Rock legends celebrate the album that united their band

A Journey Through Time: The Tedeschi Trucks Band and Their Legacy

It has been a decade since the Tedeschi Trucks Band revisited Joe Cocker’s iconic “Mad Dogs & Englishmen” during a live performance at the 2015 Lockn’ Festival in Virginia. This event, which also featured Leon Russell and other veterans of the original 1970 tour, marked a significant moment in the band's history. Derek Trucks, the band’s founder, still reflects on this experience with a sense of awe, recognizing how fortunate he was to be part of such a historic gathering.

This collaboration led to the formation of the Tedeschi Trucks Band in 2010, as Derek and his wife, Susan Tedeschi, sought to create their own traveling rock ‘n’ roll circus. Now, the band is set to embark on a co-headlining tour with Whiskey Myers, coinciding with the release of an album documenting their shared stage with history—“Mad Dogs & Englishmen Revisited (Live at Lockn')”.

The Magic of Collaboration

Derek Trucks recalls the initial conversations about the Mad Dogs & Englishmen project, highlighting the unique opportunity it presented. The idea came together after they had previously worked with Leon Russell, who opened for them at the Beacon Theatre. When Joe Cocker passed away before the planned collaboration, the focus shifted to a tribute that would honor the legacy of the original tour.

The process of bringing together the original members of the Mad Dogs & Englishmen was both challenging and rewarding. Trucks reached out to Leon Russell, expecting a rejection, but was surprised by his enthusiasm. Once Leon signed on, others followed, leading to a reunion that felt like a Super Bowl for the musicians involved.

The Influence of Leon Russell

Leon Russell played a pivotal role in shaping the band's direction. His mentorship and support were invaluable, especially for Derek and Susan. Trucks describes Russell as a larger-than-life figure who found kindred spirits in the couple. Their interactions were filled with mutual respect and admiration, creating a bond that extended beyond music.

Russell’s influence can be heard throughout the album, with contributions from other notable musicians like Chris Stainton and Kofi Burbridge. These collaborations added a layer of authenticity and depth to the project, making it a true tribute to the original Mad Dogs & Englishmen.

Expanding the Vision

The success of the Mad Dogs & Englishmen project inspired the band to take on another classic album, “Layla and Other Assorted Love Songs,” four years later. This endeavor further solidified their reputation as a band capable of tackling ambitious projects. The experience also led to the creation of a four-record set titled “I Am the Moon,” which drew inspiration from the Persian poem “Layla and Majnun.”

Mike Mattison, a member of the band, played a key role in this creative process. His deep dive into the source material sparked a new perspective, encouraging the band to explore Layla’s story from her point of view. This shift in narrative led to a rich and diverse collection of songs that resonated with fans and critics alike.

The Pandemic and New Beginnings

The pandemic provided an unexpected opportunity for the band to focus on their creativity. With time on their hands, they embarked on the ambitious project of recording “I Am the Moon.” The process was both challenging and rewarding, allowing the band to reconnect and explore new musical directions.

Despite the initial skepticism from some record labels, the band remained committed to their vision. They released each record as a short film, offering fans a unique way to engage with their music during a difficult time. This innovative approach not only kept the audience connected but also helped maintain the band’s creative momentum.

Back on the Road

As the band returns to the road, Derek Trucks reflects on the joy of performing live again. The experience of playing for an audience, feeling the energy and connection, has become even more cherished after the long hiatus. The band remains grateful for the opportunity to share their music and connect with fans.

The Balance Between Studio and Live Performances

Derek Trucks shares his evolving perspective on studio work versus live performances. Initially, he preferred the spontaneity of live shows, but over time, he has come to appreciate the creative freedom the studio offers. This balance allows the band to experiment and grow, enriching their live performances with new ideas and perspectives.

Upcoming Tour Dates

The Tedeschi Trucks Band will be performing at the Arizona Financial Theatre in Phoenix on Monday, August 18, at 7:30 p.m. Tickets are available for purchase through Ticketmaster, with prices starting at $86.50. Fans can look forward to an unforgettable evening of music and celebration.

Read More

Jazz Flute Star to Open Waterbury's Fall Series

A Night of Jazz and Folk at the Palace Theater

Jazz flutist Ali Ryerson is set to captivate audiences once again with her performances at Waterbury’s Poli Club at the Palace Theater. The event marks the start of the Early Fall Jazz Series, where Ryerson will take the stage on Friday. Known for her ability to transform each note into a meaningful conversation, Ryerson has established herself as one of the most compelling figures in contemporary jazz.

With a career spanning over five decades, Ryerson has consistently ranked among the top flutists in the Downbeat Jazz poll for more than a decade. Born in New York, she grew up in a family deeply rooted in music, with her father, Art Ryerson, being a renowned jazz guitarist. This early exposure helped shape her musical journey and passion for the art form.

Throughout her career, Ryerson has performed in some of the most prestigious venues around the world, including Carnegie Hall in New York, the Kennedy Center in Washington, D.C., and Blue Note in both New York and Japan. She has collaborated with legendary jazz musicians such as Red Rodney, Roy Haynes, Kenny Barron, Frank Wess, Hubert Laws, Stephane Grappelli, Art Farmer, Mike Mainieri, Joe Beck, and even made a guest appearance with Wynton Marsalis and the Jazz at Lincoln Center Orchestra.

In addition to her work in jazz, Ryerson has also performed with classical artists like Julius Baker and Luciano Pavarotti when she was the principal flutist with the Monterey Bay Orchestra. As an educator and author, she has published the widely acclaimed Jazz Flute Practice Method and conducts master classes globally. Her compositions have been performed internationally, further solidifying her reputation as a versatile and influential artist.

Ryerson will perform two shows on Friday at 7 p.m. and 9 p.m. Attendees can purchase individual tickets with general admission seating or opt for a series ticket that includes all four shows with reserved seating. The Early Fall Jazz Series will continue on August 29 with Vanessa Racci: Jazz Italian, followed by Adam Burnbaum Trio on September 19, and Svetlana and The New York Collective closing the series on October 3.

For more details, visit the Palace Theater Box Office or check out their website at www.PalaceTheaterCT.org.

CT Folk Fest and Green Expo Returns

The CT Folk Fest and Green Expo is set to return next month on September 6 at Edgerton Park in New Haven. This annual event brings together live music, food trucks, and a variety of artisan vendors through the "Green Expo." With two stages for performances, the festival promises a vibrant celebration of folk and acoustic music.

The CT Folk Main Stage will feature Kala Farnham at 11:30 a.m., followed by The Meadow Brothers at 12:45 p.m., Eleanor & Dario at 2:15 p.m., Session Americana at 3:45 p.m., Chris Pierce at 5:15 p.m., Dustbowl Revival at 6:45 p.m., and Robert Finley at 8:30 p.m. Meanwhile, the Bigger Beast Stage will host D'Pew, Lee Totten and Canyon at 12:15 p.m., Oliva Clarke, Liz Read and Hailey Neal at 1:45 p.m., Undercover Cameo at 3:15 p.m., Sam Robbins at 4:45 p.m., and Frank Viele at 6:15 p.m.

Attendees are encouraged to make a tax-deductible donation of $25 to help cover event costs. The festival is held rain or shine and takes place at Edgartown Park, located at 75 Cliff St., New Haven. More information can be found at www.ctfolk.org/fest-expo-2025.

Tribute to Joan Baez at The MAC

Folk enthusiasts should mark their calendars for a special tribute to Joan Baez on August 21 at The MAC, or Milford Arts Council. The “Tip of the Hat” series will celebrate the music of Baez, featuring songwriters Meggie, Frank Crielli, North County Duo, and Denise Jones. These performers will take the stage in a round format, playing their own songs as well as interpretations of Baez's classic works.

The show starts at 6:30 p.m., with advance reserved tickets priced at $20. For more details or to purchase tickets, visit www.ctfolk.org/toth2joan.

This Week in Rock

On this day in 2017, Taylor Swift won a high-profile lawsuit against Denver disc jockey David Mueller. The case began when Mueller was fired after Swift accused him of groping her during a photo session before her concert in 2013. In response, Mueller sued Swift in 2015, prompting her to countersue for sexual assault. Ultimately, Swift was awarded $1 in damages, which she donated to charity, stating her hope was to help those whose voices should also be heard.

Read More

Kip Moore to Headline McGrath Amphitheatre

A Unique Journey in Country Music

Kip Moore's career took an unexpected turn after his 2012 hit "Somethin' 'Bout a Truck" topped the Billboard country charts. The song, along with its follow-up tracks "Beer Money" and "Hey Pretty Girl," seemed to set him on a clear path toward a bro-country success. However, Moore's story didn't unfold as expected. Instead of sticking to the typical trends, he chose a different route that would redefine his music.

In 2015, Moore released his album "Wild Ones," which marked a shift in his style. This project blended rock and roll elements with traditional country sounds, drawing inspiration from artists like Bruce Springsteen and John Mellencamp. Moore explained that while he grew up listening to country music, he was also deeply influenced by rock and roll. He admired the lyrical craftsmanship of country music and the powerful melodies of rock, which shaped his artistic identity.

"I wanted to write substantial songs," Moore said. "I love the rock and roll melodies, but I also have to do it my way. I didn’t want to just recreate another 'Somethin' 'Bout a Truck.' I wanted to do what I wanted to do."

