that her mother died peacefully this morning surrounded by family.

Frances, who was the original Eponine in the West End production of Les Miserables, is also the mother of pop star Eliza Doolittle. This multi-generational talent highlights the deep roots Sylvia Young had in the performing arts.

The Rise of Sylvia Young Theatre School

Sylvia founded her eponymous theatre school in 1972, initially offering part-time classes in the East End of London. Over the years, the school expanded to larger spaces in Marleybone and eventually moved to a converted church in Westminster, where it remains today. The institution, which costs £14,400 per year, has become a cornerstone for nurturing young talent.

The school's alumni list reads like a who’s who of British showbusiness. Among the notable names are Amy Winehouse, Rita Ora, Billie Piper, Spice Girl Emma Bunton, singer Dua Lipa, presenter Denise Van Outen, and Tom Fletcher from McFly.

A Mentor and Guide

Denise Van Outen, who has enjoyed a successful career in TV, film, and theatre, credited Sylvia Young with shaping her path. In an interview, she shared how Young advised her: “Don’t focus on one thing, try and do all of it and you’ll always work.” That philosophy helped Van Outen thrive in multiple areas of the entertainment industry.

Sylvia’s influence extended far beyond just teaching. She was known for recognizing raw talent and encouraging students to pursue their dreams with dedication and passion. Her impact on the theatre world is undeniable, as evidenced by her own Olivier Award win.

A Family of Performers

Frances Ruffelle took to social media to pay tribute to her mother, highlighting her visionary approach to education and the opportunities she provided to young people from all backgrounds. She described her mother as someone who believed that hard work and a bit of luck could lead to success.

“She was an East End girl who worked hard to achieve her goals, took hold of life and lived it to the full,” Frances said. She also expressed how much her family meant to Sylvia, including her husband Norman, their children, grandchildren, and great-grandson.

Tributes from the Entertainment World

Tributes have poured in from across the entertainment industry. Radio legend Tony Blackburn remembered Sylvia as a lovely lady who played a vital role in launching many careers. He said, “She will be sadly missed.”

Actor Sadie Frost praised Sylvia’s legacy, calling her “a woman, what a family, what a legacy.” She added, “I am here if you need me. She was always so lovely to me and will cherish memories forever.”

EastEnders star Adam Woodyatt shared a broken heart emoji in response to Frances’s post, showing his condolences. All Saints singer Nicole Appleton expressed her sorrow, saying, “She was a massive part in my life and paved the way for so many of us!”

Sylvia’s sister and fellow All Saints member also paid heartfelt tributes, calling her a “rare force” and a pioneer who knew how to spot talent. She added, “What a time. The best memories.”

Presenter Kate Thornton offered her condolences, saying, “I’m so very sorry for your loss. She meant so much to so many.”

A Lasting Impact

Sylvia Young’s legacy lives on through the countless artists she inspired and the generations of students she mentored. Her school continues to shape the future of British theatre and music, ensuring that her vision endures. As the entertainment world mourns her passing, her contributions to the arts remain a lasting testament to her brilliance and compassion.

Ozzy Osbourne's Ex-Manager Confesses Lack of Contact as He Attends Funeral

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A Deep Connection and a Lasting Legacy

Jim Simpson, the former manager of Black Sabbath, recently shared his thoughts on the passing of Ozzy Osbourne, expressing deep emotions about their long-standing relationship. Simpson, who was the first manager of the band from the start of their career in 1968 until 1970, attended the singer's funeral procession in Birmingham, England. He reflected on the years they were not in contact, emphasizing how much he missed Ozzy over the decades.

During the event, Simpson was greeted by fans and had a conversation with journalist Robson McCallister. One woman in the crowd, visibly emotional, told him, "I'm sorry for the loss of your friend." Simpson responded with a heartfelt statement, acknowledging the bond he had with Ozzy.

"It's a funny thing, Ozzy and I were very close," he said. "I have missed not being in contact with him for quite a few decades. I missed him and today is the full stop."

A Tribute to a Music Icon

Simpson also spoke about the impact Ozzy had on the music scene, especially in Birmingham. He mentioned that the event brought people together, reminding them of the significance of the city in rock and roll history. "It reminds people, I've seen people today who I haven't for 15 to 20 years. It reminds people of what the Birmingham music scene is all about. He's an icon and Birmingham is the UK symbol of rock and roll."

Ozzy Osbourne passed away on July 22 at the age of 76. His family released a statement expressing their grief: "It is with more sadness than mere words can convey that we have to report that our beloved Ozzy Osbourne has passed away this morning." They added, "He was with his family and surrounded by love. We ask everyone to respect our family privacy at this time. Sharon, Jack, Kelly, Aimee and Louis."

A Personal Reflection

Jim Simpson, who continues to run Big Bear Music in his 80s, paid tribute to Ozzy, calling him "simply irreplaceable." He shared his personal memories of the singer, highlighting that his knowledge of Ozzy spans two-and-a-half years in the late 60s. "The last time I saw him he was with his two aunties. They'd say 'get me a tea John'. My knowledge of Ozzy spans two-and-a-half years in the late 60s - and he was just lovely."

Simpson emphasized that the stories often told about Ozzy are not entirely accurate. "All these things you read about Ozzy are totally alien to me. All the things I know about Ozzy is that he was very sensitive, he was good to be with and wasn't wild."

A Dignified Farewell

Today, Ozzy's funeral began with a procession that saw fans lining Birmingham's famous Broad Street as his coffin passed by. The event featured a live brass ensemble, Bostin' Brass, playing while his family members followed behind. The Osbourne family funded the ceremonial tribute, allowing fans around the globe to watch via a live stream.

Birmingham's Lord Mayor, Councillor Zafar Iqbal MBE, JP, highlighted the significance of the event, stating, "Ozzy was more than a music legend - he was a son of Birmingham." He noted that the city was proud to host the tribute, which took place in the place where it all began.

A City in Mourning

Fans have been leaving tributes to Ozzy at various spots around the city, which is synonymous with the singer and his band, Black Sabbath. Ozzy, known as The Prince of Darkness, performed his final ever show with Black Sabbath on July 5 at Birmingham's Villa Park. He appeared sitting in a chair alongside original members Tony Iommi, Geezer Butler, and Bill Ward for the Back To The Beginning event, which was their first joint appearance in 20 years.

Euphoria's Oscar-Winning Composer Joins Season 3 — What to Expect

Euphoria's Oscar-Winning Composer Joins Season 3 — What to Expect

A New Era of Sound for Euphoria

Euphoria has always been more than just a television show. It’s an emotional journey, a visual spectacle, and most importantly, a sonic experience that resonates deeply with its audience. From the very first episode, the show's music has played a crucial role in shaping its narrative, creating an atmosphere that is both haunting and beautiful. The soundtrack has become a character in its own right, weaving through the story like a thread of glitter and grief.

The show's musical identity was initially crafted by Labrinth, whose soulful compositions have become synonymous with the series. His work on tracks like "All for Us" and "I’m Tired" helped define the emotional core of Euphoria, making it impossible to separate the music from the characters and their struggles. Now, as the show moves into its third season, it's set to take a bold new direction with the addition of an Oscar-winning composer.

Hans Zimmer Joins the Euphoria Family

Hans Zimmer, the legendary composer behind iconic film scores such as Interstellar and Inception, has officially joined the team for Euphoria Season 3. This collaboration marks a significant shift in the show's musical approach, bringing a level of cinematic grandeur that has never been seen before. Zimmer’s involvement is not just a nod to his talent but also a reflection of the show's ambition to push boundaries and explore new creative territories.

In a statement shared by HBO Max, Zimmer expressed his excitement about joining the project, calling it “an honor to join this incredible team of storytellers led by the visionary Sam Levinson.” He also praised the show for being “bold and moving,” acknowledging the impact that Labrinth’s work has had on shaping Euphoria’s unique sound.

Labrinth, who has been instrumental in crafting the show’s musical identity since its inception, will also be returning for Season 3. In his own statement, he expressed his enthusiasm about working alongside Zimmer, calling him “one of my heroes in film score” and looking forward to bringing “some new magic to this new season.”

A Fusion of Genres and Emotions

With Zimmer’s arrival, the Euphoria soundtrack is expected to evolve into something even more powerful and immersive. The combination of Zimmer’s cinematic flair and Labrinth’s emotional depth promises to create a soundscape that is both ethereal and intense. Fans can expect a mix of soaring orchestral pieces, pulsating electronic beats, and soul-stirring melodies that will perfectly complement the show’s dramatic storytelling.

