Conductor Ready for Cabrillo Music Festival

A Vibrant Celebration of Contemporary Music

The Cabrillo Festival of Contemporary Music is currently underway, offering a unique opportunity for the public to experience the power of live orchestral performances. On Tuesday, attendees gathered at the Santa Cruz Civic Auditorium for a free open rehearsal, where guest conductor Daniela Candillari led the orchestra through a series of musical selections. This event provided a glimpse into the artistic process and allowed audience members to witness the precision and passion that define the festival.

Now in its 63rd season, the festival continues to showcase cutting-edge compositions and innovative performances. The opening night on Friday will feature a program titled Lumina, which includes works by renowned composers such as John Corigliano, Nina Shekhar, and Missy Mazzoli. One of the highlights of the evening will be the West Coast premiere of Mazzoli’s Violin Concerto, performed by soloist Jennifer Koh. In this piece, Koh takes on the role of a soothsayer and healer, guiding the orchestra through “five interconnected healing spells” that promise to captivate listeners.

On Saturday, the festival will present another exciting program called Chasing Light, which explores the themes of light and iridescence. This performance will include a “heart-pumping relay race through the orchestra,” creating an energetic and dynamic atmosphere. The program also features the world premiere of a new song cycle composed by Stacy Garrop for baritone Sidney Outlaw and soprano Michelle Areyzaga. Garrop’s work draws inspiration from the correspondence, papers, and speeches of Frederick Douglass and Susan B. Anthony, whose 45-year friendship was marked by shared ideals and mutual support. The composition vividly portrays their courage in the face of opposition, “painting their struggles in suffrage with vibrant historical hues.”

Throughout the festival, which runs until August 10, audiences can enjoy a wide range of events, including concerts, talks, workshops, and open rehearsals. These activities bring together over 20 composers, seven guest artists, and a world-renowned Festival Orchestra consisting of 72 professional musicians. The festival serves as a platform for emerging and established voices in contemporary music, fostering creativity and collaboration.

As the longest-running festival in the United States dedicated to new music and orchestral performance, the Cabrillo Festival of Contemporary Music remains a vital cultural institution. Its commitment to innovation and artistic excellence ensures that each season brings fresh perspectives and groundbreaking works to the stage. Whether attending a concert, participating in a workshop, or simply experiencing an open rehearsal, attendees are immersed in a world where music transcends boundaries and inspires change.

Read More

Elvis Fans Furious Over £300 for Grainy AI Tribute Video

A New Elvis Immersive Experience Sparks Outrage Among Fans

A new Elvis immersive show has sparked a wave of frustration among attendees, with many calling it "the worst experience of my life" and claiming they were left feeling disappointed and even bored. The exhibition, titled Elvis Evolution, created by Layered Reality, is currently running in central London and has drawn criticism for not meeting the expectations set during its initial promotion.

The show was advertised as a groundbreaking concert experience that would use AI and feature holographic projections of the rock legend. However, after tickets went on sale in October 2024, some fans reported that the promised technology was absent, leading to widespread dissatisfaction.

Tickets for the six-month run range from £75 for a standard entry to £300 for a Super VIP option. The premium package includes a mid-show champagne experience, a commemorative glass, dedicated seating, access to three bars, and cloakroom facilities. Despite the high price, many attendees felt the experience did not justify the cost.

The exhibition begins by taking visitors through Elvis's early life before transitioning into an interval featuring a Hawaii-themed bar with a cardboard cut-out of the singer. Attendees then watch a version of the 1968 comeback special performance, which was originally broadcast live on NBC.

However, many have taken to social media to express their disappointment, calling the show "extortionately overpriced" and questioning whether it lived up to its marketing. One fan shared, "This was honestly the biggest letdown and a bit of a scam. Not at all like it has been advertised." Another said, "It's completely different from how it was originally advertised. The beginning starts well, but then it basically turns into a glorified cinema."