This philosophy is evident in his latest album, "Solitary Tracks," released in February. The album is considered Moore’s most profound work yet. It features songs from the perspective of an outsider striving to achieve his goals. While the hooks may not be as prominent as in his earlier work, the depth of the lyrics and the emotional resonance make it a compelling listen.

"The words are important to me," Moore emphasized. "I have something to say with each of these songs." This sentiment reflects his commitment to authenticity and storytelling through music.

A New Direction in Music

"Solitary Tracks" is an expansive two-album set featuring 23 songs and spanning 85 minutes. In an era dominated by short EPs, this album stands out for its length and depth. Songs like "Half Full Cup," "Learning As I Go," and "Flowers in December" showcase Moore's growth as an artist. Rather than focusing on creating a single hit, he prioritized crafting a complete album that resonates with him personally.

Moore's approach to music is rooted in his childhood experiences. He recalled being captivated by albums like Tom Petty's "Full Moon Fever," where he would listen to the entire record from start to finish. This deep connection to full-length albums inspired his current creative direction.

"I remember discovering Tom Petty's 'Full Moon Fever,' and I just sat there and was absolutely enthralled by that album," Moore shared. "That's what I grew up on, and that's probably why I'm still driven to make albums like what I grew up listening to."

Moore is currently preparing for a live performance at McGrath Amphitheatre on Saturday, August 16. His show is known for its authenticity, with no backing tracks or digital enhancements. The performance is a raw and genuine experience, featuring Moore and his band delivering a high-energy, organic set.

"I've always loved playing out, and that hasn't changed," Moore said. "We strive to give fans the best show and the most authentic depiction of us as musicians. We rehearse hard, and we feel out the audience so we might change the set. I often write a set list, and it just becomes something completely different."

A Passion for Creation

Moore's dedication to his craft is evident in his prolific writing habits. He has already begun working on his next album, having written over 100 songs for "Solitary Tracks." For Moore, writing is more than a job—it's a fundamental part of who he is.

"Writing is what I do," he said. "It's not a job. Writing is my life. I'll never stop writing, and I'll never stop making records. I'm so passionate about it."

This passion extends to his live performances, where he focuses on connecting with the audience. Whether it's through a well-rehearsed set or spontaneous moments, Moore aims to create an unforgettable experience for his fans.

As Moore continues to evolve as an artist, his journey serves as a reminder of the power of authenticity and creativity in music. With each new album and performance, he reaffirms his commitment to telling stories that resonate on a deeper level.

Read More

Top 10 Concerts: Must-See Shows in the Twin Cities and Beyond This Week

Celebrating Music Across Genres and Venues

When she arrived at the Dakota last August, the veteran Texas singer-songwriter’s “Mileage” album was days ahead of the release, her first album for Sun Records. Now she returns having collected her first Grammy for best contemporary blues album for “Mileage,” which features the acoustic Delta blues “Done” with Larkin Poe and a remake of “That’s All Right,” the Arthur Crudup tune that Elvis Presley turned into one of his first hits in 1954, done to a swampy blues groove with gospel harmonies. Foster is back at the Dakota for two nights of her special mix of soul, gospel, blues, jazz, folk — oh, let’s just call it Americana.

What started in 2021 as a set of summer house concerts in Duluth is now an intimate gathering of outstanding musicians from around the country. For the festival’s closing concert, string players from the San Francisco Symphony, Dallas Symphony Orchestra, the Calidore String Quartet, the New England Conservatory of Music and elsewhere will join forces to breathe life into the small-scale creations of Domenico Scarlatti, Pablo de Sarasate, Jennifer Higdon, Franz Schubert and Johannes Brahms.

Also: mgk, formerly known as Machine Gun Kelly, is doing a surprise pop-up concert to promote his new rootsy album “Lost Americana.” The event is free with sign-up and takes place at the Electric Fetus.

We’ve seen a lot of both these veteran alt-rock bands in the Twin Cities in recent years, but take their frequent tours as a sign they’re in fine form and having fun. Wayne Coyne and his Oklahoman acid-punk-pioneering Lips always seem to be having a good time with their many inflatables and stage gimmicks and singalongs from classic albums like “The Soft Bulletin” and “Yoshimi Battles the Pink Robots.” Isaac Brock’s nervy Washington State unit of “Float On” fame didn’t seem to be having fun for many years but put on a spirited and playful set at Surly last summer with the Pixies. Buzzing Chicago duo Friko is scheduled to open.

Even though fans have been tantalized by the reissue of “Buckingham Nicks,” they’ve been bummed about Stevie Nicks’ concert postponement next week at Xcel Energy Center because of a shoulder injury. She promises to return on Nov. 12. Meanwhile, get a Fleetwood Mac fix with one of the Twin Cities’ best tribute bands doing a free outdoor show in one of the metro’s loveliest parks. Pamela McNeill, Mary Jane Alm and Jeff Engholm are the featured vocalists in this nine-piece band covering everything from “Rhiannon” to “Go Your Own Way.”

OK, we’ll admit it. We weren’t too excited to see these somewhat slapstick ‘90s punk rockers on the lineup for last year’s Minnesota Yacht Club festival, but like a discernibly large part of the crowd, we had fun singing/shouting along to their many radio and MTV hits, including “Come Out and Play” and “Self Esteem.” The Orange County vets are getting radio play again with “Make It All Right,” from their new album, “Supercharged.” Whether their fan base is charged enough to fill an arena is questionable, but openers Jimmy Eat World and New Found Glory should help fill seats.

Also: Dustin Lynch, who has scored nine No. 1 country hits including “Chevrolet” featuring Jelly Roll, becomes the latest star to sing after a Twins game. After several years of charming local audiences with their jazzy and western-swinging guitar/sax/bass retro grooves, Jake Hanson, Nelson Devereaux and Ted Olsen are finally celebrating the release of the Riffin’ Trio’s first EP with Aby Wolf, Beemer and other surprise guests.

Those Medley Kids, an all-star group of Twin Cities players featuring vocalist Bill Pyle III, will visit the prog-rock sounds of Rush, King Crimson, Yes and Genesis’ “The Lamb Lies Down on Broadway.” The countdown to closing time at Palmer’s Bar continues with a rocking patio lineup featuring the Scarlett Goodbye, Faith Boblett and the Heavy Sixers.

It looks as if this is the last concert of the season — or maybe for a long time — at this utilitarian amphitheater serving the greater Twin Cities area. Who knows what shows Somerset will attract after the state-of-the-art Shakopee Amphitheater opens in 2026 since both are operated by Live Nation? To close things out in Somerset, it’s the duality dude known simply as Hardy, who has scored a string of country hits mentioning trucks and beer, as well as making noise in hard-rock circles. After appearing at country fests this summer in Iowa, Wisconsin and Minnesota, Hardy headlines his own gig. With three openers including Koe Wetzel of “High Road” success, it’s like a mini-fest.

Also: Jane Monheit, the technically superb New York jazz vocalist, is back at the Dakota. “How to Save a Life” hitmakers the Fray return. Seven local mainstay acts that usually play original tunes are cutting loose with tribute-band sets for a great local cause at the third annual We Got You Covered concert, featuring the de’Lindas, Doug Collins and the Receptionists, the Mighty Mofos, the New Brunettes, RuDeGirl, the Wandering Sons and the Belfast Cowboys, benefitting Foothold Twin Cities. Robert Wilkinson and his influential Twin Cities combo Flamin’ Ohs are heading up another benefit for the Parkinson’s Foundation with Annie & the Bang Bang.

As if there hasn’t been much for him to march and rage against in the interim, Trent Reznor finally saw fit to return to the road this year with his angst-fueled, piggies-lambasting techno-metal band for their first Minnesota gig in 12 years. No surprise the pent-up demand put a hurt on the box office, with only very limited seats remaining at face value. Shows so far on the Peel It Back Tour have focused on classic NIN cuts rather than new music from the upcoming “Tron: Ares” soundtrack. But it features some new twists to the old stuff, including help from German producer/opener Boys Noize and some clever staging.

Bluesmen from different generations but the same northern part of Louisiana, Shephard and Rush came together in a big and beautiful way on a new collaborative album, “Young Fashioned Ways.” The 91-year-old Rush told the Star Tribune that he and his fellow Louisiana native “were only going to record two songs together, but we just kept recording we were having so much fun.” The fun continues on a joint tour that gives the elder singer/guitarist a chance to lean on the younger guitar slinger and his sturdy band. They have two Minnesota stops on their trek.

Also: After her would-be tourmates the 29:11 South Africa Ensemble were denied U.S. visas for their series of Midwest performances, the Twin Cities’ hopeful hip-hop hero Dessa is going ahead with her hometown show and hoping to capture the spirit of the transatlantic collaboration. WDGY, the now-oldies radio station that was one of two Twin Cities Top 40 outlets in the 1960s, will commemorate the 60th anniversary of the Beatles’ Aug. 21 performance at the old Met Stadium on the same site, which is now Mall of America. A Hard Day’s Night, a tribute band, will recreate the set list from that historic concert. Last call is nearing for piano legend Cornbread Harris’ Church of Cornbread evening shows at Palmer’s Bar.

Long before there were TV talent competitions for a cappella ensembles, this New York septet was building a reputation for sounding like a full band with just voices. Now in their 26th year, Naturally 7 still boasts four original members, including founding brothers Roger and Warren Thomas. Last year, the septet dropped “Naturally 7 @theMovies, Volume One,” featuring their inventive interpretations of such tunes as “Stayin’ Alive,” “Sound of Silence” and “Lose Yourself.”