Sam Levinson, the show’s creator, has already hinted at the influence of Zimmer’s work on the upcoming season. He revealed that he wrote parts of Season 3 while listening to Zimmer’s scores for Interstellar and True Romance, indicating that the composer’s style is already deeply embedded in the show’s creative DNA.

What to Expect from the Soundtrack

As the story of Euphoria continues to unfold, the soundtrack will play an even more critical role in enhancing the emotional impact of key moments. With Cassie’s storyline taking a darker turn, the music is expected to reflect that shift, using crescendos, synths, and violins to heighten the tension and evoke strong emotional responses.

If Zimmer and Labrinth were to collaborate on a track produced by Zendaya, the result could be nothing short of extraordinary. Their combined talents could create something truly celestial—music that not only sounds amazing but also feels like a powerful force of nature.

Fans are already buzzing with anticipation, eager to see how this new musical direction will shape the next chapter of Euphoria. Whether it’s through a haunting melody or a thunderous orchestral piece, one thing is certain: the soundtrack of Season 3 will be an emotional ambush wrapped in vinyl, ready to leave a lasting impression.

Ozzy Osbourne's $220 Million Legacy Reveals His Family Man Side

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The Passing of a Rock Legend

Fans around the world were left heartbroken following the death of rock legend Ozzy Osbourne. Known as the “Prince of Darkness,” the Black Sabbath frontman passed away on Tuesday, July 22, at the age of 76 after a long battle with Parkinson’s disease. His passing marked the end of an era for rock music, and he is being remembered for his immense contributions to the genre and the legacy he left behind for his family.

Ozzy had made meticulous arrangements for his estate before his passing. His wealth, estimated at $220 million, was set to be distributed among his family members, with no one excluded from the inheritance. A source revealed that Ozzy was firm in his decision to ensure all his children would receive their share, regardless of their public profiles.

A Large Family and a Thoughtful Will

Ozzy was the father of six children. He had three children—Elliot Kingsley, Jessica Osbourne, and Louis Osbourne—with his first wife, Thelma Riley, whom he married from 1971 to 1982. Later, he had three more children—Aimee, Kelly, and Jack Osbourne—with his second wife, Sharon Osbourne, whom he married in 1982.

Sharon, now 72, will inherit a significant portion of Ozzy’s estate. She will also be joined by their children, including Aimee Osbourne, 41, who has chosen to live a private life away from the spotlight. Aimee is expected to receive one-third of the residual estate, along with her siblings: Kelly, 40, and Jack, 39.

Battling Illness and Continuing to Perform

Ozzy was diagnosed with Parkinson’s disease in 2019 and publicly disclosed his condition in 2020. Despite this, he continued to perform and advocate for awareness, facing numerous challenges throughout his life. These included a serious quad-bike accident in 2003 and spinal injuries from a fall in 2019. However, he never let these setbacks stop him from doing what he loved.

His final performance took place just two weeks before his death. He sang seated on a throne at Villa Park alongside Black Sabbath during the “Back to the Beginning” farewell concert. This event raised an impressive $189.4 million for several charities, including Cure Parkinson’s, Birmingham Children’s Hospital, and Acorns Children’s Hospice.

Reflections on Legacy

In his final interview with People, Ozzy shared how he wanted to be remembered. He said, “Survival is my legacy.” He added, “I mean, I'm 73. People go, ‘Well, you're 70… why don't I throw the towel in?’ Why should I? People still want to buy my records. People still want to see me, so why should I?”

He continued, “It motivates me to get off my backside and do something. I mean, if my career had gone down the toilet and I knew it was the end, I'd be pretty miserable.”

Tributes and Memories

Ozzy’s final days were filled with both public and private tributes. His daughters, Jessica and Louis, posted heartfelt messages online. Jessica shared “RIP Ozzy” along with a clip of “Crazy Train,” while Louis honored him with a blacked-out profile picture related to the Parkinson's Association of SWFL. His sisters, Jean Powell and Gillian Hemming, remembered him as “loving and funny.”

Musicians like Elton John, Rod Stewart, Metallica, and Alice Cooper also paid tribute to Ozzy, calling him a “huge trailblazer” and expressing their deep admiration for his work and influence on the music industry.

Former Spotify Executive Launches Alta Music Group

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A New Era in Music: Jeremy Erlich Launches Alta Music Group

Nine months after stepping down from Spotify, Jeremy Erlich has taken a bold step into the music industry by launching Alta Music Group. Based in Los Angeles, this new company is set to operate as a full-service entity with divisions covering recorded music, music publishing, and artist management. The launch marks a significant shift for Erlich, who previously held high-ranking positions at some of the most influential companies in the music world.

Alta's first major client is Jennie of Blackpink, who recently released her debut solo album Ruby through Columbia Records. This partnership highlights the company’s ambition to support artists in achieving global success. In addition to managing talent, Alta is collaborating with Sony’s distribution arm, The Orchard, to ensure that its artists reach a wide audience. The company has also formed a strategic alliance with TheBlackLabel, a label founded by producer Teddy Park.

Erlich expressed his vision for Alta during a statement, emphasizing his long-term focus on creating an environment where artists can thrive. “With ALTA, we have the opportunity to do just that – a best in class team focused solely on supporting our artists and the music they create,” he said. He also thanked the artists and executives who have already placed their trust in the company.

Before joining Spotify, Erlich had a successful career in the music industry, starting as a VP and head of music strategy in 2019. He was later appointed as the global head of music in 2021. Prior to that, he worked at Universal Music Group and its subsidiary Interscope Geffen A&M. His extensive experience has given him a deep understanding of the industry, which he now aims to apply to Alta.

Brad Navin, CEO of The Orchard, praised Erlich’s decision to launch Alta, calling it a testament to his entrepreneurial spirit and commitment to artist development. “His artist-first philosophy aligns with The Orchard's mission to empower creators,” Navin said. The collaboration between The Orchard and Alta is expected to provide valuable resources for the company’s artists, helping them reach audiences around the world.

Erlich is not alone in building Alta. He has assembled a team of experienced professionals, many of whom come from the Interscope system. Key members include Nima Khalilian, Parker Ulry, Drake Hofer, Elise Eriksen, Gillian Taugher, and Michael Seltzer. Khalilian, who serves as the General Manager at Alta, previously held roles at Stem and Interscope. Ulry spent six years at Interscope as a digital product management executive, while Seltzer brings decades of experience from Universal Music Group.

Khalilian shared his perspective on the company’s mission, stating, “ALTA is about putting artists first and helping them navigate an ever-evolving industry with a clear strategy.” He emphasized the importance of being a strong partner to artists, enabling them to build lasting legacies.

As Alta Music Group prepares to make its mark, it is clear that Erlich and his team are committed to redefining how artists are supported in the modern music landscape. With a strong foundation and strategic partnerships, the company is well-positioned to become a key player in the industry.

Metro Boomin Unveils Future, Quavo, and More on "A Futuristic Summa" Mixtape

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Metro Boomin Unveils a New Era with “A Futuristic Summa” Mixtape

Metro Boomin is preparing to release his latest project, “A Futuristic Summa,” which promises to be a significant milestone in his career. Set for a release next week, this mixtape marks his first major solo effort since he and Future dominated the charts in 2024 with two back-to-back number one albums. The project, hosted by longtime Atlanta collaborator DJ Spinz, features 21 tracks and a lineup of artists that showcase Metro’s evolving creative vision.

A Fresh Chapter After Two Chart-Topping Albums

In 2024, Metro Boomin and Future released two collaborative albums: “We Don’t Trust You” and “We Still Don’t Trust You.” These projects were not only commercial successes but also cultural phenomena. Both albums debuted at number one on the Billboard 200, with the first selling over 251,000 units in its first week and generating hundreds of millions of streams. This success solidified Metro as more than just a producer—he became a visionary artist capable of anchoring entire projects.

However, “A Futuristic Summa” represents a new chapter for Metro. By stepping out alone, he signals a shift in his artistic direction, marking a departure from his previous collaborations and setting the stage for a fresh sound.