Some attendees also mentioned that the experience lacked immersion, with one person stating, "My family and I didn’t really find it immersive. We just walked out feeling bewildered and disappointed." Another noted, "When we booked it, it was advertised as a hologram. You can imagine how disappointed we were last night. I was glad when it was finished. I nearly dozed off."

Despite the negative feedback, the show has received some positive reviews. One fan said, "I personally thought it was a great evening—five stars," while another added, "Loved it." However, the overwhelming majority of comments on the show’s Instagram page are negative, with users describing it as "the worst experience of my life" and claiming they were "robbed of our money."

Mark and Tracey Baldwin, who had VIP tickets, told the BBC that they felt "more like mugs than VIPS." Ms. Baldwin criticized the lack of actual interaction with Elvis, saying, "It was a shambles from start to finish. There was no Elvis. It was just a video of him that you could watch on YouTube."

Other critics have accused the organizers of exploiting older audiences, claiming they were "taken for a fool by scamming us with technology that we won't understand." Paige Rannigan, who attended the show on Saturday evening, expressed her frustration, saying the experience was "nothing like what was advertised or promised." She also raised concerns about the lack of strobe light and flash light warnings, as she suffers from epilepsy.

Layered Reality has responded to the criticism, stating that accessibility was a priority during the production process. They have provided a detailed FAQ section on their website to address potential issues and ensure accommodations for visitors. A spokesperson explained, "A small number of people have pointed out that they were expecting a hologram concert, due to the initial announcement made in January 2024."

They emphasized that the concept evolved over time and that the decision not to mimic Elvis’s performances was a creative choice. "Those moments proved to be too iconic and irreplaceable," the statement continued. "Instead, we use AI to upscale archive footage and in moments we know happened but where no footage existed, offering a new lens into his world."

While some fans have praised the show, others remain unconvinced. As the controversy continues, the question remains: was Elvis Evolution truly an immersive experience or a costly misstep?

Read More

Lady Gaga's 2025 Tour: Setlist and Mayhem Ball Dates

Lady Gaga’s The Mayhem Ball Tour Kicks Off in Las Vegas

Lady Gaga recently launched her highly anticipated tour, The Mayhem Ball, on Wednesday, July 16, 2025, at the T-Mobile Arena on the outskirts of Las Vegas. This marks a significant moment for the pop icon as she returns to the stage with a new and immersive live experience.

In an official statement, Gaga shared her reasoning for choosing arenas over stadiums for this particular tour. “This is my first arena tour since 2018,” she explained. “There’s something electric about a stadium, and I love every moment of those shows. But with The Mayhem Ball, I wanted to create a different kind of experience — something more intimate — closer, more connected — that lends itself to the live theatrical art I love to create.”

The tour is in support of her latest album, Mayhem, which reached the top of the Billboard album chart in March. This achievement marks her fifth consecutive release to top the charts. Additionally, the album’s lead single, the collaboration with Bruno Mars titled “Die With a Smile,” topped the Billboard Hot 100 and set a new record for the most days at No. 1 on the Global Spotify Chart, staying at the top for an impressive 201 days.

This will be Lady Gaga’s eighth tour, running from July 2025 through January 2026, with the final show scheduled for January 30, 2026, at the Tokyo Dome in Japan. As of now, there are no planned concerts in Phoenix.

What Fans Can Expect

The Mayhem Ball tour promises a unique and theatrical performance, featuring a setlist that blends her classic hits with new material from Mayhem. Unlike her previous tours, such as the 2022 Chromatica Ball, there are no opening acts or special guests announced for this tour.