Also: John Rzeznik and Goo Goo Dolls are back for what seems like their annual Minnesota visit to reprise “Iris” and “Slide,” with Dashboard Confessional opening. Canada’s contribution to the Blink-182-led pop-punk movement for millennials, Simple Plan, is out celebrating its 25th anniversary with a mini-fest like opening entourage featuring Bowling for Soup, 3OH!3 and Lolo. Colorado’s dramatic, cult-loved folk-rocker Gregory Alan Isakov is taking on Surly Brewing Festival Field with Canadian roots duo Ocie Elliott opening.

His hotly hyped new record landed with a thud, and he has a bad rep with Twin Cities fans after thrice canceling on them in the 2010s. So tickets to Weezy’s first local arena show since before COVID haven’t exactly flown off the shelf. The New Orleans rap king has a lot of incentive to come and reprove himself, though, and to maybe finally convince fans to check out “Tha Carter VI.” Set lists have included a handful of tunes off the new record along with more than 30 better-known hits going back 20 years. Tyga and Belly Gang Kushington will open.

Also: Lettuce, the jazz-funk band that got its start at the Berklee College of Music in the 1990s, adds some hip-hop seasoning on their latest, “Cook.” Minnesota jazz mainstays Steve Kenny Quintet celebrate the new album “Blue Chunks.” Power belter Claudio Sanchez and his enduring metal band Coheed and Cambria are back with Taking Back Sunday. Cleveland’s pop-rocker/comedian Dave Hill was last seen in town opening for actor Michael Shannon’s R.E.M. tribute tour. Outlaw countryman Cole Diamond hosts the last installment of his Whiskey Wednesdays shows at Palmer’s.

Read More

Jazz legend passes while immersed in her passion

A Legacy of Jazz and Innovation

Sheila Jordan, a legendary jazz singer known for her pioneering work in bebop and scat singing, has passed away at the age of 96. Her death was shared by her daughter, Tracey, through an Instagram post on Monday, August 11. In the message, she described how her mother peacefully passed away at 3:50 p.m., surrounded by music that defined her life. Joan Belgrave, a close friend, played a bebop tune called “Bill for Bennie” by Jordan’s late husband, Marcus Belgrave, as Sheila drifted off to sleep.

Tracey expressed gratitude for the support received from the jazz community and mentioned that funds raised on her mother's GoFundMe page would be used to pay off medical debt and secure a plot for her at Woodlawn Cemetery in the Jazz Corner. A memorial service is planned for the future at Saint Peter’s Church in New York City.

Early Life and Career

Born in Detroit on November 18, 1928, Jordan was raised by her grandparents in Pennsylvania. She moved to New York in the 1950s, where she married Duke Jordan in 1952. During this time, she studied under Lennie Tristano and began performing in jazz clubs, laying the foundation for her influential career. According to AllMusic, despite having a relatively small voice, Jordan made the most of her instrument, earning recognition as one of the most consistently creative jazz singers.

Scott Yanow, a respected jazz historian, praised Jordan for her ability to improvise logical lyrics that often rhymed, her superb scat singing, and her emotional interpretation of ballads. He noted that her contributions helped pave the way for later artists such as Norah Jones and Diana Krall.

Musical Contributions and Achievements

Jordan's career saw her featured on George Russell’s 1962 rendition of “You Are My Sunshine” for his album “The Outer View (Riverside).” The following year, she released her debut album, “Portrait of Sheila,” becoming one of the few singers to lead her own project through Blue Note Records. However, it took a decade before she returned to the music scene, collaborating with Carla Bley, Roswell Rudd, and co-leading a group with Steve Kuhnin in the late 1970s.

By the 1980s, Jordan was recording as a leader for numerous projects, including her final album, “Portrait Now,” released in February. Among her many accolades, she was honored as a 2012 recipient of the National Endowment for the Arts, the nation’s highest honor in jazz.

Recognition and Impact

In a press release announcing her passing, the NEA highlighted Jordan’s exceptional talent as a scat singer and her ability to reach emotional depths in ballads. Whether performing well-known standards or original material, she brought a unique voice to every song. Beyond her musical achievements, Jordan also dedicated herself to education, teaching at the City College of New York and serving as a faculty member for Jazz in July at the University of Massachusetts at Amherst and the Vermont Jazz Center in Brattleboro, Vermont. She conducted workshops internationally, further cementing her legacy as a mentor and educator.

A Lasting Influence

Sheila Jordan’s impact on the world of jazz is undeniable. Her innovative style and dedication to the art form left an indelible mark on the genre. From her early days in New York to her later years as a revered figure in the jazz community, she inspired generations of musicians and fans alike. As her family prepares for a future memorial service, the jazz world mourns the loss of a true pioneer who helped shape the sound of modern jazz.

Read More

AtHeart: A K-Pop Band Defying Boundaries from Los Angeles

The Debut of AtHeart: A New Chapter in K-Pop

AtHeart, a fresh girl group making waves in the K-pop scene, recently unveiled their first EP titled “Plot Twist” during a debut showcase held at Blue Square in central Seoul. This event marked the beginning of their global journey and highlighted their unique approach to music and performance.

The group's choreographer, Lia Kim, shared some key advice with the members: "Just be yourself." This message resonated deeply with the rookie artists as they stepped into the spotlight for the first time. Lia Kim, known for her work at 1Million Dance Studio, has been instrumental in shaping AtHeart into what is now considered K-pop's next big act. Her collaboration with Titan Content, a U.S.-based agency led by a former SM Entertainment executive, has set the stage for this new generation of performers.

A Unique Formation

AtHeart is the first K-pop group launched by Titan Content. While the agency's U.S. headquarters handles production and distribution, talent development still takes place in Seoul. This blend of international and local expertise has created a unique environment for the group's growth. The debut showcase featured the release of their five-track EP, which includes the title track and other songs such as “Push Back,” “Dot Dot Dot …,” “Knew Me,” and “Good Girl (AtHeart).” The title track combines dreamy pop with EDM elements, showcasing the group's versatility and innovation.

The Team Behind the Group

The success of AtHeart is not just due to the members but also the experienced team at Titan Content. The agency's founding team includes industry veterans such as Board Chairman Nikki Semin Han, former co-CEO of SM Entertainment; CEO Katie Kang, who played a pivotal role in SM Entertainment's casting and training process; Chief Visual Officer Guiom Lee, founder of Dazed Korea; and Chief Business Officer Dom Rodriguez, who was recognized on Billboard’s “40 under 40” list in 2023. Lia Kim serves as chief performance officer, further emphasizing the high level of expertise guiding the group.

Challenges and Aspirations

With seven members—Nahyun, Seohyeon, Bome, Arin, Michi, Katelyn, and Aurora, who missed the debut showcase due to health reasons—the group faces significant pressure. The average age of the members is 16, with Michi being the oldest at 16 and Nahyun the youngest at 14. Despite the challenges, the members remain focused on their goals.

“It’d be a lie if we say there’s no pressure,” said Arin. “But with all the support and feedback from our company’s executives, we’ll do our best to become an act that can leave a lasting footprint.”

A Mission Beyond Music

Beyond achieving musical success, AtHeart aims to connect with their audience on a deeper level. The group's name symbolizes mind, heart, and love, reflecting their mission to share these feelings with everyone. According to the agency, the concept of the album is centered around the “butterfly effect,” aiming to create a significant impact through their artistry.

A Strong Start

The group's debut has already garnered attention, with the music video for “Good Girl (AtHeart)” surpassing 10 million views on YouTube. Additionally, Girls' Generation's Sooyoung made a special appearance, adding to the excitement surrounding the group. Nahyun, the youngest member, shared her emotional experience of meeting her idol, expressing how much it meant to her.

“Our role model as a group is Girls’ Generation, so we were especially more nervous before meeting Sooyoung,” Nahyun said. “But she offered us advice and support."

As AtHeart continues to build their presence in the K-pop industry, their journey reflects a blend of talent, dedication, and the support of a strong team. Their story is just beginning, and the world is watching closely.

Read More

Rascal Flatts Returns to Iowa State Fair for 25th Anniversary Tour

Rascal Flatts' Return to the Iowa State Fair: A Nostalgic Performance with Mixed Results

Country trio Rascal Flatts made their third appearance at the Iowa State Fair, bringing with them a mix of nostalgia and high expectations. The band, consisting of Gary LeVox on lead vocals, Jay DeMarcus on bass guitar, and Joe Don Rooney on lead guitar, is currently on a 2025 tour titled "Life is a Highway Tour," celebrating their 25 years of performing together at the Grandstand.

In 2020, the group announced they would be taking a break after two decades of music-making, followed by a planned tour. However, the pandemic forced the cancellation of that tour. They officially disbanded in 2021, but it seems the band couldn't resist marking their silver anniversary with a new album and a series of shows.

As the lights dimmed, the band opened with Thin Lizzy's "The Boys Are Back in Town," setting the tone for an evening filled with hits from their extensive catalog. LeVox took the stage, reflecting on the past 25 years of Rascal Flatts. He humorously noted how technology has evolved since their early days, when cassette players were the norm, and now everything can be streamed directly to a phone.

Despite the nostalgic sentiment, the performance had its challenges. The band played a series of hits back-to-back, which left the audience struggling to keep up. The energy was high, but the lack of structure made it difficult to build momentum throughout the set.