What Makes “A Futuristic Summa” Different

Unlike his earlier projects, which often featured established collaborators like Future, 21 Savage, and Young Thug, this mixtape introduces an “all-new cast.” Metro has hinted at reshaping the sonic landscape of Atlanta by working with lesser-known voices and underrated veterans. Confirmed features include Future, Quavo, Young Dro, Travis Porter, and a surprising return by Roscoe Dash, who appears on the first single “Slide.”

Fans can expect up to 16 guest artists across the 21-track project, many of whom are new collaborators from the South. The mixtape also promises a modernized sound, blending Metro’s signature hard-hitting percussion and melody-driven flow with futuristic synths, spaced-out effects, and clean digital polish. The title suggests both a seasonal and stylistic shift—a futuristic take on Southern trap music.

DJ Spinz: The Mixtape’s Secret Weapon

DJ Spinz, known for his work with artists like Travis Porter, Future, and Rich Homie Quan, will host the mixtape. His voice and transitions are expected to guide the project from start to finish, giving it an old-school Atlanta mixtape feel. This collaboration adds authenticity to the project and helps root it in the tradition of classic Southern drops while pushing into new territory.

Mixtape vs. Album: Why This Format Matters

By branding “A Futuristic Summa” as a mixtape, Metro sets expectations. Mixtapes have always offered a more experimental and less commercial approach compared to full studio albums. They allow artists to take risks, explore new ideas, and build raw momentum. For fans, this means the project might be more dynamic and unpredictable, with tracks that bleed into each other, unconventional structures, or unique sounds not yet in the mainstream.

This format could also serve as a testing ground for sounds and artists that may influence his next studio album or future collaborations. It's a strategic move that aligns with the current trends in hip-hop, where mixtapes often serve as the birthplace of new trends.

Why This Is Big for the Atlanta Scene

Atlanta has long been the epicenter of hip-hop innovation, and Metro Boomin has played a key role in shaping that success. This project reflects a return to roots while simultaneously pushing forward. It blends nostalgia with new energy, highlighting artists who haven't had the same spotlight as others in recent years.

Roscoe Dash, for example, was once a defining voice of 2010s party rap. His inclusion signals that Metro is tapping into a specific mood—upbeat, summer-friendly, high-energy trap that brings joy and bounce back to the genre. By mixing that nostalgia with futuristic production and lesser-known artists, Metro is curating a playlist that appeals to both longtime fans and new listeners.

Timeline to Release: What Fans Can Expect

With the July 22 release date locked in, the next few days will likely be filled with strategic reveals. Fans can expect more singles, visual teasers, social media snippets, and even surprise guests. The hype around this project is driven by fan enthusiasm, with social media platforms buzzing with theories, reaction videos, and wish lists for the final tracklist.

Many fans see “A Futuristic Summa” as a “reset” for trap—a return to more danceable, club-ready music that doesn’t rely on darkness or despair to carry weight. The involvement of DJ Spinz fuels that optimism, as he’s long associated with upbeat bangers and viral Atlanta anthems.

The Bigger Picture: Metro’s Legacy in Motion

With this mixtape, Metro Boomin is doing more than dropping music—he’s showing fans, critics, and industry insiders that he’s capable of evolving without relying on the same formula. His ability to consistently innovate while staying true to Atlanta’s DNA is a big reason he remains one of the most influential producers in modern hip-hop.

“A Futuristic Summa” is poised to be more than a collection of songs. It’s a statement that tells us Metro’s next phase isn’t just about chasing hits—it’s about cultivating the next wave.

What to Listen For

When the mixtape drops, here are a few things to pay close attention to:

  • Production shifts: Listen for how Metro layers synths and effects into more traditional trap drums.
  • New voices: Some of these features could become breakout stars or Metro’s next go-to collaborators.
  • Narrative arc: With 21 songs and a host like DJ Spinz, expect a thematic or tonal progression across the project.
  • Club-ready tracks: There’s a strong chance a few songs from this tape will dominate playlists and parties all summer long.

A Summer Soundtrack That Might Shape the Future

“A Futuristic Summa” isn’t just another mixtape—it’s a creative leap forward. For Metro Boomin, it marks the next chapter in a career already filled with historic highs. For fans, it’s an invitation to experience the energy of Atlanta through new voices and modern beats. Whether you’re in it for the bass drops, the features, the nostalgia, or just good summer vibes, this mixtape deserves a spot on your radar—and in your headphones.

Paul McCartney Admits Only One John Lennon Song Touched Him

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Paul McCartney’s Mixed Feelings About John Lennon’s Solo Work

Paul McCartney has shared his candid opinions on John Lennon’s solo music, revealing that after The Beatles disbanded, he only truly liked one of Lennon’s songs. This admission highlights the complex relationship between two of the most iconic figures in music history.

After The Beatles officially ended in 1970, each member pursued their own path. Paul McCartney became a major force in the music industry, releasing 19 albums as a solo artist and also working with his band Wings and the project The Fireman. Meanwhile, John Lennon released his debut solo album, John Lennon/Plastic Ono Band, which marked the beginning of his solo career. His follow-up, Imagine (1971), was particularly well-received, even by McCartney.

In an interview with Sounds magazine, McCartney said, “I liked Imagine, I didn’t like the others much.” At the time, the two were at odds, often criticizing each other's work publicly. John once called McCartney’s first solo album “rubbish,” and the tension between them influenced their music. McCartney wrote Too Many People, while John responded with How Do You Sleep?, showcasing their rivalry.

Despite this, McCartney admitted to disliking the political themes in some of Lennon’s later works. He remarked, “There’s so much political s--- on at the moment that I tend to play them through once to see if there's anything I can pinch.” However, this did not stop him from writing politically charged songs himself. In 1972, he and his wife Linda wrote Give Ireland Back To The Irish, a response to the events of Bloody Sunday. This song was considered his first overtly political piece and was performed by Wings.

More recently, McCartney released People Want Peace in 2018, inspired by the Israel-Palestine conflict. During a BBC Radio 2 interview, he reaffirmed his admiration for Imagine, calling it a classic, and also praised other Lennon tracks like Instant Karma and Beautiful Boy.

A Complex Relationship

Although their relationship had its ups and downs, Paul and John eventually found common ground and shared mutual respect before John’s death in New York City in 1980. Author Ian Leslie, who explored their dynamic in his book, believes that despite their disagreements, they never stopped caring for each other.

Leslie told The Mirror US, “They never stopped respecting each other as songwriters. And they always missed each other as creative partners.” He added, “I think they just missed each other in that sense.”

However, mending their friendship proved difficult. By the time they tried to reconnect, they had their own families, legal issues, and lived in different countries. These factors made it hard for them to rekindle their old bond. Leslie noted, “It was very hard by that stage. They couldn’t kind of re-establish their old friendship.”

Still, there were signs that they were trying to figure things out and were moving toward collaboration again. Unfortunately, John passed away shortly after their reunion. Leslie believes they could have worked together again if John had lived, but he also acknowledges that “they would never have recaptured their old fluency and intimacy.” He explained that this connection was deeply rooted in their time together as The Beatles, where they spent all their time creating music.

Legacy of a Friendship

Their story remains one of the most fascinating in music history. While their paths diverged, the impact of their collaboration and the depth of their relationship continue to be studied and celebrated. Even though they may never have fully reconciled, their influence on each other and on the world of music is undeniable.

Brian May's Favorite Song: Technically Incredible and Unpredictable

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A Legacy of Rock and Roll: Brian May's Musical Inspirations

Brian May, a name synonymous with rock and roll, has carved out an indelible mark as the lead guitarist and co-founder of Queen. His contributions to the band have not only shaped its iconic sound but also influenced generations of musicians worldwide. As he celebrates his 78th birthday today, it’s a fitting time to reflect on the musical influences that helped mold his legendary style.

May's role in Queen extended beyond just playing guitar; he was a vital force behind many of the band's most memorable tracks. From the electrifying riffs of "Don't Stop Me Now" to the powerful melodies of "Brighton Rock," his work has left an enduring legacy. Fans often find themselves mesmerized by his unique approach to the instrument, which blends technical mastery with emotional depth.

In a 2013 interview, journalist Liz Barnes from My Planet Rock asked May to share some of his favorite tracks that have influenced his career. One of the songs he highlighted was Rainbow's "Since You've Been Gone." He described it as "quintessential" and praised the song's blend of pop rock elements with a strong rock foundation. May also commended Ritchie Blackmore's guitar work, calling him a trailblazer and technically incredible musician.