Upcoming Dates for The Mayhem Ball Tour

Here is a breakdown of the tour dates:

• July 16–19: T-Mobile Arena in Paradise, Nevada
• July 22–26: Chase Center in San Francisco
• July 28–31: Kia Forum in Inglewood, California
• August 1–4: Climate Pledge Arena in Seattle
• August 6–9: Madison Square Garden in New York City
• August 22–23: Kaseya Center in Miami
• August 26–27: Madison Square Garden in New York City
• August 31–September 3: Kaseya Center in Miami
• September 6–7: Madison Square Garden in New York City
• September 10–13: Scotiabank Arena in Toronto
• September 15–18: United Center in Chicago
• September 29–October 4: The O2 Arena in London
• October 7–8: Co-Op Live in Manchester, England
• October 12–15: Avicii Arena in Stockholm
• October 19–20: Unipol Forum in Assago, Italy
• October 28–31: Palau Sant Jordi in Barcelona
• November 4–5: Uber Arena in Berlin
• November 9: Ziggo Dome in Amsterdam
• November 11: AFAS Dome in Antwerp, Belgium
• November 13–14: LDLC Arena in Décines-Charpieu, France
• November 17–20: Accor Arena in Paris
• December 5–6: Marvel Stadium in Melbourne, Australia
• December 9: Suncorp Stadium in Brisbane, Australia
• December 12–13: Accor Stadium in Sydney
• January 21–30: Kyocera Dome and Tokyo Dome in Tokyo, Japan

The Setlist: A Theatrical Performance

At the final promotional concert in Singapore on May 24, 2025, Lady Gaga performed a range of songs that showcased the dramatic and artistic elements of the Mayhem album. Highlights included:

• Act I: Of Velvet and Vice – Songs like “Bloody Mary,” “Abracadabra,” and “Judas” were reimagined with extended intros and operatic arrangements.
• Act II: And She Fell Into a Gothic Dream – Tracks such as “Perfect Celebrity” and “Paparazzi” featured alternative versions and extended performances.
• Act III: The Beautiful Nightmare That Knows Her Name – “Killah,” “Zombieboy,” and “Die With a Smile” were delivered with powerful energy and emotional depth.
• Act IV: To Wake Her Is to Lose Her – “Born This Way” and “Shallow” were performed with heartfelt intensity.
• Finale: Eternal Aria of the Monster Heart – The tour closed with a powerful rendition of “Bad Romance,” highlighting the grandeur of the performance.

Fans can expect a visually stunning and emotionally charged experience as Lady Gaga continues to push the boundaries of live music.

Read More

Stay Young This Week with CT Arts from Kidz Bop to Rod Stewart

A Week of Youth and Music in Connecticut

Connecticut is buzzing with exciting events this week, particularly for those who enjoy the energy of youth and the magic of live performances. From energetic kid-friendly concerts to thought-provoking literary discussions, there’s something for everyone. Whether you're a fan of pop music, rock, or theater, the upcoming week promises a variety of experiences that will keep you entertained.

Kidz Bop Live at Oakdale Theatre

One of the most anticipated events is Kidz Bop Live, which brings together pre-teen performers who sing and dance to popular hits. This event is set to take place at the Oakdale Theatre on July 20 at 4 p.m. The show is an excellent opportunity for families to enjoy a fun-filled afternoon of music and entertainment. Tickets range from $41.25 to $217.70, making it accessible for various budgets.

Gary Shteyngart Discusses His New Book

For book lovers, Gary Shteyngart will be at the Mark Twain House & Museum on July 23 at 7 p.m. to discuss his latest novel, Vera, or Faith. The story follows a 10-year-old girl navigating a complex future. The event offers a chance to engage with the author and learn more about his creative process. Admission is $10, with an option to purchase a signed copy of the book for $38.

Concerts and Performances Across Connecticut

Several other musical acts are set to grace the stages across Connecticut:

• Kurt Vile and the Violators will perform at Toad’s Place on July 20 at 8 p.m. Known for his indie rock style, Vile has a dedicated following. Tickets are priced at $48.

• Creed returns to the Xfinity Theater on July 22 at 7 p.m. This Florida band, known for their hits in the late '90s and early 2000s, has made a comeback and continues to attract large crowds. Prices range from $54.50 to $365.40.