LeVox's vocal performance remained strong, showcasing his signature voice that has defined country music over the years. His delivery of slower songs like "My Wish" and "Bless the Broken Road" was particularly moving, with the crowd singing along in unison.

However, the live mix posed some issues. The powerful instrumentation, including heavy bass and loud guitars, often drowned out LeVox’s voice, making it challenging for the audience to hear him clearly. This issue was especially noticeable during moments where he invited the crowd to sing along.

The band also introduced a new track, "I Dare You," a collaboration with The Jonas Brothers. The song, part of their latest album "Life Is a Highway: Refueled Duets," showcased their creative evolution while still maintaining their signature sound.

The evening also featured opening act Neal McCoy, who delivered a high-energy set that resonated with the audience. Known for his 90s hits, McCoy brought a mix of classic country and rock n roll, engaging the crowd with his charisma and storytelling.

McCoy’s performance included songs like "The Shake" and "No Doubt About It," as well as a medley of rock n roll classics. His ability to connect with the audience and his smooth baritone voice made for a memorable opening act.

The show concluded with Rascal Flatts’ encore, featuring their hit "Life Is a Highway." The performance served as a fitting end to the evening, highlighting the band's enduring appeal and their ability to bring people together through music.

As the Iowa State Fair continues, the Grandstand remains a hub for entertainment, with upcoming acts like American rock-and-roll tribute band Hairball set to take the stage next. The fair offers a variety of experiences, from food to music, making it a must-visit event for locals and visitors alike.

Read More

Alabama's Link to the Rock Legend Behind a Classic Hit

A Legacy of Music and Friendship

Bobby Whitlock, a key figure in the creation of one of rock’s most iconic albums, "Layla and Other Assorted Love Songs," left an indelible mark on music history. Known for his work with Derek and the Dominos, Whitlock played the Hammond organ, provided backing vocals, and contributed to writing several tracks on the 1970 album. His role was particularly significant in the closing track, “Thorn Tree in the Garden,” which he wrote about the loss of his dog while living in Los Angeles. This deeply personal song became a highlight of the album, showcasing Whitlock's emotional depth and musical talent.

The Journey of a Musician

Whitlock's journey took him from Memphis to Alabama’s Muscle Shoals area in the early 2000s. He spent time in what had once been the reception area of the legendary Muscle Shoals Sound studio before moving to a home in Florence. There, he lived with his partner, musician Kim “Coco” Carmel. Their relationship led to several collaborative albums, featuring guest musicians such as country legend Willie Nelson. The two eventually married, forming a partnership that would last throughout their lives.

A Connection with Jason Isbell

Jason Isbell, a Grammy-winning singer and songwriter, grew up in the Shoals and Green Hill areas. He first encountered "Layla" at the age of ten, when he taped it off a local radio broadcast. The song left a profound impact on him, leading him to purchase the album on cassette and vinyl. Isbell often spoke of how the album shaped his musical journey and inspired his own career.

After Whitlock moved to Alabama, Isbell reached out to him, and they formed a friendship. They spent time together, playing songs and sharing their passion for music. Whitlock recognized Isbell's guitar skills and invited him to join him for a couple of shows, a gesture that meant a lot to Isbell. Their collaboration included appearances at the Muscle Shoals Songwriter Showcase, where Whitlock praised Isbell's talent on stage.

A Lasting Influence

Whitlock's influence extended beyond his work with Clapton and the Allman Brothers Band. He contributed to various other projects, including George Harrison’s "All Things Must Pass" and the Rolling Stones’ "Exile On Main St." His songs were also recorded by artists like Ray Charles, Cher, and Sheryl Crow, highlighting his versatility and talent.

Remembering a Friend

When news of Whitlock's passing spread, many in the music community expressed their grief. Eric Clapton, who had worked with Whitlock in Derek and the Dominos, shared his condolences on social media, honoring his friend and collaborator. Pattie Boyd, the muse behind "Layla," also paid tribute, recalling the fun times they shared at Friar Park.

Whitlock's legacy lives on through his music and the friendships he built. Kelvin Holly, a longtime guitarist with Little Richard, remembered him as a unique individual, describing how he would often spend mornings creating art from driftwood. His creativity and passion for life left a lasting impression on those who knew him.

A Timeless Classic

Fifty-five years after its release, "Layla" remains a timeless classic, celebrated for its powerful storytelling, innovative sound, and emotional depth. Whitlock's contributions to the album continue to resonate with fans and musicians alike, ensuring that his voice and talent will be remembered for generations to come.

Read More

Barenaked Ladies Show Proves Connection Outshines Crowd Size in Syracuse

A Nostalgic Night Under the Stars in Syracuse

Syracuse, New York, witnessed a unique musical evening as the “Last Summer on Earth” tour brought together three iconic bands—Barenaked Ladies, Sugar Ray, and Fastball—at the Empower Federal Credit Union Amphitheater at Lakeview. While the crowd was smaller than expected, with under 3,000 attendees, the energy and nostalgia of the night made it a memorable experience for fans of all ages.

The event kicked off with Fastball, who took the stage just after 7 p.m., as the summer sun still cast a bright glow over the venue. The band delivered a set that included hits like “Sooner or Later,” “You’re an Ocean,” and their classic track “The Way.” In a touching moment, they paid tribute to Syracuse University graduate Lou Reed with a rendition of The Velvet Underground’s “I’m Waiting for the Man.” This gesture added a personal touch to the performance, highlighting the band's connection to the local community.

Fastball also showcased some of their lesser-known tracks, such as “Love Comes in Waves/The Joker” and “Out of My Head.” The band’s set was completed by a special appearance from Barenaked Ladies’ Ed Robertson, who joined them for “The Way.” This collaboration was a highlight of the night, showing the camaraderie among the musicians.

As the evening progressed, Sugar Ray took the stage, bringing back the vibes of the late ’90s with their signature spiked hair and energetic performances. Frontman Mark McGrath greeted the audience with a mix of humor and gratitude, acknowledging the long-standing support of fans. The band played a seven-song set that included fan favorites like “Someday,” “Every Morning,” and “Fly.” The song “Fly” proved to be a crowd favorite, with everyone singing along and dancing.

Sugar Ray’s performance was a nostalgic journey, reminding attendees of the music that defined a generation. The band’s ability to connect with the audience through their timeless hits was evident throughout the set. Fans were even encouraged to revisit the Apple+ show “Shrinking,” where a version of “Every Morning” was featured, adding another layer of entertainment to the evening.

Barenaked Ladies Bring Nostalgia and Depth

The final act of the night was Barenaked Ladies, whose setlist blended well-known hits with deeper cuts, showcasing the band’s versatility. Frontman Ed Robertson opened with a humorous comment about playing mellow songs from their new record, which led into a heartfelt performance of “Clearly Lost.” The band also covered Black Sabbath’s “War Pigs,” a choice that resonated with the recent passing of Ozzy Osbourne.

Throughout the performance, Barenaked Ladies mixed familiar tracks like “The Old Apartment,” “Pinch Me,” and “If I Had a Million Dollars” with less popular songs such as “Big Back Yard” and “Light Up My Room.” The acoustic version of “One Night” added a different dimension to the set, allowing the audience to appreciate the band’s softer side.

Robertson also acknowledged former lead singer Steven Page, expressing his appreciation for the band’s history and wishing him a happy 14th wedding anniversary. This moment highlighted the band’s respect for their past while looking forward to the future.

Despite the small crowd, the atmosphere remained positive and enthusiastic. Each band demonstrated their enduring appeal and dedication to their craft. Their ability to engage with the audience, regardless of the size of the crowd, was a testament to their longevity in the music industry.

A Celebration of Music and Memories

The “Last Summer on Earth” tour served as a reminder of the power of live music to bring people together. Whether it was the nostalgic tunes of Sugar Ray, the heartfelt performances of Barenaked Ladies, or the energetic sets of Fastball, each act contributed to a night filled with memories and emotion.

For many, the evening was more than just a concert—it was a celebration of the music that shaped their lives. As the last notes of “Summer of ‘69” echoed through the amphitheater, it was clear that the spirit of the “Last Summer on Earth” tour would live on in the hearts of those who attended.

Read More

Euphoria's Oscar-Winning Composer Joins Season 3 — What to Expect

A New Era of Sound for Euphoria

Euphoria has always been more than just a television show. It’s an emotional journey, a visual spectacle, and most importantly, a sonic experience that resonates deeply with its audience. From the very first episode, the show's music has played a crucial role in shaping its narrative, creating an atmosphere that is both haunting and beautiful. The soundtrack has become a character in its own right, weaving through the story like a thread of glitter and grief.

The show's musical identity was initially crafted by Labrinth, whose soulful compositions have become synonymous with the series. His work on tracks like "All for Us" and "I’m Tired" helped define the emotional core of Euphoria, making it impossible to separate the music from the characters and their struggles. Now, as the show moves into its third season, it's set to take a bold new direction with the addition of an Oscar-winning composer.

Hans Zimmer Joins the Euphoria Family

Hans Zimmer, the legendary composer behind iconic film scores such as Interstellar and Inception, has officially joined the team for Euphoria Season 3. This collaboration marks a significant shift in the show's musical approach, bringing a level of cinematic grandeur that has never been seen before. Zimmer’s involvement is not just a nod to his talent but also a reflection of the show's ambition to push boundaries and explore new creative territories.