"It's uncompromising, it's a great song, and it's brilliantly played," May said. "People don't talk about Ritchie Blackmore enough. I don't know why. But he was such a trailblazer and technically incredible, unpredictable in every possible way, which is great."

May's admiration for Blackmore was mutual, as evidenced by a video where he shared his initial impressions of Queen. He recalled hearing them perform a song about a train around 1974 or 1975, which left a lasting impression on him. He was particularly struck by Freddie Mercury's vocal talent, noting that Mercury had a voice that combined the power of Ronnie James Dio with an operatic flair.

"I've noticed that Freddie Mercury has a cross between Ronnie (James) Dio and almost like an operatic type of voice. To me, he was a true star; he knew exactly how to milk an audience. What a musician," May remarked.

He also praised Queen's other members, especially Brian May himself. "Some of the stuff they put down all those four-part harmonies... very, very clever stuff. Of course there's Brian, who is probably one of the nicest guys in the business. A brilliant guitar player to boot."

Reflecting on their collaboration, May added, "I've worked with Brian on other stuff, and he is such a nice man. He is a bit too tall, but he can't help that. They are a wonderful band, an excellent band, and I was very surprised that they did so well in America."

Beyond "Since You've Been Gone," May's list of favorite tracks includes Queen's "Made in Heaven" and "I Want It All," as well as Black Sabbath's "Paranoid," Buddy Holly's "Maybe Baby," and his work with Kerry Ellis, "Anthem." These selections highlight the diverse range of influences that have shaped his musical journey.

As fans continue to celebrate Brian May's contributions to music, it's clear that his passion for rock and roll remains as strong as ever. His legacy is not just in the songs he played but in the inspiration he continues to provide to aspiring musicians around the world.

Grammy-Nominated Singer Robbie Pardlo Passes Away at 46

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Remembering Robbie Pardlo: A Legacy of Music and Resilience

Robbie Pardlo, a Grammy-nominated singer and former lead vocalist of the R&B group City High, has passed away at the age of 46. His death was confirmed by a representative, who shared that he passed away on July 17 in Willingbro, New Jersey, surrounded by family and close friends. While the exact cause of his death has not yet been disclosed, his family is reportedly planning a memorial service that will be announced in the coming days.

Pardlo gained widespread recognition as part of City High, alongside bandmates Claudette Ortiz and Ryan Toby. The trio rose to fame with their 2001 hit single “What Would You Do?” This track, produced by Wyclef Jean, became an iconic anthem for single parents and resonated deeply with audiences across the country. The song reached number eight on the Billboard Top 100 and earned the group a Grammy Award nomination for Best R&B Performance By A Duo Or Group.

The emotional impact of “What Would You Do?” continues to be felt by fans today. Social media has been flooded with tributes from admirers who remember the song as a significant part of their lives. One Instagram user wrote, “RIP ❤️ such a classic and beautiful song,” while another added, “The internet has been playing ‘what would you do’ a lot lately. Hope he felt the love before he left.” Many fans shared nostalgic memories of how the song played a role in their personal stories, highlighting its lasting influence.

Before forming City High, Pardlo had already made a name for himself as a solo artist. He later joined forces with his school friends Ortiz and Toby, creating a musical partnership that would leave a mark on the early 2000s R&B scene. Interestingly, Pardlo and Ortiz were once in a relationship, and Ortiz later married Toby, the other bandmate. Their marriage lasted until 2007, but the bond between the three musicians remained strong.

City High released only one album during their time together, which included another hit single, “Caramel,” featuring rapper Eve. Despite critical acclaim, the group disbanded shortly after the album’s release. Pardlo continued his music career by joining the R&B quartet First Take, where he collaborated with renowned artists like Whitney Houston and Lil Kim.

In 2010, Pardlo appeared in an episode of the documentary series Intervention, where he candidly discussed his struggles with alcoholism and depression following the disbandment of City High. His openness about these challenges demonstrated his courage and willingness to confront personal hardships.

Beyond his music, Pardlo was also known for his passion for sports. As a devoted fan of the Philadelphia Eagles, he frequently posted photos of himself cheering for the team on social media. His enthusiasm for the Eagles was evident even ahead of their Super Bowl win this February, when he shared a selfie wearing a team jersey.

Pardlo is survived by his wife, Anika Pardlo, and their two children, Lyric and Chord-Andrew Pardlo. His passing leaves a void in the music world, but his legacy will continue to inspire fans and fellow artists alike.

As more details about his life and career come to light, it is clear that Robbie Pardlo was not only a talented musician but also a resilient individual who faced life's challenges with grace and determination. His contributions to music and his personal story serve as a reminder of the power of art to connect people and transcend time.

Tyler The Creator Unveils "Don't Tap the Glass" July 21

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Tyler, The Creator Announces New Album "Don’t Tap the Glass"

On a quiet summer weekend, Tyler, The Creator once again surprised the music world with an unexpected and cryptic announcement. At a packed concert in Brooklyn’s Barclays Center, a glowing sign caught the attention of the crowd, displaying the message: “Don’t Tap the Glass – July 21.” This moment, as always, was entirely in line with Tyler’s unique style—simple on the surface, but rich with meaning.

The phrase has sparked a wave of speculation among fans and critics alike. What does it mean? Is it a warning? A metaphor? Or just a catchy title? Whatever the case, one thing is clear: this album will be unlike anything Tyler has released before.

What to Expect from "Don’t Tap the Glass"

“Don’t Tap the Glass” marks Tyler’s ninth studio album, set for release on Monday, July 21, 2025. Unlike his previous releases, which typically drop on Fridays, this one arrives on a Monday, signaling that Tyler continues to challenge conventions. It follows his 2024 chart-topping project, “Chromakopia,” which debuted at No. 1 on the Billboard 200 and featured collaborations with artists like Lil Wayne, GloRilla, and Sexyy Red.

From early visuals and merchandise released through Golf Wang, it seems this new project will take a more surreal and introspective approach. The themes appear to revolve around observation, reflection, and control—though some may argue it's simply about vibes.

Decoding the Title

The title itself is intriguing. “Don’t Tap the Glass” is commonly used in zoos or aquariums to prevent people from disturbing what they're observing. For Tyler, who often uses layered meanings in his work, this could represent several things:

  • Artistic Autonomy: Fans are encouraged to watch without interfering.
  • Mental Space: A reflection on being “on display” as a public figure.
  • New Persona: Tyler has a history of adopting alter-egos (like Igor, Wolf, and Tyler Baudelaire), so this could be another character.

Whatever the interpretation, the mystery is part of the appeal.

A Look at Tyler’s Evolution

Tyler’s career has been defined by constant reinvention. From the raw energy of 2011’s Goblin to the experimental soundscapes of 2015’s Cherry Bomb, each album has marked a distinct phase in his artistic journey. His 2017 album Flower Boy introduced a more introspective side, while IGOR brought a lush, synth-driven love story. In 2021, Call Me If You Get Lost blended braggadocio with travel-themed storytelling, and Chromakopia took a bold, genre-defying approach.

With Don’t Tap the Glass, Tyler is expected to continue this tradition, creating something fresh while breaking away from past norms.

The Success of "Chromakopia"

“Chromakopia” was not only a commercial success but also a cultural milestone. It debuted at No. 1 on the Billboard 200, sold over 299,500 units in its first week, and featured visually striking tracks. It also introduced a new generation of fans to Tyler through collaborations with artists like Sexyy Red and Doechii. The album proved that Tyler still had the power to surprise and captivate.

Marketing Mastery

Tyler’s marketing strategies have become legendary. He rarely follows traditional methods, instead relying on cryptic visuals, unique merch drops, and live announcements to build anticipation. For Don’t Tap the Glass, he has taken it even further:

  • A mysterious three-rule guide posted on posters and social media:
  • Body Movement. No Sitting Still.
  • Only Speak in Glory. Leave Your Baggage at Home.
  • Don’t Tap the Glass.
  • An immersive promotional website with interactive elements.
  • Possible AR or visual art installations.

This blend of music, mystery, and creativity has made fans eager for what comes next.

Who Could Be Involved?

While no official features have been confirmed, Tyler’s recent collaborations suggest potential guests. Pharrell Williams, Childish Gambino, and Kendrick Lamar are all possible candidates. However, Tyler often handles most of the production himself, so fans can expect layered synths, jazz chords, and distorted vocals.

