Jon Stewart Reveals Fears for "The Daily Show" After "Late Show" Cancellation Outrage

Jon Stewart Shares Thoughts on The Daily Show’s Future Amid Industry Changes

Jon Stewart, the former host of The Daily Show, recently shared his thoughts on the future of the show during an episode of his podcast. His comments came at a time when the media landscape is undergoing significant changes, particularly with the ongoing merger between Paramount and Skydance Media.

Stewart was asked about what might happen to The Daily Show if the merger goes through, especially since the show is owned by Paramount, which is now part of CBS. He admitted that he doesn’t have a clear answer. “Boy, that’s a good question,” he said. “Unfortunately, we haven’t heard anything from them. They haven’t called me and said like, ‘Don’t get too comfortable in that office, Stewart!’”

He added humor to the situation, joking, “I’ve been kicked out of s--- establishments than that. We’ll land on our feet.” However, he also acknowledged that the uncertainty is real. “I honestly don’t know what the show’s fate will be,” he said. “I’d like to believe that... Like, without The Daily Show, Comedy Central is kind of like muzak at this point. I think we’re the only sort of life that exists on a current basis other than South Park.”

Stewart expressed hope that the show brings enough value to the channel, but he also admitted that it may not be the priority for the company. “But that may not be their consideration,” he said. “I just don’t know.”

His remarks come in the wake of another major development: the cancellation of The Late Show with Stephen Colbert. CBS announced that the show would end after the 2023-2024 season, citing financial reasons. The network emphasized that the decision had nothing to do with the show’s performance or content.

Interestingly, the cancellation news broke shortly after a controversial settlement involving Paramount and Donald Trump. The $16 million payout was made after Trump claimed that 60 Minutes had deceptively edited an interview with Kamala Harris. This incident sparked discussions about the pressures facing journalists and media outlets.

Steve Kroft, a former correspondent for 60 Minutes, appeared on The Daily Show a week before the cancellation announcement. He discussed the impact of the lawsuit on the network and the broader media environment. “I think there’s a lot of fear,” Kroft said. “Fear of losing their job, fear of what’s happening to the country, fear of losing the First Amendment. All of those things.”

He also criticized the settlement, calling it a “shakedown” and suggesting that some viewed it as “extortion.”

CBS released a statement defending the decision to cancel The Late Show, highlighting its long-standing success. “Stephen has taken CBS late night by storm with cutting-edge comedy, a must-watch monologue and interviews with leaders in entertainment, politics, news and newsmakers across all areas,” the statement read. It also noted that the show had been number one in late night for nine straight seasons.

Despite these reassurances, the media industry continues to face challenges. Mergers, financial pressures, and shifting audience habits are all factors that could influence the future of shows like The Daily Show and The Late Show.

For now, Stewart remains cautious but hopeful. He knows that the world of television is unpredictable, but he also believes that The Daily Show has played a unique role in keeping Comedy Central relevant. Whether that role continues in the future remains to be seen.

Read More

Jimmy Fallon's Chanel Under-Eye Patch Dream Shattered by Natasha Lyonne's 'Nuts' Response

A Unique Fashion Moment at the 2025 Met Gala

During an episode of The Tonight Show Starring Jimmy Fallon on July 17, Natasha Lyonne shared a fascinating story about her experience at the 2025 Met Gala. The conversation revolved around a unique fashion choice made by the show host that almost ended up being a red carpet mishap.

Lyonne and Fallon had previously crossed paths at the event, but their interaction wasn’t captured on camera. During the show, Fallon showed Lyonne a photo of himself helping her with her dress train as they ascended the steps of The Metropolitan Museum of Art. This moment sparked a discussion about their appearances at the gala.

Lyonne recalled how Fallon had pulled out what she described as “Chanel under-eye baggage strap-on things” during the event. She explained that while the move seemed eccentric, it was a playful attempt to make a statement. “You said, ‘Should I put these on for the carpet?’” she told Fallon.

Fallon continued the story, revealing that he had asked Lyonne for help in putting the items on. “I thought it'd be funny,” he added. However, Lyonne quickly intervened, reminding him of the importance of making the right impression at such a high-profile event.