In a statement shared by HBO Max, Zimmer expressed his excitement about joining the project, calling it “an honor to join this incredible team of storytellers led by the visionary Sam Levinson.” He also praised the show for being “bold and moving,” acknowledging the impact that Labrinth’s work has had on shaping Euphoria’s unique sound.

Labrinth, who has been instrumental in crafting the show’s musical identity since its inception, will also be returning for Season 3. In his own statement, he expressed his enthusiasm about working alongside Zimmer, calling him “one of my heroes in film score” and looking forward to bringing “some new magic to this new season.”

A Fusion of Genres and Emotions

With Zimmer’s arrival, the Euphoria soundtrack is expected to evolve into something even more powerful and immersive. The combination of Zimmer’s cinematic flair and Labrinth’s emotional depth promises to create a soundscape that is both ethereal and intense. Fans can expect a mix of soaring orchestral pieces, pulsating electronic beats, and soul-stirring melodies that will perfectly complement the show’s dramatic storytelling.

Sam Levinson, the show’s creator, has already hinted at the influence of Zimmer’s work on the upcoming season. He revealed that he wrote parts of Season 3 while listening to Zimmer’s scores for Interstellar and True Romance, indicating that the composer’s style is already deeply embedded in the show’s creative DNA.

What to Expect from the Soundtrack

As the story of Euphoria continues to unfold, the soundtrack will play an even more critical role in enhancing the emotional impact of key moments. With Cassie’s storyline taking a darker turn, the music is expected to reflect that shift, using crescendos, synths, and violins to heighten the tension and evoke strong emotional responses.

If Zimmer and Labrinth were to collaborate on a track produced by Zendaya, the result could be nothing short of extraordinary. Their combined talents could create something truly celestial—music that not only sounds amazing but also feels like a powerful force of nature.

Fans are already buzzing with anticipation, eager to see how this new musical direction will shape the next chapter of Euphoria. Whether it’s through a haunting melody or a thunderous orchestral piece, one thing is certain: the soundtrack of Season 3 will be an emotional ambush wrapped in vinyl, ready to leave a lasting impression.

Read More

The Summer I Turned Pretty Season 3 Soundtrack Revealed

The Final Season of The Summer I Turned Pretty Unfolds

The third and final season of The Summer I Turned Pretty is currently airing, offering fans a dramatic conclusion to the story of Belly Conklin. As the protagonist, Belly (played by Lola Tung) navigates the challenges of college life, she remains entangled in a complex love triangle that has defined much of the series.

Based on the popular young adult novels by showrunner Jenny Han, the latest season continues to explore Belly's personal growth and emotional struggles. She is now in a long-term relationship with Jeremiah Fisher (Gavin Casalegno), but her past with his older brother, Conrad (Christopher Briney), complicates matters. When Conrad reenters her life, Belly must confront her lingering feelings for him, adding another layer of tension to her already complicated relationships.

A Musical Journey Through the Series

One of the standout elements of The Summer I Turned Pretty is its carefully curated soundtrack, which has become a beloved aspect of the show. Viewers have come to appreciate the way music enhances the emotional depth of each scene, often serving as a subtle nod to the characters' inner turmoil.

The series has also made a tradition of incorporating Easter Eggs through its music choices, particularly with songs by Taylor Swift. These musical references often hint at the direction of the storyline or provide insight into the characters’ emotions.

Episode-by-Episode Breakdown of the Soundtrack

Episode 1: Last Season

This episode features a mix of nostalgic and contemporary tracks that set the tone for the season’s emotional journey. Highlights include:

• Dreams by The Cranberries
• Open Arms by SZA
• Can’t Stop by Red Hot Chili Peppers
• FRI(END)S by V
• Get Loud by Coi Leray
• HOT TO GO! by Chappell Roan
• Summer Love by Justin Timberlake
• reason to live by mehro
• NANi by Saweetie
• Lovin on Me by Jack Harlow
• Dilemma by Kelly Rowland and Nelly
• Good Luck, Babe! by Chappell Roan
• i like the way you kiss me by Artemas
• You’re Losing Me (From the Vault) by Taylor Swift

The season premiere ends on a bitter note as Belly discovers that Jeremiah has been unfaithful during Spring Break in Cabo San Lucas, Mexico. As she flees from him, You’re Losing Me by Taylor Swift plays, capturing the emotional weight of the moment.

The song’s lyrics reflect a relationship on the brink of collapse, with verses that suggest the possibility of an eventual breakup. The bridge of the song, which includes lines like “And I wouldn't marry me either. A pathological people pleaser,” could hint at the future of Belly and Jeremiah’s relationship. This single Taylor Swift track in the season so far may signal a difficult path for those who support Team Jeremiah.

Episode 2: Last Christmas

This episode brings a holiday-themed playlist that blends classic and modern hits, including:

• lacy by Olivia Rodrigo
• i wish i hated you by Ariana Grande
• Rockin Around the Christmas Tree by Brenda Lee
• Never Going Back Again by Fleetwood Mac
• Mystery of Love by Sufjan Stevens
• Forever and a Day by Benson Boone

Episode 3: Last Supper

The third episode continues the musical storytelling with a mix of indie and pop tracks:

• Birds of a Feather by Billie Eilish
• Littlest Things by Lily Allen
• Everything Happens to Me by Bill Evans
• Please Please Please by Sabrina Carpenter
• 10,000 Emerald Pools by BØRNS
• No Surprises by Radiohead

Conclusion

As the final season of The Summer I Turned Pretty progresses, viewers are treated to not only a compelling narrative but also a rich musical experience. The soundtrack serves as more than just background music—it adds layers of meaning and emotion to each scene. With each episode, the show continues to deliver powerful moments that resonate with fans, making it a memorable conclusion to the series.

Read More

Explore Bristol, Virginia: Music, Motorsports, and Beyond

Explore the Musical Heritage of Bristol, Virginia

Bristol, Virginia, a city that lies on the border of Virginia and Tennessee, is a vibrant destination steeped in musical history, exciting motorsports, and diverse outdoor activities. Known as the “Birthplace of Country Music,” Bristol offers a unique blend of culture, adventure, and tradition. Whether you're a music lover, a sports enthusiast, or an outdoor adventurer, there's something for everyone in this charming city. Here are 10 must-visit attractions to help plan your next country music road trip.

Immerse Yourself at the Birthplace of Country Music Museum

No visit to Bristol is complete without exploring the Birthplace of Country Music Museum. This Smithsonian-affiliated museum delves into the story of the historic 1927 Bristol Sessions, which were pivotal in launching country music as a commercial genre. Through interactive exhibits, artifacts, and multimedia displays, visitors can uncover the roots of American popular music and gain a deeper appreciation for its legacy.

Experience the Thrill of Bristol Motor Speedway

For fans of motorsports, the Bristol Motor Speedway is a must-see. Known as “The Last Great Colosseum” and “The World’s Fastest Half-Mile,” this iconic track hosts major NASCAR events and drag races. Even when there are no races, the sheer scale and energy of the venue make it a memorable experience.

Catch a Show at Paramount Bristol

The Paramount Bristol is a beautifully restored Art Deco theater from the 1930s. Listed on the National Register of Historic Places, it now serves as a premier performing arts venue. It hosts concerts, plays, comedy shows, and films, making it a great spot for an evening of entertainment.

Explore the Depths of Bristol Caverns

Journey deep underground into the timeless beauty of Bristol Caverns. Paved, well-lit walkways guide visitors through vaulted chambers alongside an ancient underground river that carved these remarkable formations over millions of years. The caverns also have a rich history, once used by Native Americans.

Shop and Dine at The Pinnacle

The Pinnacle is a massive open-air shopping, dining, and entertainment destination located just outside downtown Bristol. With dozens of retail stores, various restaurants, and entertainment options like a movie theater, it's a great place for a day of retail therapy and leisure.

Hike or Bike the Mendota Trail

For outdoor lovers, the Mendota Trail offers a scenic 12.5-mile recreational corridor between Bristol and Mendota, Virginia. This converted rail trail provides a pleasant grade for hikers, bikers, and horseback riders, winding through tranquil countryside, over creeks, and across a restored swinging bridge.

Relax at South Holston Lake & Dam

South Holston Lake is a popular destination for water activities such as bass fishing, kayaking, canoeing, and boating. The lake offers hundreds of miles of shoreline nestled between the Appalachian Mountains. The South Holston River is also renowned for world-class fly-fishing.

Discover Local Art at Benjamin Walls Gallery

Experience the work of internationally recognized artist Benjamin Walls at his signature gallery. A five-time Smithsonian exhibitor, Walls’ gallery showcases stunning photography and art, offering a unique cultural experience in downtown Bristol.

Enjoy the Outdoors at Sugar Hollow Park

Sugar Hollow Park is a 400-acre city park offering a variety of recreational opportunities. It features bike and hiking trails, a wetlands area perfect for birdwatching, camping sites, picnic areas, and sports fields. There's also a high-ranked disc golf course for enthusiasts.

Experience Bristol Rhythm & Roots Reunion (Seasonal)

If you're visiting in September, don't miss the Bristol Rhythm & Roots Reunion. This annual three-day music festival celebrates Bristol’s musical heritage with over 120 bands performing across multiple stages downtown, alongside food and arts and crafts vendors. It's a vibrant celebration of Americana music.