• Sierra Hull will play an outdoor show at the Levitt Pavilion for the Performing Arts on July 22 at 7 p.m. The acclaimed bluegrass mandolinist will offer both lawn and seated tickets, with prices ranging from $25 to $78.

• Hot Water Music performs at The Webster on July 22 at 7:30 p.m. This post-punk band has been active since 1994 and continues to captivate audiences with their unique sound.

• Primus takes the stage at the Hartford HealthCare Amphitheater on July 22 at 8 p.m. Known for their quirky rock antics, the trio is set to deliver an unforgettable performance.

Cultural Events and Experiences

In addition to music, there are several cultural events happening:

• The Hartford Symphony Orchestra will present “Say it Loud: A String Celebration of Soul” at Great River Park on July 23 at 7 p.m. This free event will feature R&B/soul standards by legendary artists.

• Ben Folds will join the Hartford Symphony Orchestra for a special concert at the Simsbury Meadows Performing Arts Center on July 25 at 7:30 p.m. This collaboration between pop and classical music is a must-see for fans of both genres.

• Rod Stewart will perform at the Mohegan Sun Arena on July 25 at 7:30 p.m. Although he's titled this tour “One Last Time,” the iconic singer is not retiring and continues to captivate audiences worldwide.

Theater and Experimental Performances

For those interested in theater, the Hartford Stage presents “Breakdancing Shakespeare” on July 25 and 26 at 7 p.m. This innovative production combines Shakespearean classics with hip-hop, showcasing the talents of young performers aged 16 to 21.

Additionally, the Yale Cabaret will host “The Interview” from July 24 to 26. This experimental play explores themes of bureaucracy and unemployment through a unique narrative, offering a thought-provoking experience for attendees.

Conclusion

This week in Connecticut is filled with vibrant events that celebrate youth, music, and culture. Whether you're looking for a family-friendly concert, a literary discussion, or an engaging theatrical performance, there's something for everyone. Don't miss out on the opportunities to experience the rich artistic landscape of the state.