As a long-time friend of over 20 years, Lyonne felt responsible for ensuring that Fallon didn’t make a fashion faux pas. “I responsibly, as a good friend of 20-plus years said, ‘Jimmy, you've gone nuts. What are you doing? You don't need this,’” she said. “‘You don't need to live this hard, baby. You want it too much. Why are you even going to this many fashion events that you're carrying travel, to-go-sized Chanel?’”

Fallon’s decision to wear the Chanel under-eye patches stemmed from his desire to make a playful statement. He noted that the French luxury brand doesn’t offer menswear, which made the idea of wearing the accessories even more intriguing. “I was lucky enough to be asked to sit at the Chanel table,” he explained. “They don't make men's clothes... but I figured it'd be funny if I wore these Chanel under-eye things, so then I could go on the red carpet and they go, ‘Uh, who are you wearing?’ You saved me.”

The 2025 Met Gala took place on Monday, May 5, in New York City, with the theme “Superfine: Tailoring Black Style.” This theme celebrated the museum’s exhibit of the same name, focusing on the art of tailoring within Black culture. The dress code for the evening was “Tailored for You,” which inspired many attendees to showcase their personal style.

Fallon made a striking appearance in a custom navy blue Zegna tuxedo, while Lyonne dazzled in a lavender McQueen gown that exuded elegance and grace. Their outfits reflected the theme of the event, emphasizing individuality and creativity.

This story highlights the importance of thoughtful fashion choices, especially on high-profile occasions. It also underscores the value of friendship and support in navigating the world of high fashion. Whether it’s through a playful accessory or a well-chosen outfit, every detail can make a difference in how one is perceived at such events.

Read More

Tyla's "We Wanna Party" Mixtape Drops July 25

Tyla’s Upcoming Mixtape “We Wanna Party” Set for July 25, 2025

Tyla is preparing to unveil her highly anticipated mixtape titled We Wanna Party on July 25, 2025. This release has been the talk of the music world, with fans eagerly awaiting the official date after a week of teasing. The mixtape follows a string of successful singles that have already made waves this year, including the recent hit “Is It,” which dropped just last week.

Fans of Tyla’s unique sound and energetic style are in for a treat. We Wanna Party promises to deliver more of what they love—catchy hooks, danceable beats, and vibrant vocals. This article explores everything you need to know about the mixtape, Tyla’s 2025 music journey, and why this release is significant for both longtime fans and new listeners.

Tyla’s 2025 Hits: Setting the Stage for We Wanna Party

Tyla’s rise in 2025 has been nothing short of impressive. Earlier this year, she released “Push 2 Start,” a remix featuring the legendary Sean Paul. This collaboration showcased Tyla’s versatility and ability to blend her style with iconic artists seamlessly. The track was a hit on dance floors and playlists worldwide, generating excitement for her next big project.

In May, Tyla followed up with another single, “Bliss.” This track highlighted her vocal range and songwriting skills, resonating well with fans and critics alike. It added to the buzz around her growing discography.

Then, just last week, Tyla surprised fans with “Is It,” a single that blends smooth melodies with catchy rhythms. This release served as an exciting hint at the vibe and themes we might expect on We Wanna Party. Each of these singles builds a solid foundation for the mixtape, reflecting Tyla’s evolving sound and artistic growth.

What to Expect from We Wanna Party?

The title We Wanna Party sets a clear tone—fun, vibrant, and energetic. From the teasers, it’s clear that Tyla aims to create a collection of songs perfect for celebrations, whether you’re at a club, a summer gathering, or just vibing solo.

Fans can expect a blend of Afropop, R&B, and dancehall influences, genres Tyla has been known for mastering. The mixtape will likely feature collaborations and remixes, considering her recent work with Sean Paul and others.

Besides high-energy tracks, listeners can also anticipate more personal and emotional songs. Tyla’s ability to balance party anthems with heartfelt lyrics makes her music relatable and evergreen. This mixtape could become a staple on playlists not just this summer but for years to come.

Why Tyla’s Music Stands Out in 2025

Tyla’s music resonates because it’s authentic. She blends catchy beats with meaningful lyrics, making her songs both fun and impactful. Her sound is fresh but also pays homage to classic African and Caribbean rhythms, creating a global appeal.

In 2025, Tyla’s career is marked by strategic releases that keep fans engaged. Dropping singles consistently and teasing projects ahead of time builds anticipation without overwhelming listeners. This approach aligns perfectly with current music marketing trends, showing her team understands the evolving industry landscape.