Stay at The Sessions Hotel

When planning your visit to Bristol, consider staying at The Sessions Hotel. Named after the legendary 1927 Bristol Sessions, the hotel is situated at the State Street entrance to historic downtown, adjacent to the Birthplace of Country Music Museum. Its design incorporates elements from the original 1915 Bristol Grocery Building, 1920 Jobbers Candy Factory, and 1922 Simply Grand Granary Mill, creating an ambiance where rustic industrial meets contemporary luxury.

The hotel offers 70 luxury boutique guest rooms and suites, each uniquely designed with exposed brick, wood floors, and modern furnishings. Guests can expect premium amenities like plush Kingsdown mattresses, Molton Brown toiletries, luxurious Boca Terry bathrobes, 55-inch flat-screen TVs, mini-fridges, and complimentary Wi-Fi.

Indulge at Southern Craft, the hotel’s upscale wood-fired smokehouse restaurant, serving award-winning barbecue and classic comfort food. For evening relaxation, the Rooftop Bar & Lounge offers cocktails, a cozy fire pit, and stunning views of the city.

Beyond dining, the hotel features a full-service Vision Salon and Day Spa for invigorating treatments, a 24-hour front desk, a business center, four meeting rooms, and a gift shop. It's also pet-friendly and offers complimentary self-parking.

Its central downtown location means you're just steps away from State Street’s shops, restaurants, and attractions, including the Birthplace of Country Music Museum and Paramount Bristol. The hotel frequently hosts live music and events in its indoor and outdoor venues, further immersing you in Bristol’s vibrant music scene.

Read More

Former Spotify Executive Launches Alta Music Group

A New Era in Music: Jeremy Erlich Launches Alta Music Group

Nine months after stepping down from Spotify, Jeremy Erlich has taken a bold step into the music industry by launching Alta Music Group. Based in Los Angeles, this new company is set to operate as a full-service entity with divisions covering recorded music, music publishing, and artist management. The launch marks a significant shift for Erlich, who previously held high-ranking positions at some of the most influential companies in the music world.

Alta's first major client is Jennie of Blackpink, who recently released her debut solo album Ruby through Columbia Records. This partnership highlights the company’s ambition to support artists in achieving global success. In addition to managing talent, Alta is collaborating with Sony’s distribution arm, The Orchard, to ensure that its artists reach a wide audience. The company has also formed a strategic alliance with TheBlackLabel, a label founded by producer Teddy Park.

Erlich expressed his vision for Alta during a statement, emphasizing his long-term focus on creating an environment where artists can thrive. “With ALTA, we have the opportunity to do just that – a best in class team focused solely on supporting our artists and the music they create,” he said. He also thanked the artists and executives who have already placed their trust in the company.

Before joining Spotify, Erlich had a successful career in the music industry, starting as a VP and head of music strategy in 2019. He was later appointed as the global head of music in 2021. Prior to that, he worked at Universal Music Group and its subsidiary Interscope Geffen A&M. His extensive experience has given him a deep understanding of the industry, which he now aims to apply to Alta.

Brad Navin, CEO of The Orchard, praised Erlich’s decision to launch Alta, calling it a testament to his entrepreneurial spirit and commitment to artist development. “His artist-first philosophy aligns with The Orchard's mission to empower creators,” Navin said. The collaboration between The Orchard and Alta is expected to provide valuable resources for the company’s artists, helping them reach audiences around the world.

Erlich is not alone in building Alta. He has assembled a team of experienced professionals, many of whom come from the Interscope system. Key members include Nima Khalilian, Parker Ulry, Drake Hofer, Elise Eriksen, Gillian Taugher, and Michael Seltzer. Khalilian, who serves as the General Manager at Alta, previously held roles at Stem and Interscope. Ulry spent six years at Interscope as a digital product management executive, while Seltzer brings decades of experience from Universal Music Group.

Khalilian shared his perspective on the company’s mission, stating, “ALTA is about putting artists first and helping them navigate an ever-evolving industry with a clear strategy.” He emphasized the importance of being a strong partner to artists, enabling them to build lasting legacies.

As Alta Music Group prepares to make its mark, it is clear that Erlich and his team are committed to redefining how artists are supported in the modern music landscape. With a strong foundation and strategic partnerships, the company is well-positioned to become a key player in the industry.

Read More

Cincinnati Music Festival Returns: Your Guide to the Weekend

Overview of the 2025 Cincinnati Music Festival

The 2025 Cincinnati Music Festival is set to begin on Thursday, offering an exciting lineup of performances that will take place over three days. The festival will start at the Andrew J. Brady Center and then move to Paycor Stadium for the following two nights.

Performance Schedule and Artists

The opening night on Thursday, July 24, will focus on a celebration of hip hop with a variety of artists taking the stage. Notable performers include Scarface, Goodie Mob, Young MC, and the Sugarhill Gang, along with special guests The Furious Five.

On Friday, July 25, the headlining act will be Earth, Wind & Fire, while Saturday, July 26, will feature LL Cool J. Additional artists scheduled to perform across the three-day event include Anthony Hamilton, Jazmine Sullivan, PJ Morton, The Zapp Band, Lucky Daye, the Bar-Kays, The TMF Band, and Dave Hollister. For a complete list of performers, visit the official Cincinnati Music Festival website.

Ticket Information

Tickets for all three nights of the festival are available through Ticketmaster, with digital tickets sent directly to attendees' phones. Prices vary depending on the night, with Thursday’s show at the Andrew J. Brady Music Center starting around $118, and Friday and Saturday’s performances priced at approximately $86 each. For more details on ticket purchases and the clear bag policy, check the official website.

Parking Locations and Costs

Parking will be available at several locations throughout the weekend. The Cincinnati Music Festival website provides a map and list of parking options from Thursday through Saturday. Some of the available lots include:

• Duke Energy Center Garage 1: 605 Plum Street, Cincinnati, OH
• Duke Energy Center Garage 2: 609 Elm Street, Cincinnati, OH
• Fountain Square Garage: 520 Vine Street, Cincinnati, OH
• Enquirer Building Parking Garage: 312 Elm Street, Cincinnati, OH
• 3rd and Race Street Lot: Corner of 3rd Street and Race Street, Cincinnati, OH
• Scripps Center Garage: 312 Walnut Street, Cincinnati, OH
• 3rd and Main Lot: 120 E 3rd Street, Cincinnati, OH
• Queen City Square Parking Garage: 319-331 E. 4th Street, Cincinnati, OH
• Western and Southern Garage: 310 Broadway Street, Cincinnati, OH
• Broadway Lot: 295 Broadway Street, Cincinnati, OH
• East Garage: 443 E. Pete Rose Way, Cincinnati, OH
• Longworth Hall Lot: 700 W. Pete Rose Way, Cincinnati, OH
• South Lot: 131 Madison Street, Newport, KY

Prices for parking will vary by location, but most lots charge around $20. There are also designated areas for Uber and Lyft drop-offs and pick-ups, which can be found on the festival’s website.

Weather Conditions

While the weekend won’t be completely affected by rain, there is a chance of scattered storms and downpours, especially during the afternoon and evening hours. Temperatures are expected to rise into the 90s, with heat index values reaching around 100 on Thursday. Attendees should prepare for hot and stormy weather over the weekend.

Read More

Elvis Fans Furious Over £300 for Grainy AI Tribute Video

A New Elvis Immersive Experience Sparks Outrage Among Fans

A new Elvis immersive show has sparked a wave of frustration among attendees, with many calling it "the worst experience of my life" and claiming they were left feeling disappointed and even bored. The exhibition, titled Elvis Evolution, created by Layered Reality, is currently running in central London and has drawn criticism for not meeting the expectations set during its initial promotion.

The show was advertised as a groundbreaking concert experience that would use AI and feature holographic projections of the rock legend. However, after tickets went on sale in October 2024, some fans reported that the promised technology was absent, leading to widespread dissatisfaction.

Tickets for the six-month run range from £75 for a standard entry to £300 for a Super VIP option. The premium package includes a mid-show champagne experience, a commemorative glass, dedicated seating, access to three bars, and cloakroom facilities. Despite the high price, many attendees felt the experience did not justify the cost.

The exhibition begins by taking visitors through Elvis's early life before transitioning into an interval featuring a Hawaii-themed bar with a cardboard cut-out of the singer. Attendees then watch a version of the 1968 comeback special performance, which was originally broadcast live on NBC.

However, many have taken to social media to express their disappointment, calling the show "extortionately overpriced" and questioning whether it lived up to its marketing. One fan shared, "This was honestly the biggest letdown and a bit of a scam. Not at all like it has been advertised." Another said, "It's completely different from how it was originally advertised. The beginning starts well, but then it basically turns into a glorified cinema."

Some attendees also mentioned that the experience lacked immersion, with one person stating, "My family and I didn’t really find it immersive. We just walked out feeling bewildered and disappointed." Another noted, "When we booked it, it was advertised as a hologram. You can imagine how disappointed we were last night. I was glad when it was finished. I nearly dozed off."

Despite the negative feedback, the show has received some positive reviews. One fan said, "I personally thought it was a great evening—five stars," while another added, "Loved it." However, the overwhelming majority of comments on the show’s Instagram page are negative, with users describing it as "the worst experience of my life" and claiming they were "robbed of our money."