Read More

How Chorale de Kigali Cultivates Timeless Musical Excellence

Rwanda's leading Catholic choir, Chorale de Kigali (CDK), has remained consistent with its identity and delivered exceptional live musical performances, spiritual expression, and talent development for over six decades. The choir has overcome challenges associated with a world where musical trends change quickly and vocal authenticity is often overshadowed by digital enhancements. ALSO READ: Chorale de Kigali to celebrate World Music Day with 'Voices in Harmony Concert' Their latest concert on the occasion of World Music Day held at Kigali Universe left the audience of classical music enthusiasts amazed and moved by the talent each chorist displayed. "Chorale de Kigali is more than a Catholic choir," said Rwandan Minister of Foreign Affairs and International Cooperation, Olivier Nduhungirehe, a passionate music lover. From singing works by Handel, Mozart, Chopin, or Rwandan composers to performing Mozart's Le Mariage de Figaro, Rossini's Le Barbier de Séville, and other classical plays with perfection, Nduhungirehe described the choir as the Opéra de Kigali made up of musical virtuosos with incredible voices. Founded in 1963 by seminary-trained musicians such as Claver Karangwa, Leon Mbarushimana, Callixte Kalisa, Paulin Muswahili, and Saulve Iyamuremye, the choir initially started as a men-only ensemble inspired by the choral traditions of Catholic seminaries. Over time, it has evolved into a powerful and inclusive platform with over 150 active members, 60% of whom are young people, dedicated to the craft of live performance and vocal mastery. ALSO READ: When live performances become Rwandan music’s weak link A choir that builds voices from the ground up Germaine Utembinema is one of the longest-serving members in the choir, having joined in 1999 as a teenager. She stated that Chorale de Kigali is more than just a musical group but a nurturing family. "I came without knowing anything," she told The New Times, "But I've come to learn how to sing, about legendary performers, and how to evaluate vocal abilities." Through mentorship, regular rehearsals, and inspiration from global talents, Utembinema developed her soprano skills and grew both spiritually and musically. Rehearsals are taken seriously and occur three times a week in the evenings after work. Each session lasts two hours and focuses not only on individual vocal improvement but also on team coordination. "Our trainers usually tell us that we should remember we have a lot to give the audience. You are the best person in the hall. It's also amazing to see people turn up for you. The more you get used to it, the more it encourages you and eventually helps you deliver a great performance," she said. "We were fortunate to get the best trainers who encouraged us to learn from others who had done it perfectly. By that time, technology had already been introduced and helped us learn more lessons from them. It grew and was benchmarked against others. We shared lessons with other choirs, we practiced, and that's how we grew," she added. "If over 100 people can sing well in harmony, you can imagine the energy and discipline it takes," explains Jean Claude Byiringiro, a trainer and long-time member who joined in 1994, just months after the Genocide against the Tutsi. However, the genocide almost destroyed the choir. Many members were killed or forced into exile. "It was almost no more," said Byiringiro, who was then a young seminarian. "Reviving it took only three committed individuals but music lovers soon joined, including students from universities and seminaries." ALSO READ: Challenges affecting the growth of Rwanda’s music industry Among those who helped resurrect the choir was Jean Claude Hodari, the current president. He credits the role of resilience and structure in the choir's rebirth. "We were registered as a non-profit organisation aiming to develop written music to international standards," Hodari says. He explained that aspiring members go through a three-month probation period after submitting a formal application. During this time, their vocal range, be it soprano, alto, tenor, or bass, is assessed, or their instrumental talent is evaluated. Upon approval by a general meeting, they are officially inducted into the choir. However, talent development doesn't stop at vocal training. "We also train them how to compose," says Byiringiro. "Special time is dedicated to soloists, helping them deliver performances at a world-class level." "Just like how one joins a team as a newbie, it's the same when joining a choir. Trainers help the person take some steps until they reach a satisfying level. It's a similar situation in the choir as well. In the choir, there's teamwork, and that's where we place most of our focus. For everyone who sings, we're now exceeding 100 people. If all those people stand together to sing—and sing well—you can imagine the energy it takes," he explained. Chorale de Kigali's mission extends beyond singing in church. They interpret global musical history for Rwandan audiences, performing pieces that span centuries and continents, from 15th-century European compositions to traditional Rwandan melodies arranged in Pentatonic scales. Some of the music in their repertoire dates back to 1400 BC, originally played in Syria, and includes Greek music from 100 BC. During the World Music Day concert on June 21, they performed a rich fusion of classical and contemporary sounds, performing pieces like Turate u Rwanda, Tiritomba, Chiquitita, and the UEFA Champions League Anthem. With each piece, the choir illustrated how human stories and emotions can be conveyed across languages and generations through live performance. Embracing modernity while staying rooted To keep their sound fresh and relevant, the choir has recently started integrating modern instruments such as the violin, flute, trumpet, saxophone, and violoncello, many played by foreigners and local collaborators. "We are recruiting new talent to spice up our performances," Hodari says. "Live instrumentation is something we're expanding to inspire young Rwandans and grow their love for this kind of music." At its core, Chorale de Kigali remains committed to live, unfiltered music. Every note performed is real, every harmony rehearsed, and every voice shaped with intention. Whether singing sacred hymns or 15th-century operas, they connect audiences with the raw essence of music. For many members, the choir is not just a hobby but a healing space and a source of daily motivation. "Singing helps me relax," says Utembinema. "After a rehearsal, I wake up refreshed, ready to work, because I did something I loved last evening." ALSO READ: Chorale de Kigali adds World Music Day concert to choir’s calendar The choir has made an indelible legacy for decades "For example, we composed songs for Radio Rwanda. They composed a song at the launch of the Rusumo Bridge in 1972 that praised the development, the leaders, and also the Central Bank of Rwanda. They performed in many festivals outside the religious context but gained more popularity in many Catholic churches and mass gatherings."

Provided by SyndiGate Media Inc.Syndigate.info).

Read More