Her collaborations, like the remix with Sean Paul, also open doors to new audiences. These partnerships highlight Tyla’s versatility and her ability to cross genres and markets smoothly.

The Impact of Tyla’s Rising Career

Tyla is more than just a singer; she’s a cultural influencer. As a young artist from South Africa, she represents a wave of African talent breaking into the global music scene. Her mixtape release comes at a time when African music genres, such as Afropop and Amapiano, are dominating international charts.

This rise is significant not only for Tyla but for the representation of African artists worldwide. By releasing projects like We Wanna Party, she contributes to expanding the global appreciation for African music and culture.

Her success story also inspires aspiring artists, showing that with talent, consistency, and smart marketing, breaking through on the world stage is possible.

How to Prepare for the We Wanna Party Release

To get ready for the mixtape drop on July 25, fans should follow Tyla on her social media channels. She often shares behind-the-scenes content, sneak peeks, and updates directly with her audience.

Streaming platforms like Spotify, Apple Music, and YouTube will likely feature the mixtape on release day. Adding We Wanna Party to your playlists early or pre-saving it (if available) can ensure you don’t miss out.

Also, keep an eye out for potential live performances or virtual events Tyla might host to promote the mixtape. These events often provide a chance to hear the music live and connect with other fans.

Why Mixtapes Matter in Today’s Music Industry

While albums remain the traditional benchmark for artist projects, mixtapes have carved out a crucial space in modern music culture. They allow artists like Tyla to experiment, release music more frequently, and engage with fans in between major studio albums.

Mixtapes often feature a rawer, less polished sound that can be more relatable and intimate. This format helps artists build momentum and test new creative directions without the pressure of full album sales.

For listeners, mixtapes offer a fresh way to discover an artist’s evolving style and personality. With We Wanna Party, Tyla embraces this approach, promising a project that feels spontaneous yet carefully crafted.

The Excitement Around We Wanna Party

As the July 25 release date approaches, the excitement around Tyla’s We Wanna Party mixtape is palpable. Her consistent output in 2025, marked by singles like “Push 2 Start” remix with Sean Paul, “Bliss,” and “Is It,” sets the stage for a powerful project.

Whether you’re a longtime fan or new to Tyla’s music, this mixtape is worth adding to your summer playlist. With its blend of party vibes and emotional depth, We Wanna Party could be one of the standout releases of 2025. Stay tuned for more updates, and get ready to party with Tyla this July!

Read More

Paul McCartney Faced 'Revisionism' After John Lennon's Death

The Legacy of a Musical Partnership

Paul McCartney, one of the most iconic figures in music history, was deeply affected by the tragic death of his former Beatles bandmate John Lennon. Their bond, formed during their teenage years, became one of the most successful songwriting partnerships in the world. Together, they created countless hits that shaped the music industry and left an indelible mark on popular culture.

The partnership between Lennon and McCartney began at a church fair in 1957, where they met and quickly realized their shared passion for music. As The Beatles grew into a global phenomenon, their collaboration became the driving force behind many of the group's greatest songs. However, after Lennon's untimely death in 1980, McCartney found himself facing a different kind of challenge — a shift in public perception that diminished his role in the band's success.

A Shift in Perception

Following Lennon’s murder, fans and critics alike began to reevaluate The Beatles' legacy. Many started to believe that Lennon had played a more significant role in the band's achievements than McCartney. This "revisionism" created a sense of insecurity for McCartney, who felt that his contributions were being overlooked.

In interviews, McCartney expressed his frustration with this growing narrative. He noted that some people seemed to think that praising Lennon meant downplaying his own role. He recalled quotes like, “John was the only one in the Beatles” or “Paul booked the studio,” which he believed were misleading. This sentiment extended to comparisons such as “John was the Mozart; Paul was the Salieri,” implying that Lennon was the true genius while McCartney was merely the singer of “Yesterday.”

Fighting for Recognition

To combat this revisionism, McCartney took steps to ensure his contributions were properly acknowledged. He sought to have more prominent credits on Beatles songs that he primarily wrote, such as “Yesterday.” While the original credit of “Lennon-McCartney” was always meaningful, McCartney felt it was important to highlight his individual work.