Mark and Tracey Baldwin, who had VIP tickets, told the BBC that they felt "more like mugs than VIPS." Ms. Baldwin criticized the lack of actual interaction with Elvis, saying, "It was a shambles from start to finish. There was no Elvis. It was just a video of him that you could watch on YouTube."

Other critics have accused the organizers of exploiting older audiences, claiming they were "taken for a fool by scamming us with technology that we won't understand." Paige Rannigan, who attended the show on Saturday evening, expressed her frustration, saying the experience was "nothing like what was advertised or promised." She also raised concerns about the lack of strobe light and flash light warnings, as she suffers from epilepsy.

Layered Reality has responded to the criticism, stating that accessibility was a priority during the production process. They have provided a detailed FAQ section on their website to address potential issues and ensure accommodations for visitors. A spokesperson explained, "A small number of people have pointed out that they were expecting a hologram concert, due to the initial announcement made in January 2024."

They emphasized that the concept evolved over time and that the decision not to mimic Elvis’s performances was a creative choice. "Those moments proved to be too iconic and irreplaceable," the statement continued. "Instead, we use AI to upscale archive footage and in moments we know happened but where no footage existed, offering a new lens into his world."

While some fans have praised the show, others remain unconvinced. As the controversy continues, the question remains: was Elvis Evolution truly an immersive experience or a costly misstep?

Read More

Metro Boomin Unveils Future, Quavo, and More on "A Futuristic Summa" Mixtape

Metro Boomin Unveils a New Era with “A Futuristic Summa” Mixtape

Metro Boomin is preparing to release his latest project, “A Futuristic Summa,” which promises to be a significant milestone in his career. Set for a release next week, this mixtape marks his first major solo effort since he and Future dominated the charts in 2024 with two back-to-back number one albums. The project, hosted by longtime Atlanta collaborator DJ Spinz, features 21 tracks and a lineup of artists that showcase Metro’s evolving creative vision.

A Fresh Chapter After Two Chart-Topping Albums

In 2024, Metro Boomin and Future released two collaborative albums: “We Don’t Trust You” and “We Still Don’t Trust You.” These projects were not only commercial successes but also cultural phenomena. Both albums debuted at number one on the Billboard 200, with the first selling over 251,000 units in its first week and generating hundreds of millions of streams. This success solidified Metro as more than just a producer—he became a visionary artist capable of anchoring entire projects.

However, “A Futuristic Summa” represents a new chapter for Metro. By stepping out alone, he signals a shift in his artistic direction, marking a departure from his previous collaborations and setting the stage for a fresh sound.

What Makes “A Futuristic Summa” Different

Unlike his earlier projects, which often featured established collaborators like Future, 21 Savage, and Young Thug, this mixtape introduces an “all-new cast.” Metro has hinted at reshaping the sonic landscape of Atlanta by working with lesser-known voices and underrated veterans. Confirmed features include Future, Quavo, Young Dro, Travis Porter, and a surprising return by Roscoe Dash, who appears on the first single “Slide.”

Fans can expect up to 16 guest artists across the 21-track project, many of whom are new collaborators from the South. The mixtape also promises a modernized sound, blending Metro’s signature hard-hitting percussion and melody-driven flow with futuristic synths, spaced-out effects, and clean digital polish. The title suggests both a seasonal and stylistic shift—a futuristic take on Southern trap music.

DJ Spinz: The Mixtape’s Secret Weapon

DJ Spinz, known for his work with artists like Travis Porter, Future, and Rich Homie Quan, will host the mixtape. His voice and transitions are expected to guide the project from start to finish, giving it an old-school Atlanta mixtape feel. This collaboration adds authenticity to the project and helps root it in the tradition of classic Southern drops while pushing into new territory.

Mixtape vs. Album: Why This Format Matters

By branding “A Futuristic Summa” as a mixtape, Metro sets expectations. Mixtapes have always offered a more experimental and less commercial approach compared to full studio albums. They allow artists to take risks, explore new ideas, and build raw momentum. For fans, this means the project might be more dynamic and unpredictable, with tracks that bleed into each other, unconventional structures, or unique sounds not yet in the mainstream.

This format could also serve as a testing ground for sounds and artists that may influence his next studio album or future collaborations. It's a strategic move that aligns with the current trends in hip-hop, where mixtapes often serve as the birthplace of new trends.

Why This Is Big for the Atlanta Scene

Atlanta has long been the epicenter of hip-hop innovation, and Metro Boomin has played a key role in shaping that success. This project reflects a return to roots while simultaneously pushing forward. It blends nostalgia with new energy, highlighting artists who haven't had the same spotlight as others in recent years.

Roscoe Dash, for example, was once a defining voice of 2010s party rap. His inclusion signals that Metro is tapping into a specific mood—upbeat, summer-friendly, high-energy trap that brings joy and bounce back to the genre. By mixing that nostalgia with futuristic production and lesser-known artists, Metro is curating a playlist that appeals to both longtime fans and new listeners.

Timeline to Release: What Fans Can Expect

With the July 22 release date locked in, the next few days will likely be filled with strategic reveals. Fans can expect more singles, visual teasers, social media snippets, and even surprise guests. The hype around this project is driven by fan enthusiasm, with social media platforms buzzing with theories, reaction videos, and wish lists for the final tracklist.

Many fans see “A Futuristic Summa” as a “reset” for trap—a return to more danceable, club-ready music that doesn’t rely on darkness or despair to carry weight. The involvement of DJ Spinz fuels that optimism, as he’s long associated with upbeat bangers and viral Atlanta anthems.

The Bigger Picture: Metro’s Legacy in Motion

With this mixtape, Metro Boomin is doing more than dropping music—he’s showing fans, critics, and industry insiders that he’s capable of evolving without relying on the same formula. His ability to consistently innovate while staying true to Atlanta’s DNA is a big reason he remains one of the most influential producers in modern hip-hop.

“A Futuristic Summa” is poised to be more than a collection of songs. It’s a statement that tells us Metro’s next phase isn’t just about chasing hits—it’s about cultivating the next wave.

What to Listen For

When the mixtape drops, here are a few things to pay close attention to:

• Production shifts: Listen for how Metro layers synths and effects into more traditional trap drums.
• New voices: Some of these features could become breakout stars or Metro’s next go-to collaborators.
• Narrative arc: With 21 songs and a host like DJ Spinz, expect a thematic or tonal progression across the project.
• Club-ready tracks: There’s a strong chance a few songs from this tape will dominate playlists and parties all summer long.

A Summer Soundtrack That Might Shape the Future

“A Futuristic Summa” isn’t just another mixtape—it’s a creative leap forward. For Metro Boomin, it marks the next chapter in a career already filled with historic highs. For fans, it’s an invitation to experience the energy of Atlanta through new voices and modern beats. Whether you’re in it for the bass drops, the features, the nostalgia, or just good summer vibes, this mixtape deserves a spot on your radar—and in your headphones.

Read More

Beatles Fans Still Agree: John Lennon's Best Solo Album After 45 Years

John Lennon’s Solo Legacy: A Debate on His Most Influential Work

John Lennon, one of the most iconic figures in music history, left an indelible mark on the world through his work with The Beatles and his subsequent solo career. As a founding member of the Fab Four alongside Paul McCartney, George Harrison, and Ringo Starr, Lennon helped shape the sound of a generation. After the band's dissolution in 1970, he embarked on a solo journey that would solidify his status as a groundbreaking artist.

Throughout his solo career, Lennon released a series of albums that showcased his artistic evolution. He also contributed to the work of other artists, such as producing Harry Nilsson’s records. Alongside his wife Yoko Ono, he created some of his most memorable songs, including "Imagine," "Walls and Bridges," and "Mind Games." These tracks not only reflected his personal experiences but also addressed broader social and political themes.

A recent discussion on the r/JohnLennon subreddit sparked a lively debate about which of Lennon’s solo albums was his most influential. Fans shared their perspectives, with many pointing to the 1970 album Plastic Ono Band as the standout. This record, heavily influenced by his collaboration with Yoko Ono, is often cited as a turning point in Lennon’s career. One fan shared, "Plastic Ono Band was such an influential album for me as a youth. Then, it was my interest in Sometime in NYC that caused my older brothers to call me a hippie."

Another user emphasized the album’s impact, stating, "Plastic Ono Band by a country mile, best album by a former Beatles and better even than all of the Beatles' albums." While some fans favored Plastic Ono Band, others argued for Walls and Bridges, which was released in 1974. This album featured contributions from notable musicians like Elton John, Harry Nilsson, and Jesse Ed Davis, and it marked a return to more melodic and accessible songwriting.

Fans praised Walls and Bridges for its diversity and musical depth. One enthusiast noted, "The songs are musically and thematically diverse. They are not all odes to Ono, or hymns to hippie causes. John was regaining his melodic gifts — and his life in general." Another fan highlighted the album’s standout track, "Number 9 Dream," calling it "John's best post-Beatles song."

Despite the strong case for Walls and Bridges, many still consider Plastic Ono Band to be Lennon’s most pivotal work. Some listeners found the album dense and complex, requiring multiple listens to fully appreciate. However, others appreciated its raw emotional honesty and innovative approach. As one fan put it, "Definitely Plastic Ono Band, although over the years and with more listens it becomes a bit dense, for specific moments. Although a less dense option is Walls and Bridges, simpler and with great moments."