Tyler’s Impact on Hip-Hop

Beyond music, Tyler has built a multifaceted brand. He has launched a fashion line, organized a music festival, and earned Grammy awards. He is more than just a rapper—he is a curator of aesthetic and sound. With Don’t Tap the Glass, he continues to shape the future of hip-hop.

The Importance of a Great Album Rollout

Tyler’s approach reminds us that a successful album isn’t just about the music—it’s about the experience. A strong rollout requires a compelling story, a visual identity, and a balance of mystery and reward. It also needs direct engagement between the artist and the audience, whether through live shows or exclusive merchandise.

Mark Your Calendar

Here’s what you need to know:

  • Album Title: Don’t Tap the Glass
  • Artist: Tyler, The Creator
  • Release Date: Monday, July 21, 2025
  • Label: Columbia Records
  • Expected Features: TBD
  • Themes: Observation, control, artistic space

As the release date approaches, fans are eagerly waiting to see what Tyler has in store. With this latest project, he invites listeners into his next experiment. Just remember the rule: Watch. Feel. Don’t interfere.

Lainey Wilson's Dream Realized in New Country Hall of Fame Exhibit

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A Journey of Resilience and Recognition

Lainey Wilson, a name that has become synonymous with country music’s rising stars, recently took a moment to reflect on her journey as she stood before an exhibit titled "Lainey Wilson: Tough as Nails" at the Country Music Hall of Fame and Museum. The exhibit, which opened in Nashville, offers a comprehensive look into the life and career of the 33-year-old artist, showcasing the hard work, dedication, and resilience that have defined her path.

Wilson’s journey began long before her chart-topping success. She recalls how, even though she had been working toward this moment her entire life, she still felt like she had just started. “Even though I have been working my entire life for this, I still feel like I somehow got started yesterday,” she said. This sentiment reflects the whirlwind of her career, which has seen her rise from a small-town dreamer to one of the most celebrated voices in country music.

The exhibit captures every stage of her life, from her upbringing in Baskin, Louisiana, to her early dreams of becoming a performer. It includes personal artifacts, such as a snapshot of her first stage appearance at age five, where she sang “Butterfly Kisses” at her kindergarten graduation. These items offer a glimpse into the roots of her passion for music and the determination that has driven her forward.

Wilson’s story is not just about talent; it’s about perseverance. She spent years in Nashville, enduring the challenges that come with chasing a dream in a city known for both nurturing and breaking aspirations. Her journey was marked by countless performances, late-night practices, and a relentless pursuit of her goals. Despite the struggles, she remained steadfast in her belief that she could make it.

One of the highlights of the exhibit is the collection of memorabilia that showcases her growth over the years. From her first guitar, a Fender acoustic given to her by her father, to the Grand Ole Opry tickets that marked her first visit to Nashville, each item tells a part of her story. The exhibit also features her early songwriting efforts, including the lyrics to “Lucky Me,” which she wrote at a young age.

Wilson’s style, which has become a signature of her brand, is also well-represented in the exhibit. From homemade bell-bottom pants to a handcrafted hat with a feathered band, these items reflect her unique flair and the influences that shaped her artistic identity. The display includes some of her most iconic outfits, such as the bedazzled Wrangler vest and the dramatic black jumpsuit she wore when receiving her 2023 CMA Entertainer of the Year award.

As she stood before the exhibit, Wilson expressed her gratitude for the support she has received from the country music community. “I feel so loved,” she said. “This community has wrapped its arms around me, and it’s a genuine support.” She also reflected on the significance of the exhibit, calling it “the cherry on top” of her recent achievements. “This is good for my soul tonight,” she added.

Looking ahead, Wilson is already planning for the future. She is currently on a summer tour, performing at fairs and festivals, and will soon kick off a new tour in August. She is also working on new music, continuing to write and create. Additionally, she is preparing for her upcoming wedding to fiancé Devlin (Duck) Hodges, whom she has dated since 2021. The couple, who recently celebrated their engagement, is still finalizing the details of their wedding, which is expected to be a significant event.

The exhibit, "Lainey Wilson: Tough as Nails," continues through June 2026, and visitors can experience it as part of their museum admission. It serves as a testament to Wilson’s journey, highlighting not only her personal achievements but also the power of community and support in achieving one’s dreams. For Wilson, the exhibit is more than just a celebration of her success—it is a reminder of the heart and resilience that have carried her through every step of her journey.

Music Icon, 84, Shares 'I Might Not Make It to Next Year'

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Cliff Richard Considers His Final Tour as He Approaches 85

Sir Cliff Richard, the iconic British singer and performer, has recently shared that his upcoming tour might be his last. At 84 years old, he is contemplating the possibility that he may not live to see the next year, which has led him to reflect on his future in the music industry.

Known for his long-standing career spanning nearly seven decades, Sir Cliff rose to fame with the hit single "Move It" in 1958. Over the years, he released numerous chart-topping songs such as "Living Doll" (1960), "We Don’t Talk Anymore" (1979), and "Summer Holiday" (1963), which was also the title of a musical film. Now, he is preparing for the global "Can’t Stop Me Now" tour, set to begin in Cardiff on November 30, followed by performances in Australia and New Zealand.

Despite his age, Sir Cliff remains active in the entertainment world, but he acknowledges that touring is physically demanding. During an interview with the New Zealand radio station Coast, he expressed concerns about his ability to perform. “The thing I would have to give up probably at some time is touring. It’s very wearing, and you never know when you wake up in the morning whether your voice is still there,” he said.

When asked if this tour could be his final one, Sir Cliff humorously replied, “I might be dead the next year!” He admitted that he no longer thinks too far ahead, recognizing that aging could limit his ability to perform. “As I get older maybe I’ll become less able to perform, so I can’t say,” he added.

In addition to his music career, Sir Cliff has gained attention for his colorful picture calendars, which are eagerly anticipated by fans each year. These calendars often feature him in various settings, showcasing his personality and style. The 2024 edition included images of him aboard a luxurious cruise ship, dressed in sunglasses and vibrant shirts. Sir Cliff described the experience as enjoyable, noting that it allowed him to relax, socialize, and even plan new projects.

“I have grown to love cruising; it allows me to relax and regroup, sometimes prep for new projects, and above all, to socialise with friends who join me on ship,” he explained. He expressed satisfaction with the calendar, emphasizing that it was a creative endeavor that differed from his usual stage and studio appearances.

Sir Cliff's recent media appearances have not been without controversy. A previous appearance on "This Morning" sparked discussions about "fat shaming" after he expressed regret over not meeting Elvis Presley. He shared that he had an opportunity to meet Elvis during a promotional event for his film "Devil Woman" but decided against it due to Elvis's weight gain. This comment led to a humorous exchange with host Alison Hammond, who encouraged him to meet celebrities regardless of their physical appearance.

Sir Cliff's reflections on his career and personal life highlight the challenges of aging in the public eye. While he continues to entertain audiences, he remains aware of the limitations that come with time. His journey through the music industry and beyond showcases a life dedicated to artistry, resilience, and adaptability.

For those interested in sharing celebrity stories or submitting content, the Daily News.co.uk entertainment team welcomes contributions through email, phone calls, or their online submission page.

Why "Killing in the Name" Was Banned by Rage Against the Machine

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The Legacy of "Killing in the Name" by Rage Against the Machine

Rage Against the Machine’s 1992 track "Killing in the Name" is widely regarded as one of the most powerful protest songs in rock history. With its intense guitar riffs and bold lyrics, the song became a rallying cry against systemic racism and police brutality. However, its raw energy and explicit language have led to significant controversy over the years.

The song's climax features frontman Zack de la Rocha shouting the phrase “F--k you, I won’t do what you tell me” repeatedly. This line, along with other strong language, has caused many radio stations to avoid playing the track or opt for heavily censored versions. In the UK, BBC Radio 1 faced backlash after accidentally airing the uncensored version during a chart show in 1993, leading to over 100 complaints from listeners.

In the United States, the song was among many that were informally blacklisted by Clear Channel Communications following the 9/11 attacks in 2001. The company created a list of songs deemed “lyrically questionable” for airplay during that sensitive period. "Killing in the Name" was included due to its aggressive tone and themes of rebellion, which were seen as potentially inappropriate during a time of national tension.

Despite these restrictions, the band members have always stood by their original vision. In a previous interview with Spin Magazine, guitarist Tom Morello shared insights into the decision-making process around the song’s lyrics. He noted that there was a musical discussion about the song’s structure, particularly the moment where the track seems to stop. Morello recalled that the band disagreed with the idea that this part disrupted the flow of the song.