He reached out to Yoko Ono, Lennon’s widow, to request changes to the credits on the Beatles Anthology. However, this effort led to tension, as Ono refused to alter the credits. The situation escalated when McCartney encountered a fake book in Rome that listed “Hey Jude” as written solely by John Lennon. This moment was particularly painful for him, as it reinforced his fears about how his work would be remembered.

A Lasting Impact

Despite the challenges, McCartney remained committed to honoring his partnership with Lennon. In his book The Lyrics: 1956 to the Present, he credits all co-written Beatles songs to “Paul McCartney and John Lennon.” This decision reflects his desire to ensure that both names are recognized equally, even if it means placing Lennon’s name first.

McCartney’s journey through grief, recognition, and legacy highlights the complexities of artistic collaboration. His efforts to preserve the truth of their partnership serve as a testament to the enduring impact of their music and the deep bond they shared. Even in the face of revisionism, McCartney continues to celebrate the magic they created together, ensuring that their contributions remain a part of music history.

Read More

M.A.C. Lip Collection Delivers a J.T.-Worthy Pout

A New Collaboration from M.A.C. Cosmetics That Brings Back Nostalgia

M.A.C. Cosmetics has always been a go-to for makeup lovers, but it’s been a while since I felt the urge to check their website for new releases. However, their latest collaboration has brought me back to the days of excitement over a new product launch. In celebration of National Lipstick Day, the brand partnered with two celebrities—model Alex Consani and rapper J.T.—to release limited edition lip combo kits. These kits are designed to be versatile and easy to use, offering a complete lip look without needing other products from your collection.

Each kit includes a variety of lip formulas in shades that both Consani and J.T. favor. Consani's selection features a lip pencil in Whirl, the Macximal Silky Matte Lipstick in Warm Teddy, and the Squirt Plumping Gloss Stick in Clear. However, J.T.'s bundle caught my attention immediately. It includes nostalgic items like the Chestnut Lip Pencil, the Macximal Silky Matte Lipstick in Lipstick Snob, and the Clear Lipglass. The combination is not only stylish but also practical for everyday wear.

As a limited edition, J.T.’s collection has already sold out online, thanks to the buzz on social media platforms like TikTok. While it's no longer available at most online retailers, you can still find it at select freestanding stores. The good news is that all the products included in the kit are part of M.A.C.'s permanent collection, so you can purchase them individually if you missed the drop.

If you're thinking about visiting your local M.A.C. store, I highly recommend it. I've been wearing this lip combination non-stop, and I don't plan on stopping anytime soon. Here are some of the standout products from the collaboration:

• MAC M·a·cximal Silky Matte Lipstick in Lipstick Snob
• MAC Lip Liner Pencil in Chestnut
• MAC Clear Lipglass Lip Gloss

The Formula: What Makes These Products Stand Out

The main highlight of J.T.’s kit is the Lipstick Snob lipstick. This light, neutral pink comes in M.A.C.'s "macximal" matte formula, which delivers a high concentration of pigment without any shine. Compared to the brand's retromatte formula, which can sometimes feel dry, this version glides smoothly onto the lips without tugging. It also has excellent staying power, making it ideal for long days.

Another key product in the set is the Clear Lipglass. Known for its thick and tacky texture, this gloss is a bit controversial among users. Some may find it challenging, especially if they have long hair, as it can stick to strands. However, I believe it's one of the glossiest lip products on the market, and its viscosity ensures long-lasting wear. I recommend trying it in person at a M.A.C. counter before purchasing, as it's best to experience the product firsthand.

The Chestnut Lip Pencil is another staple in the collection. This deep brown shade enhances lighter lip colors, giving them a more refined appearance. It works well with the Lipstick Snob, transforming the pink into something more sophisticated.

Application Tips for the Perfect Look

When applying the kit’s products, I start with the lip pencil, outlining my lips using an overlining technique. I then blend the liner out to create a soft gradient. Next, I apply the Lipstick Snob to the center of my lips and pat it in with my fingers. I avoid applying too much, as it can overpower the lip liner.

Finally, I add the Clear Lipglass to the center of my lips and blend it outward. This helps keep the colors from blending too much and allows me to control where the gloss ends up.

Wear Time and Longevity

This combination is one of my longest-wearing lip looks. I usually get around three hours of perfect wear before needing to eat, and even then, the color only fades slightly in the center. I typically reapply the lipstick and gloss myself to keep the look fresh, not because the formula becomes uncomfortable or patchy.