While opinions may vary, there is no denying that both Plastic Ono Band and Walls and Bridges represent key chapters in Lennon’s solo career. Each album reflects different phases of his artistic journey, from the introspective and emotionally charged Plastic Ono Band to the more polished and collaborative Walls and Bridges.

Lennon’s legacy continues to inspire new generations of fans, and debates about his best work will likely persist for years to come. Whether it’s the raw vulnerability of Plastic Ono Band or the melodic richness of Walls and Bridges, each album contributes to the enduring impact of one of music’s most influential voices.

Read More

Is a Linkin Park Movie With Tom Holland and Justin Long Real? Viral Claim Debunked

Linkin Park's New Film Rumors and Band Updates

Rumors about a potential film centered around the iconic rock band Linkin Park have been circulating online recently. The buzz started on July 14, 2025, when an Instagram user named @total_btch_chanel posted a claim that HBO had greenlit a movie about the band. The post included a screenshot of what appeared to be an article from Deadline, written by Toby Bigghe, stating that Tom Holland and Justin Long had signed on to star in the biopic titled In The End*, one of the band’s most famous songs.

The caption of the post suggested that the film would explore the rise, legacy, and emotional journey of Linkin Park. However, further investigation revealed that no such article was published by Deadline. Additionally, the Instagram account in question is known for sharing satirical content, as indicated by its profile description, which states it is a "parody commentary page."

As of now, there is no official confirmation of a Linkin Park film in production. Despite the initial excitement, fans should remain cautious about unverified sources and continue to look for official announcements from the band or their representatives.

Emily Armstrong and the Band's Evolution

Last year, Linkin Park made a significant change by introducing Emily Armstrong, the lead vocalist from Dead Sara, as their new frontwoman. This decision came after the passing of the band’s original lead singer, Chester Bennington, who died by suicide in 2017. The move sparked mixed reactions among fans, with some expressing dissatisfaction.

In a July 2025 interview with the Guardian, Mike Shinoda, the band’s co-founder and chief songwriter, discussed the backlash. He suggested that part of the issue might stem from the fact that Armstrong is not a man. Shinoda noted that fans were used to Linkin Park being composed of six male members, with a male voice leading the music. He added that the discomfort led fans to focus on various aspects they disliked, often pointing in multiple directions to justify their disappointment.

Armstrong herself admitted she was unprepared for the strong reaction. She told the outlet that she was “a little bit naive” and had avoided social media for mental health reasons even before joining the band.

Recent Releases and Touring Plans

Linkin Park released their eighth studio album, From Zero, last November. It marked their first album since Bennington’s passing and was both a critical and commercial success. The album debuted at the top of several charts, except for the Billboard 200, where it peaked at No. 2. Some of the standout tracks include The Emptiness Machine, Heavy Is the Crown, and Two Faced.

The band has since embarked on the From Zero world tour, which began in September 2024 and will run through June 2026, concluding in Zurich, Switzerland. During a recent interview with the Guardian, Shinoda shared details about the tour, including the removal of certain tracks from the setlist. One of the most notable omissions was One More Light, which was featured on the band’s final album of the same name in 2017.

Shinoda explained that performing the song without Bennington felt uncomfortable. He mentioned that the track was originally written for a woman at the label who passed away, but after Bennington’s death, the song became associated with him. Shinoda said it was too sad to perform, adding, “It was originally written for a woman at the label that we worked with who passed away. Then, after Chester passed, the world decided that it was about him. And so that’s just too sad to play.”

Linkin Park is set to continue their From Zero world tour in Brooklyn, New York, on July 29, marking the next stop in the American leg of their global tour. Fans are eagerly awaiting the performance, which promises to highlight the band’s evolving sound and continued legacy.

Read More

20 Cover Songs That Outshine the Original

The Power of a Cover: 20 Unforgettable Reimaginations

Cover songs have had their share of ups and downs over the years. From the rise of reality TV shows that brought back forgotten classics to the impact of iconic commercials that transformed pop tunes into emotional ballads, there's no denying that covers can be polarizing. However, when done right, a cover can elevate a song to new heights, revealing hidden depths and emotions that even the original artist might not have realized were there.

Here are 20 of the best cover songs that have left a lasting impression on music lovers around the world.

Please Please, Please Let Me Get What I Want – Gavin Clark

Originally by The Smiths, this track was reimagined by singer-songwriter Gavin Clark for the 2006 film This Is England. Clark’s version took the melancholic tone of the original and deepened it, adding a layer of despair and isolation that resonated with listeners. Although Clark passed away at the age of 46, his interpretation of the song remains a powerful tribute to the original.

Make You Feel My Love – Adele

Bob Dylan wrote "Make You Feel My Love" in 1997, but it was Adele who transformed it into a soul-stirring ballad. Her heartfelt vocals turned the song into a masterpiece, capturing the essence of heartache and longing. Adele herself praised the lyrics, saying they perfectly expressed what she wanted to convey in her music.

Hurt – Johnny Cash

Johnny Cash's rendition of "Hurt," originally by Nine Inch Nails, is one of the most haunting covers ever recorded. Cash's version, produced by Rick Rubin, turned the aggressive rock track into a somber reflection on life and regret. Trent Reznor, the original writer, was deeply moved by Cash's interpretation, calling it an emotional experience.

Valerie – Amy Winehouse

Amy Winehouse's take on "Valerie," originally by The Zutons, showcased her unique voice and talent. Unlike the original, which had a more upbeat vibe, Winehouse's version brought a sense of joy and celebration, highlighting her ability to make any song her own.

I Will Always Love You – Whitney Houston

Whitney Houston's version of Dolly Parton's "I Will Always Love You" became a defining moment in her career. Her powerful vocals transformed the country ballad into a soaring love song that resonated with audiences worldwide. Parton was impressed by Houston's interpretation, recognizing the emotional depth she brought to the track.

Go West – The Pet Shop Boys

The Pet Shop Boys' cover of "Go West," originally by The Village People, added a new dimension to the song. Their version, which incorporated elements of baroque music, celebrated the spirit of freedom and community. It became a beloved anthem, especially among football fans.

Torn – Natalie Imbruglia

Natalie Imbruglia's cover of "Torn," originally by Anne Preven, was a breakthrough for her. Her emotive performance turned the indie track into a powerful anthem, showcasing her talent for melodrama. The song became a massive hit and remains a fan favorite.

Nothing Compares 2 U – Sinéad O’Connor

Sinéad O’Connor's version of "Nothing Compares 2 U," originally by Prince, was a poignant and emotional performance. Her raw vocals and the accompanying video, which featured her crying over her late mother, made the song a timeless classic.

Red Red Wine – UB40

UB40's reggae version of "Red Red Wine," originally by Neil Diamond, became a definitive cover. Their chilled-out take on the song was so popular that even Diamond himself admired it. The track was later recognized as one of his favorite covers.

Emotion – Destiny’s Child

Destiny’s Child's slowed-down version of "Emotion," originally by Samantha Sang, brought a new level of sophistication to the song. Beyoncé's powerful vocals and the track's emotional depth made it a standout in their discography.

Fell In Love With A Boy – Joss Stone

Joss Stone's cover of "Fell In Love With A Boy," originally by The White Stripes, was a bold reinterpretation. Her soulful vocals and the production by Questlove gave the track a fresh and groovy feel, making it a standout in her early career.

At Last – Etta James

Etta James's version of "At Last," originally by Glenn Miller, was a defining moment in her career. Her jazzy interpretation brought a new level of sophistication to the song, making it synonymous with her legacy.

Fields of Gold – Eva Cassidy

Eva Cassidy's haunting vocal performance of "Fields of Gold," originally by Sting, was a posthumous masterpiece. Her pure and beautiful voice captivated listeners, and even Sting was moved by her interpretation.

Lilac Wine – Miley Cyrus

Miley Cyrus's cover of "Lilac Wine," originally by Hope Foye, showcased her growth as an artist. Her mature and emotionally charged performance surprised fans and demonstrated her versatility.

All Along The Watchtower – Jimi Hendrix

Jimi Hendrix's electric guitar-driven version of "All Along The Watchtower," originally by Bob Dylan, is considered one of the greatest covers of all time. Dylan himself preferred Hendrix's version, acknowledging its impact on his own performances.

Tainted Love – Soft Cell

Soft Cell's synth-pop version of "Tainted Love," originally by Gloria Jones, was a groundbreaking track. Marc Almond's tortured vocals and the ominous disco sound made it a classic that continues to resonate with listeners.

Song to the Siren – This Mortal Coil

This Mortal Coil's haunting cover of "Song to the Siren," originally by Tim Buckley, was a standout on their debut album. Liz Fraser's ethereal vocals added a dreamlike quality to the track, which was later featured in David Lynch's Lost Highway.

Smells Like Teen Spirit – Tori Amos

Tori Amos's piano-driven version of "Smells Like Teen Spirit," originally by Nirvana, brought a different perspective to the grunge anthem. Her intense and claustrophobic interpretation highlighted the emotional depth of the song.

Running Up That Hill – Chromatics

Chromatics' retro-disco take on "Running Up That Hill," originally by Kate Bush, brought a phantasmagorical chill to the track. Their neon-lit soundscapes and Ruth Radelet's dramatic vocals made it a standout reinterpretation.

Hallelujah – Jeff Buckley

Jeff Buckley's version of "Hallelujah," originally by Leonard Cohen, is widely regarded as the definitive cover. His soulful and emotionally charged performance elevated the song to new heights, making it a timeless classic.

Read More