Morello also shared a humorous anecdote about the band's early days. At their second-ever performance, label executives were present and taken aback by the band's unfiltered energy. After playing "Killing in the Name," one executive reportedly asked, “So is that the direction you’re heading in?” The band’s response was clear: they were not backing down from their message.

The song experienced a resurgence in popularity in 2009 when a Facebook campaign aimed to prevent an X Factor winner from claiming the UK’s Christmas No. 1 single. Fans downloaded "Killing in the Name," and the campaign succeeded, with the track reaching No. 1 in December. This revival brought the song back into the public eye and led to new opportunities for the band.

BBC Radio 5 Live invited Rage Against the Machine to perform the song live in the studio. The band agreed, but only if they could play the radio-friendly version. However, during the broadcast, Zack de la Rocha deviated from the script and delivered the full uncensored outro. The presenters tried to cut the performance short, but the explicit language had already reached listeners.

The BBC issued an apology, stating that the band had promised not to swear. Despite the controversy, the song continued to gain traction. Earlier this year, "Killing in the Name" became the first song by the band to surpass one billion streams on Spotify, marking a significant milestone in its long and impactful journey.

New Footage Reveals Chris Martin's Awkward Moment as CEO and HR Chief Flee from Jumbotron

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Chris Martin’s Awkward Reaction to the Viral Couple at Coldplay Concert

Frontman of the band Coldplay, Chris Martin, was caught in an uncomfortable moment during a recent concert when a couple on the kiss cam appeared to be engaged in an affair. The incident has sparked widespread online discussion and has now been captured in new footage.

The couple involved, later identified as Andrew Byron, CEO of AI firm Astronomer, and his Chief People Officer, Kristin Cabot, were seen in an embarrassing embrace when the kiss cam focused on them. The video quickly went viral, drawing attention from fans and media alike.

Following the incident, many netizens expressed their outrage, accusing the couple of cheating at the Coldplay concert. Martin's reaction to the situation was also captured in a new clip, where he can be seen addressing the crowd with a mix of confusion and regret.

In the clip, Martin says, "I don't know what to do" after spotting the couple hiding their faces when they appeared on the big screen during the show. As the audience laughed, he added, "Oh sh-t, I hope we didn't do something bad." This moment highlights the awkwardness of the situation and the impact it had on the singer.

Martin had previously reacted to the couple being caught on camera in another clip taken by a fan. In that footage, he seemed to assume that the duo were having an affair, which their reaction and online speculations appeared to confirm. He could be heard saying, "Either they're having an affair, or they're just very shy," over his microphone as he stood on stage.

Online Outrage Over the Viral Couple

Within hours of the video going viral, the couple was quickly identified as Andrew Byron and Kristin Cabot. Byron's wife, Megan Kerrigan, was also identified, as netizens flooded her Facebook page with clips of the Coldplay kiss cam video, in an attempt to notify her of the alleged affair.

Megan eventually removed her husband's last name from her social media page and deleted her account along with all the happy images of her, Byron, and their kids. The entire drama brought a heavy dose of reaction from netizens who slammed the cheating couple online.

One user wrote, "Why do people cheat? If you are unhappy in your marriage or relationship, there's the door. Leave it. Don't cheat. Gross and immature behavior." Another user said, "The way they reacted made it so obvious they were having an affair… see how cheaters are not only pieces of sh-t they're also stupid as f-ck."

Another person added, "Having an affair and going on dates is kinda crazy because do you not fear anything?! Like nothing at all?!"

Kristin Cabot’s Role at Astronomer

Interestingly, Cabot had only joined Byron's company in November and had received praise from the tech CEO for her "exceptional leadership" and "deep expertise in talent management." At the time, Byron also called Cabot a proven leader at multiple growth-stage companies, which, among other accolades, he claimed made her a perfect fit for his company.

Meanwhile, Cabot echoed the enthusiasm in her own statement, sharing that she felt "energized" after conversations with Byron and the leadership team about the company's future. She emphasized her approach as being focused on "people strategy," adding, "the real magic happens when you align the people strategy with the business strategy."

Cabot shared, "There are plenty of companies out there where a leadership team doesn't recognize the value that a strong people leader and people team can bring to a company. It's not just about benefits or catered lunches. There's so much more to it, and I was energized in my conversations with Andy and the Astronomer leadership team about the opportunities that exist here."

Astronomer Launches Internal Investigation

Astronomer, Byron's software company, has since announced that it is launching an internal investigation into the viral video of the CEO and HR chief at Coldplay's concert. In a statement on LinkedIn, the company said, "Astronomer is committed to the values and culture that have guided us since our founding. Our leaders are expected to set the standard in both conduct and accountability."

It continued, "The Board of Directors has initiated a formal investigation into this matter, and we will have additional details to share very shortly."

Coldplay's World Tour Continues Despite Controversy

Despite the online buzz over the Boston incident, Coldplay's "Music of the Spheres" world tour continues without disruption. The Boston show marked just one stop on the record-breaking global tour that has kept fans talking since its launch in 2022.

The band's next stop is at Camp Randall in Madison, Wisconsin, on July 19. Tickets for the concert are reportedly already sold out, although resale tickets are still currently available on Ticketmaster. The lowest-priced options are currently around $633 but can go as high as $1,795 for those looking to purchase floor general admission tickets closer to the stage.

After the Wisconsin stop, the band is slated to perform in Nashville (July 22) and Miami (July 26-27). Afterward, they will return to the UK for shows in August, with the tour expected to wrap up in London this September.

Scooter Braun Reveals the Taylor Swift Song Fans Thought Was About Him

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Scooter Braun’s Response to Taylor Swift’s Song “Vigilante Sh-t”

During a recent podcast appearance, music executive Scooter Braun addressed fan speculation that pop superstar Taylor Swift had written a song about him. Braun, known for his work with artists like Justin Bieber and Ariana Grande, has a long history with Swift, including a period when he managed her career. The conversation came after the release of Swift’s 10th studio album, Midnights, which sparked widespread theories that one of its tracks, “Vigilante Sh-t,” was directed at Braun and his ex-wife, Yael Cohen.

The song features lyrics that seem to tell the story of a woman seeking revenge against someone who wronged her. One line in particular caught attention: “Draw the cat eye, sharp enough to kill a man / You did some bad things, but I'm the worst of them.” Another verse includes, “She needed cold hard proof so I gave her some / She had the envelope, where you think she got it from?” These lines led fans to believe that the track was a veiled reference to Braun and Cohen.

However, Braun dismissed these claims, stating that there is no way the song could be about him and his ex-wife. He emphasized that he and Cohen are on good terms and even laugh about such rumors. “My ex-wife is one of my best friends,” he said during an episode of the Question Everything podcast. “So, me and my ex-wife laugh at that stuff.”

Braun also highlighted the positive relationship he shares with Cohen, noting that they have three children together—Jagger, Levi, and Hart—and consider each other family for life. He shared that they rarely refer to themselves as “ex” partners and even have a shared tattoo that reads “same team.” “That’s the mother of my children,” he explained. “That is my family for life.”

Despite this, many fans still believed the song was about him, given their complicated past. Their relationship became contentious in 2019 when Braun acquired Swift’s former label, Big Machine, for $300 million, which included the rights to her first six albums. Swift expressed her frustration at the time, feeling she wasn’t given the chance to buy her masters before they were sold. She described the deal as a betrayal of her musical legacy.

However, the situation eventually changed. In 2020, Braun sold Swift’s catalog to Shamrock Capital, and in 2025, Swift was finally able to purchase her masters back after completing her record-breaking Eras Tour. She expressed immense relief and joy, calling it a long-awaited victory. “I almost stopped thinking it would ever happen, after 20 years of having the carrot dangled and then yanked away,” she wrote.

Swift praised Shamrock Capital for handling the deal with honesty and respect, describing them as the first people to offer her full autonomy over her music. She even joked about getting a shamrock tattoo as a symbol of gratitude.

In addition to their professional history, Braun and Cohen’s personal relationship has also been the subject of public interest. According to a report, Braun paid Cohen $20 million as part of their divorce settlement. Despite the financial division, both parties retained significant assets. Braun kept a collection of art, luxury vehicles, and a $65 million mansion, while Cohen retained ownership of their $30 million Brentwood home, a 2021 Land Rover Defender, and several pieces of art.