M.A.C. has truly mastered the art of comfortable, long-wear lip products. Their attention to detail and quality make these items a must-have in any makeup bag.

Additional Recommendations from M.A.C.

Beyond the collaboration, there are several other M.A.C. products that I always recommend. These include:

• MAC Skinfinish Sunstruck Matte Bronzer Powder in Matte Deep Golden – A favorite bronzers for warm summer months.
• MAC Powder Blush in Melba – One of the best powder blushes on the market.
• MAC Mineralize Skinfinish Powder Highlighter in Global Glow – Ideal for those with neutral undertones.
• Hyper Real Serumizer – A top-tier skin prep product that I consider a personal favorite.
• Strobe Beam Liquid Blush – A recent favorite with the shade Unsweetened being my go-to choice.

Why Trust Marie Claire?

For over 30 years, Marie Claire has been a trusted source for fashion, beauty, and lifestyle content. Every product featured in our recommendations is personally tested and endorsed by our writers or experts. We take our readers' trust seriously and ensure that every suggestion is backed by real experience.

Read More

Mississippi Teen Shines with 2000 Rap Classic at Karaoke

A Nine-Year-Old's Karaoke Performance Goes Viral

In a small town in Mississippi, a nine-year-old girl captured the attention of millions with her unexpected and confident performance of a rap song at a local Mexican restaurant. Alaynna Doty, from Olive Branch, had no idea that her one-minute karaoke act would become a sensation online.

Alaynna has been visiting Crazy Cactus, a popular spot for karaoke, for about two years. While she usually sticks to country songs, this time she decided to take on a track that was close to her heart. The song, a 2000 rap classic, is not explicitly worded, but it still made a big impression on the crowd.

Her performance was so energetic and full of confidence that it brought the entire restaurant to its feet. “It’s just like a song that I’ve known for a long time. They were pretty shocked, but they sang along with me,” Alaynna explained.

Her mother, Lauren Durham, posted a video of the performance on TikTok, and it quickly gained traction. Within days, the video had over four million views, and Alaynna found herself in the spotlight.

“I posted it, and she said, ‘Mom, I cannot believe you did that,’ and I was like, ‘Alaynna. It just shows you have a lot of confidence. I’m just showing, you know, other children that you have confidence and it’s OK to have confidence.’ And she was like ‘fine,’ and then once it started blowing up, I started getting phone call after phone call,” Durham shared.

As the video spread, Alaynna learned about her sudden fame from a friend. “I was just watching a movie and my friend Bella called me and said, ‘You know, you’re viral?’ And I’m like, ‘No, I’m not,’ and she said, ‘Go check your mom’s TikTok.’ I said OK, and I went to check it. I’m like, ‘How did I get to this?'” she said.

The TikTok post received over 130,000 comments in just a few days, with many users expressing admiration for Alaynna’s performance. One comment read, “This is America. There is no division or hate, just pure unity and good vibes.”

Even Project Pat, the original artist of the song, took notice. He reposted Alaynna’s video on his own TikTok page, and it has been viewed nearly 4.5 million times so far. The video also gained attention on other social media platforms.

“It was wonderful, and when she did a Jessie Murph song another time, Jessie Murph actually reposted her video as well,” Durham said.

Interestingly, the song was released years before Alaynna was born, but she has been singing it since she was young. Her mother said it’s one of her favorite songs, and Alaynna has always loved it.

“She understands why it was such a crowd-pleaser. It was like an old classic song, and I was pretty hyped up. They were surprised that a 9-year-old would be that confident,” Alaynna said.

Looking ahead, Alaynna dreams of making it big in Nashville one day. For now, she has a unique story to tell her friends when she returns to school for her summer break.

Read More

Lewis Capaldi's Unexpected Music Comeback

Lewis Capaldihas acknowledged that he had no intention of performing again after leaving two years ago.

The 28-year-old singer came back after a long breakat Glastonbury last month, two years after choosing to step back from the public eye following a heartfelt and difficult performance at Worthy Farm.

He unexpectedly showed up at this year's event and has been active sincerevealed a UK tour schedule for later this year, but there was a genuine transformation he wasn't going to return.

Chatting with one of his closest friends to celebrate his new collaboration with the BetterHelp online therapy service, Lewis referred to the 2023 event as 'literally the worst moment' of his life.

The singer of "Someone You Love" said: “It was a huge, huge, massive event. By the second song, I was probably just thinking, 'This has to... I can't keep doing this to myself and others anymore.”

People were attending concerts, and I thought, 'That's not the way you should be watching a performance.' From my perspective, I said, 'I'm done for good.'

Rather than 'living in the moment,' the Scottish star - whoreached the top of the UK singles chartlast week with the return single Survive – was 'catastrophising'.

Now, he has spoken about how therapy has been a "major factor" in his ability to return to music two years later.

When asked how he arrived at a stage where he felt improved, the Grammy-nominated musician revealed that he had been "lying" to his therapist and "saying what I thought they wanted to hear."

Although Lewis 'struggles' with therapy and doesn't 'have a good time', he always realizes he'll 'feel great afterward'.

"Occasionally, it can be quite challenging, but I believe I keep going because I understand how crucial it is for me to maintain a good feeling, as I've experienced the best I've felt in a long time through therapy; I would say that has been the key factor in how I feel now," he explained.

He emphasized that it's not a 'quick solution,' and he has also come to embrace the fact that being 'an anxious person' is an integral part of his identity.

It's regarding how I deal with anxiety and many aspects of my life,' he stated. 'I have failed to take care of myself in the past, both mentally and physically, and I have made commitments to myself that I haven't fulfilled.

I believe for me, it's about acknowledging that this issue will always be present, and it's more about how I deal with it, the actions I take to stay at a basic level.

Through his latest initiative with BetterHelp, Lewis is assisting the organization in distributing 734,000 hours of free counseling — a substantial figure.

It's 1,000 hours for each day I've had, well, since I last performed on stage," he shared. "I feel that if I can be involved in sharing that with others, why not?

Read More

Nine, Double Celebration: First Place on Music Shows in a Week Since Debut → 360,000 Copies Sold Initially

Group 9 (AHOF) secured the music broadcast award a week following their official launch.

Nine (AHOF) made their debut on SBS funE's 'The Show' on the 8th and secured the No. 1 trophy with their first song 'Rendezvous'

It holds even greater significance as it was accomplished just a week after AHOF launched with 'WHO WE ARE' on the 1st. On this day, AHOF, who was recognized as the central figure of The Show Choice, delivered an extraordinary performance, shed tears of emotion, and experienced moments of joy.

9(AHOF) said, "I want to express my gratitude to F&F Chairman Kim Chang-soo and F&F Entertainment CEO Choi Jae-woo for making my debut bright and amazing. I am fully aware that you both put in a lot of effort for us around the clock."

I want to sincerely thank the fans for giving me the opportunity to be here. I truly didn't anticipate winning first place just a week after my debut. It's an incredible honor," he said, mentioning that he aims to become a singer capable of consistently achieving first place in the future.

On the encore stage, his skill was flawless. Nine (AHOF) kept performing live without missing any beats or notes for a while, despite being overcome with tears. All the members displayed professional conduct, and the encore stage received just as much reaction and excitement as the main performance.

Since their debut, AHOF has been setting impressive records. Previously, the album 'WHO WE ARE' sold 369,985 copies within a week of its release. Nine (AHOF) demonstrated its widespread appeal by achieving a notable position as the top among new boy groups that debuted this year and fifth overall among all-time boy groups.

The sound source is also following an upward trend. 'Let's meet there again (Rendezvous)' remains at No. 16 on the Bucks weekly chart in its week of release. On Spotify, it entered the Korean chart 'TOP 50' at position 7. Moreover, the total streaming count of the debut album has exceeded 2 million, maintaining its upward momentum. It is also a moment where we are excited for future musical performances.

AHOF is a collective established by SBS Universal League. They officially debuted on the 1st, showcasing a bold aspiration to enter the K-pop Hall of Fame. The nine members engage global fans by embodying the image of a boy filled with hope and nervousness on stage.

'WHO WE ARE' features a total of six tracks, including the title track and debut song 'Rendezvous'. It reflects a range of emotions and narratives from the members, including feelings of anxiety and uncertainty during their preparation for their debut.