Braun’s response to the song controversy highlights the complex dynamics between him and Swift, as well as the ongoing discussions around music ownership and creative control. While he denies any connection to the lyrics, the speculation continues to fuel conversations among fans and industry observers alike.

Tyla's "We Wanna Party" Mixtape Drops July 25

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Tyla’s Upcoming Mixtape “We Wanna Party” Set for July 25, 2025

Tyla is preparing to unveil her highly anticipated mixtape titled We Wanna Party on July 25, 2025. This release has been the talk of the music world, with fans eagerly awaiting the official date after a week of teasing. The mixtape follows a string of successful singles that have already made waves this year, including the recent hit “Is It,” which dropped just last week.

Fans of Tyla’s unique sound and energetic style are in for a treat. We Wanna Party promises to deliver more of what they love—catchy hooks, danceable beats, and vibrant vocals. This article explores everything you need to know about the mixtape, Tyla’s 2025 music journey, and why this release is significant for both longtime fans and new listeners.

Tyla’s 2025 Hits: Setting the Stage for We Wanna Party

Tyla’s rise in 2025 has been nothing short of impressive. Earlier this year, she released “Push 2 Start,” a remix featuring the legendary Sean Paul. This collaboration showcased Tyla’s versatility and ability to blend her style with iconic artists seamlessly. The track was a hit on dance floors and playlists worldwide, generating excitement for her next big project.

In May, Tyla followed up with another single, “Bliss.” This track highlighted her vocal range and songwriting skills, resonating well with fans and critics alike. It added to the buzz around her growing discography.

Then, just last week, Tyla surprised fans with “Is It,” a single that blends smooth melodies with catchy rhythms. This release served as an exciting hint at the vibe and themes we might expect on We Wanna Party. Each of these singles builds a solid foundation for the mixtape, reflecting Tyla’s evolving sound and artistic growth.

What to Expect from We Wanna Party?

The title We Wanna Party sets a clear tone—fun, vibrant, and energetic. From the teasers, it’s clear that Tyla aims to create a collection of songs perfect for celebrations, whether you’re at a club, a summer gathering, or just vibing solo.

Fans can expect a blend of Afropop, R&B, and dancehall influences, genres Tyla has been known for mastering. The mixtape will likely feature collaborations and remixes, considering her recent work with Sean Paul and others.

Besides high-energy tracks, listeners can also anticipate more personal and emotional songs. Tyla’s ability to balance party anthems with heartfelt lyrics makes her music relatable and evergreen. This mixtape could become a staple on playlists not just this summer but for years to come.

Why Tyla’s Music Stands Out in 2025

Tyla’s music resonates because it’s authentic. She blends catchy beats with meaningful lyrics, making her songs both fun and impactful. Her sound is fresh but also pays homage to classic African and Caribbean rhythms, creating a global appeal.

In 2025, Tyla’s career is marked by strategic releases that keep fans engaged. Dropping singles consistently and teasing projects ahead of time builds anticipation without overwhelming listeners. This approach aligns perfectly with current music marketing trends, showing her team understands the evolving industry landscape.

Her collaborations, like the remix with Sean Paul, also open doors to new audiences. These partnerships highlight Tyla’s versatility and her ability to cross genres and markets smoothly.

The Impact of Tyla’s Rising Career

Tyla is more than just a singer; she’s a cultural influencer. As a young artist from South Africa, she represents a wave of African talent breaking into the global music scene. Her mixtape release comes at a time when African music genres, such as Afropop and Amapiano, are dominating international charts.

This rise is significant not only for Tyla but for the representation of African artists worldwide. By releasing projects like We Wanna Party, she contributes to expanding the global appreciation for African music and culture.

Her success story also inspires aspiring artists, showing that with talent, consistency, and smart marketing, breaking through on the world stage is possible.

How to Prepare for the We Wanna Party Release

To get ready for the mixtape drop on July 25, fans should follow Tyla on her social media channels. She often shares behind-the-scenes content, sneak peeks, and updates directly with her audience.

Streaming platforms like Spotify, Apple Music, and YouTube will likely feature the mixtape on release day. Adding We Wanna Party to your playlists early or pre-saving it (if available) can ensure you don’t miss out.

Also, keep an eye out for potential live performances or virtual events Tyla might host to promote the mixtape. These events often provide a chance to hear the music live and connect with other fans.

Why Mixtapes Matter in Today’s Music Industry

While albums remain the traditional benchmark for artist projects, mixtapes have carved out a crucial space in modern music culture. They allow artists like Tyla to experiment, release music more frequently, and engage with fans in between major studio albums.

Mixtapes often feature a rawer, less polished sound that can be more relatable and intimate. This format helps artists build momentum and test new creative directions without the pressure of full album sales.

For listeners, mixtapes offer a fresh way to discover an artist’s evolving style and personality. With We Wanna Party, Tyla embraces this approach, promising a project that feels spontaneous yet carefully crafted.

The Excitement Around We Wanna Party

As the July 25 release date approaches, the excitement around Tyla’s We Wanna Party mixtape is palpable. Her consistent output in 2025, marked by singles like “Push 2 Start” remix with Sean Paul, “Bliss,” and “Is It,” sets the stage for a powerful project.

Whether you’re a longtime fan or new to Tyla’s music, this mixtape is worth adding to your summer playlist. With its blend of party vibes and emotional depth, We Wanna Party could be one of the standout releases of 2025. Stay tuned for more updates, and get ready to party with Tyla this July!

Iconic Nigerian Musicians Who Shaped Afrobeats

Iconic Nigerian Musicians Who Shaped Afrobeats

Afrobeats has become a global sensation, no longer just a regional music style. It has evolved into one of Africa's most significant cultural exports, with albums available on Spotify and Apple Music that fill playlists and sell out venues across Europe and the United States. Nevertheless, several prominent Nigerian artists laid the foundation long before stars such as Burna Boy, Wizkid, and Davido took the world by storm.

These pioneers established a unique musical style that has evolved into what is currently referred to as Afrobeats by blending modern sounds with traditional African rhythms. This article explores the prominent Nigerian artists whose innovations, challenges, and creative excellence contributed to Afrobeats becoming a global sensation.

1. Fela Anikulapo Kuti - The Originator of Afrobeat

It is impossible to start a conversation about Afrobeats without referencing Fela Kuti. While Fela's original Afrobeat style differs from Afrobeats (with an 's'), the link between them is undeniable. Fela merged jazz, funk, highlife, and traditional Yoruba rhythms to develop Afrobeat in the late 1960s. Moreover, he initiated a movement beyond just creating music.

Pulsating beats and sharp political critique were featured in his tracks like "Zombie"Water No Get Enemyand "Sorrow Tears and Blood." The lyrical courage, instrumental compositions, and sense of cultural pride found in modern Afrobeats are all evident examples of Felas' impact.

Today's musicians openly recognize Fela as a key influence, especially Burna Boy. Fela set the benchmark for future artists through his focus on African identity, self-expression, and addressing colonial histories. International artists such as Beyoncé, J, and Cole incorporate and reference his enduring music.

2. King Sunny Adé - The Master of Juju

King Sunny Adé has played a vital role in promoting Nigerian music on a global scale, even though his work isn't officially categorized as Afrobeats. Undoubtedly the monarch of Juju music, he developed a sound that is both accessible and uniquely Nigerian by combining guitars, synthesizers, and modern instruments with traditional Yoruba drumming.

He achieved recognition in international markets during the 1980s, performing on stages across the globe and earning a Grammy nomination—a rare feat for African artists at the time.

His impeccable stage performance, skilled guitar work, and authentic cultural background have influenced the professionalism and ambitions of current Afrobeats artists. African music, as showcased by King Sunny Adé, proved to be deeply rooted in tradition while also achieving global commercial success.

3. Ebenezer Obey - The Thinker Armed with a Guitar

Nigerian music was brought stories by Ebenezer Obey, a renowned figure in Juju music. His lyrics, often wrapped in appealing guitar melodies and rhythmic beats, regularly included social observations, moral teachings, and deep thoughts. Due to Obey's musical contributions, artists now perceive music as a tool for education and societal transformation, not just as a form of amusement.

His calm but engaging performance paved the way for artists who use music to explore issues such as poverty, corruption, and perseverance—themes that are common in numerous modern Afrobeats tracks.