Nine (AHOF) keep engaging in different initiatives with 'Rendezvous'

rightlight@Daily News

• Song Chang-sik revealed that two of his three children were adopted, and he had an unadopted child.
• Lee Ji-soo is distressed by the family's request for an autopsy of their deceased loved one, who passed away at home during the early hours of the morning.
• Park Soo-hong remarked, "The costly vacuum cleaner I was concerned about. My family was present. I wasn't the only one." a bittersweet admission
• Cho Sung-mo was found dead following his disappearance, "victim of a hit-and-run accident"
• 3 Billion Debt Bankruptcy: Yoon Jeong-soo Sold 200 Million Houses per pyeong...My ex-wife Kim Sook Also Wept. [SC Review]
• A 55-year-old volunteer YouTuber named A was arrested after impregnating a 13-year-old girl and giving birth [Roundup]
• Lee Jae-gyun was arrested by the police. Was he the one who killed Lee Si-young's closest friend?

Read More

Mesh HolyKid: The Trans Nzoia Man Using Music to Combat Albinism Stigma

• Several difficulties encountered by individuals with albinism in Kenya are similar to those that Meshack Sisenda Wekesa, known as Mesh HolyKid, faced during his childhood.
• It was following this experience that Mesh HolyKid decided to pursue a career in music, mainly to tackle the stigma associated with albinism.
• He uses music to carry out his advocacy, aiming for it to eventually eliminate the myths and misunderstandings surrounding people with albinism.

If perseverance was embodied in a person, it would be Meshack Sisenda Wekesa, an individual with albinism from Bidii ward in Kwanza Constituency, located in Trans Nzoia county.

A 25-year-old individual is a supporter of the rights of those with disabilities and promotes inclusivity. He does this via his music.

The motivation for Mesh HolyKid's campaign against the stigma surrounding albinism

In a special conversation withDaily News.co.ke, Sisenda, widely recognized under his stage name Mesh HolyKid, mentioned that following the completion of his secondary schooling, he faced the challenging aspects of the entertainment industry, which had a significant impact on him.

"As someone living with albinism, I encountered not only the challenges of everyday life but also the myths, misunderstandings, and stigma surrounding it. I felt compelled to speak up and increase awareness. Therefore, along with a close friend who is visually impaired, I wrote and recorded a song called Albinism in 2019," Mesh HolyKid stated.

The track aimed to question the misconceptions about their condition and emphasize the truth of experiencing albinism.

He mentioned that the song served as his personal and impactful message to Kenyans and the global audience, highlighting the challenges individuals with albinism encounter in their daily lives.

The quiet 2024 graduate of Tangaza University in journalism mentioned that his music career gained fame in June 2021 after his song about albinism was aired on a national television channel.

"That instant marked a significant shift. It strengthened my determination to utilize my music as a means of promotion, to highlight Albinism, and to advocate for individuals with disabilities. From that point on, I have dedicated myself to making sure my voice is recognized, not only within the music industry but also in the struggle for fairness and acceptance," he stated.

The artist, nevertheless, has experienced his own set of difficulties throughout his professional journey and activism.

He remembers being deceived by a music producer who claimed to assist him with one of his projects. Securing a chance to perform has also been another difficulty for him.

"Event organizers frequently concentrate on my disability, perceiving it as a restriction instead of an integral aspect of my identity. Certain individuals question my capabilities, and this is discouraging," Sisenda mentioned.

Although facing these difficulties, the musician remains committed to overcoming perceived limits and altering views on albinism and disabilities as a whole.

The emerging musician, who has thus far released two solo tracks and five featured appearances, is convinced that he can leverage music to bring about global change.

"As I keep moving along my journey in music and activism, I am aware that the path ahead won't always be easy. However, with my music, my voice, and my strong message, I will continue to move forward. In my Daily NewsSawa (We Are Equal) project, I convey the message that no one should be left out," he said.Daily News.co.ke.

As stated by the artist, the project, which merges music with spoken word, goes beyond being just a song or show; it serves as a representation of his personal journey, challenges, and successes within the demanding industry.

How did Mesh HolyKid begin his musical journey?

Mesh HolyKid found his love for music in 2017 when he would write and perform songs created by his mentor, Eko Dydda. He began recording himself during the holiday season. His first song, called 'Yahweh,' was recorded in December 2017, with the help of his mother, Caro Wasike.

"I took on both parental roles for him. I stood by him, his brother, and his sister. From the day Mesh entered my life, I noticed something truly special in him, and I backed his music career. By the way, I am his biggest fan," Caro said.Daily News.co.ke.

The young musician was among the 58 Digital Democracy Fellows in the 2024 group of the Constitution and Reform Education Consortium (CRECO) fellowship.

He mentioned that the fellowship enabled him to utilize digital technologies to promote the rights and well-being of individuals with disabilities in society.

Mesh HolyKid has received multiple accolades for his activism. He was recognized as the top dancer at the Uhai Festival in 2021 and was awarded the Differently Abled Personality of the Western Region Gospel Music Awards in 2024.

He is also among the contenders for the 2025 Sifa Talents Awards in the Differently Abled Personality category.

"To those who believe the myth that albinism is a curse, I want them to understand that the only difference between people with albinism and others is the lack of melanin that provides skin its color, yet we are all equal," Mesh HolyKid stated.

As per the 2019 Kenya Population and Housing Census report, there were 9,729 individuals with albinism in Kenya. This marked the initial inclusion of albinism in the census.

Read More

Floods and Landslides Disrupt Travel as Key Highways Reopen

Kathmandu, July 9 -- Continuous rain caused extensive flooding and landslides throughout Nepal on Wednesday morning, closing multiple major roads and leaving hundreds of vehicles stuck.

Key routes have seen traffic return, but officials caution that road safety issues remain because of unstable ground and ongoing rain.

In the Kavre district, the BP Highway was obstructed at several locations—Pingthali, Charsebesi, and Mangalatar—along the Bhakunde-Nepalthok route starting approximately at 1am on Wednesday.

As reported by Police Inspector Sunil Kumar Dhanzu from the District Traffic Police Office, vehicles traveling towards Sindhuli were halted at Kavrevanjyang, whereas those heading to Kathmandu from the other side were stopped at Mangalatar. The road is now clear, and two-way traffic has resumed, reducing the burden on both travelers and transporters.

In Palpa, a landslide close to Siddhababa Temple in ward 3 of Tinau Rural Municipality obstructed the Siddhartha Highway since early Wednesday. The mudslide, which took place approximately at 2am near the Dobhan head box area, included big rocks that complicated the clearing process.

By midday on Wednesday, the road was reopened for one-way traffic, although officials have warned that dangers still exist. As per the Palpa District Police Office, machinery from the Siddhababa Tunnel Project and the Road Division Office was deployed for the clearing process.

Although the area has reopened, the stretch between Charchare and Gaudepul is still very susceptible to issues caused by past landslides, raising worries among residents and those who use the road.

In Makawanpur, the Kanti Highway, which links Hetauda and Kathmandu, was blocked by a landslide near Gangate in the Thingan-Baguwa area around 5am on Wednesday.

Local residents and law enforcement utilized excavators to clear the wreckage, with traffic resuming by 10 a.m. Police Inspector Bidya Sagar Mehta from the Area Police Office in Thingan mentioned that vehicles that had been detained in Thingan and Baguwa were permitted to proceed once the road was cleared.

In Nawalparasi East, a part of the East-West Highway near Khursanikhola collapsed around 5:30am, stopping all vehicle movement. A truck became trapped in the affected area. By the afternoon, the road was filled to enable one-way traffic, as reported by Deputy Superintendent of Police Bir Dutta Pant from the District Police Office in Parasi.

Vehicles are being permitted to proceed one after another, with traffic officers present at the location and passenger buses given preference. Officials stated that hundreds of vehicles that had been stuck since morning started moving again around 12pm.

In the meantime, in Baglung, landslides caused by the rain on Tuesday evening have obstructed the Kaligandaki Corridor within Baglung Municipality-10. Basanta Pandey, an information officer at the District Police Office in Baglung, mentioned that ongoing rainfall has postponed the clearing operations.

In addition, in Myagdi, the road connecting Beni to Darbang and Muna was blocked because of several landslides in Malika Rural Municipality-6 and Beni Municipality-4. As per the Department of Hydrology and Meteorology, rain gauge stations measured 110 mm of rainfall in Darbang and 77 mm in Muna between 6 am and 8 am on Wednesday.

Officials are still removing debris in the impacted regions, but they caution that more rain could cause further landslides. Travelers are encouraged to keep informed before starting extended trips.

Contributions from local reporters.

Read More