4. Sir Victor Uwaifo - The Musical Prodigy with the Guitar

Renowned for his highlife songs such as "JoromiSir Victor Uwaifo merged contemporary musical equipment with his Edo traditions. Uwaifo, the first Nigerian artist to receive a gold record, is famous for his creative use of the electric guitar and lively stage shows.

Afrobeats artists were later encouraged to explore native sounds and local languages due to his innovation and uniqueness. His ability to blend pop elements with traditional myths showed future generations how to spread African storytelling more broadly.

5. Onyeka Onwenu - The Graceful Horse

Among the rare female artists who managed to thrive in the male-dominated Nigerian music industry during the 1980s and 1990s was Onyeka Onwenu, also referred to as The Elegant Stallion.

Her music addressed themes such as nationalism, love, and women's rights. She created a style that was both aware and marketable by combining pop, highlife, and Igbo traditional music. Her well-known songs include "One Love" and "Iyogogomirrored the values that contemporary Afrobeats musicians often promote: unity and cultural heritage.

Today's stars such as Tiwa Savage, Tems, and Ayra Starr owe their success to her example, proving that female artists could achieve both commercial success and cultural significance.

6. Majek Fashek - The Rainmaker

By combining reggae with African rhythms and messages of spiritual freedom, Majek Fashek brought the genre into the Nigerian mainstream. His 1988 hit "Send Down the Rain" is still considered one of Nigeria's most renowned songs. He had broad popularity and incorporated elements of rock, soul, and reggae into African music. Future Afrobeats artists who aimed to convey African stories in a global context found motivation in Majek's activism and international outlook.

His performance on MTV and other global stages showed that Nigerian artists could reach the world while maintaining their core message.

7. Daddy Showkey - The Ghetto Soldier

Through Galala, a dance and music style that began in the streets of Ajegunle, LagosDaddy Showkeybrought the experience of the ghetto into Nigerian popular culture during the late 1990s and early 2000s. Although it was a time of change, it raised the profile of street culture and regional music. Success didn't necessarily have to originate from elite backgrounds, as shown by artists such as Showkey.

Influential artists such as Olamide, Zlatan, and others who later became prominent in street-pop enriched the variety of Afrobeats, with their music highlighting the struggles and energy of everyday Nigerians.

8. 2Baba (previously 2Face Idibia) - The Pop Prophet

Maybe the connection between today's Afrobeats scene and Nigeria's older musicians was 2Baba. His 2004 single, African Queen, sparked a cultural shift. Nigerian pop music received global attention because of this track, which also marked a move towards the appealing romantic style that defines much of Afrobeats nowadays.

Once part of Plantashun Boiz, 2Baba introduced a sense of purity and genuine emotion to African rhythms, reggae, and R&B. His widespread appeal among the diaspora and across Africa proved that Nigerian pop music had global market potential. He became a role model for a new wave of Afrobeats musicians who saw commercial music as both an artistic expression and a viable business.

9. D'banj - The Performer Who Brought Africa to the Global Stage

In the mid-2000s, Dbanj and producer Don Jazzy revolutionized the Nigerian music scene. Hits such as "Oliver Twist", Why Me" and "Tongolo" were issued by their label MoHits Records and entered the UK charts.

Dbanj played a key role in shaping the Afrobeats pop culture identity through his charm, performance style, and international outlook. He joined Kanye West's G, which provided new opportunities. Okay. Oh. D Music and collaborated with Big Sean and Snoop Dogg. He showed Afrobeats artists that the global stage was not only accessible but also attainable. His bold branding and marketing approach have since been copied by Davido and Wizkid.

10. P-Square - The Musical Pair That Transformed African R&B

The African pop music scene was transformed by the duo Peter and Paul Okoye, widely recognized as P-Square. They gained widespread popularity across the continent due to their lively performances, memorable tracks, and stylish dance routines. Songs like "Do Me," "Personally," and "No One Like You" played a key role in shaping the rhythmic, danceable, and widely loved sound that became known as Afrobeats. Nigerian music received global attention thanks to P-Square's commercial achievements, worldwide tours, and collaborations (including with artists like Akon and Rick Ross).

Conclusion: The Giants Whose Shoulders Uphold Afrobeats

Afrobeats didn't emerge suddenly. It is the outcome of many years of creativity, resistance, happiness, and persistent innovation. Current global artists are inspired by the musical narratives and self-assurance developed by the aforementioned pioneers.

They merged contemporary styles with traditional rhythms, performed in their native languages, and had the courage to envision beyond Africa's borders. From Fela's rebellion to 2Baba's soulful sound, influenced by Sunny Adé's global outlook, and Dbanj's entertainment style, these trailblazers paved the way for today's Afrobeats musicians. The legacies of these musical icons remain vital and significant as Afrobeats gains worldwide popularity. Besides producing music, they also made history.

Published by Daily News.

Tagged: Nigeria, Music, West Africa, Arts, Culture and Entertainment

Olamide Baddo's 2015 Afrobeats Explosion

Since entering the mainstream in 2010,Olamide Baddo has emerged as one of the most renowned creators of hits in the Afrobeats genre., whose music has been prevalent on the streets and shaped the dancehall.

By 2015, Olamide Baddo had been active in his profession for five years and had emerged as the representative of the streets, as he famously expressed in his popular track.

From his bold hip-hop tracks to his urban anthems and dancefloor hits, the legendary rapper has a extensive collection of popular songs that highlight his versatility.

From individual projects to team efforts, from creating iconic dance moves that defined an era to influencing urban language, in 2015, the award-winning artist flooded the industry with a series of successful tracks.

In 2015, he unveiled his fourth album.'Eyan Mayweather'which produced several successful albums, including the groundbreaking 'Bobo', 'Lagos Boys', 'Don't Stop', and 'Melo Melo'.

The album showcasedOlamideas a musician whose songs reflected the rhythm of the streetswhile further showcasing the breadth of his artistic talent as he seamlessly navigated both hip-hop and Afrobeats.

The album was nominated for the 2016 Headies Rap Album of the Year award and won the Best Rap Single honor for the track 'Eyan Mayweather', which shares its name with the album.

In 2015, Baddo had an exceptional year, contributing not only to a remarkable project but also offering his skills to his peers, helping them create successful tracks.

From hopping on Harrysonghis megahit "Reggae Blues" to helping launchPepenazito achieve mainstream success with a powerful chorus on 'Illegal', 2015 marked the peak of Olamide's career as he released one of the most unforgettable hit sequences in Afrobeats.

This week's Afrobeats Throwback takes us back to 2015, a year when Olamide dominated with a series of popular tracks.

Olamide's series of successful songs in 2015

1. Bobo

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2. Melo Melo

Baddo has succeeded in keeping his mainstream influence by occasionally incorporating pop elements, and the folk-themed love song 'Melo Melo' showcases his versatility.

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3. Lagos Boys

Olamide was raised in the Shomolu Bariga neighborhoods of Lagos state. As a native of the region, he honors the hard work, lively energy, and strength that characterize Lagos in his popular song 'Lagos Boys'.

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4. Don't Stop

No Afrobeats celebration is complete without a Baddo track. In 2015, he introduced the energetic 'Don't Stop' to his lineup of upbeat anthems.

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5. Eyan Mayweather

Olamide demonstrated his hip hop skills through this bold rap song, highlighting his position as an artist capable of competing in both hip hop and Afropop.

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6. Nostalgia Ft Olamide & Phyno — Local Rappers

In 2015, native rap music took center stage in Nigerian hip hop, with the key figures involved created a street anthem that highlighted their supremacy.

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7. Masterkraft Featuring Olamide & CDQ — Indomie

Olamide adds to this street-themed track, showcasing his reputation as the voice of the streets.

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8. Harrysong Featuring Olamide, Iyanya, Kcee, and Orezi — Reggae Blues

Olamide was chosen by Harrysong for one of the most significant songs and partnerships of 2015. The popular track highlights his talent to perform across different styles and elevate a song with his presence.

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9. Ycee feat Olamide — Jagaban Remix

When YCee aimed to remix his popular single, he reached out to Baddo, who is familiar with the various titles of the Godfather of Lagos politics.

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10. Pepenazi Featuring Olamide — Illegal

Baddo has a strong history of helping new talents gain recognition through featured verses. In 2015, he used his celebrity status to support Pepenazi, elevating him to mainstream popularity with an exciting chorus on 'Illegal'.

11. Davido featuring Olamide - The Money