DAILY NEWS

Latest hot news all day long.

DAILY NEWS

Latest hot news all day long.

DAILY NEWS

Latest hot news all day long.

DAILY NEWS

Latest hot news all day long.

DAILY NEWS

Latest hot news all day long.

Music Streaming Platform Meets AI Band at Velvet Sundown – Fear Realized

photo source=Instagram
A unknown independent band has recently made an impact in the pop music scene, grabbing attention.

An independent band called 'The Velvet Sundown' has sparked debate after unexpectedly appearing on the music streaming service Spotify. The group started releasing tracks a few weeks back, and its monthly listenership has now reached over 900,000. Their standout track is 'Dust on the Wind'.

It has launched two full-length albums within a month, and is set to debut its third one in the middle of this month.

As reported by the BBC and other international media, their reality remains unclear. None of the four recognized members of the band have ever granted interviews to the press, nor do they have personal social media profiles or recorded live performances. Because of this, questions arise about whether the band and their music were developed using artificial intelligence (AI).

The group refuted the AI-generated content hypothesis via its official social media platforms, yet remained silent when approached by outlets like the BBC for interviews.

It was the report from the American music publication 'Rollingstone' that further complicated the situation.

As reported by the outlet, "Andrew Frelon, who claims to be the band's representative, stated that 'Velvet Sundown's music was produced using the AI platform 'Suno'.'" Nevertheless, shortly after, Rolling Stone revealed that the individual was, in fact, a fabricated persona designed to mislead the media.

Even on the band's Spotify page, the statement "The person and we are irrelevant, and there is no evidence to prove his existence" was published.

Velvet Sundown's song is an indie ballad featuring male vocals and guitar, with lyrics that are somewhat hard to decipher, making it challenging to determine if it was written by a human or generated by AI.

Due to the application of its AI detection system, the French music streaming platform 'Deaser' concluded that the music from Velvet Sundown is '100% AI-generated'. Nevertheless, Spotify has not issued an official response yet.

Dispute over AI-generated music remains ongoing.

Artists from different parts of the globe are worried about the issue of using their audio materials without permission for artificial intelligence training.

Numerous musicians, including Elton John and Dua Lipa, have urged the UK authorities to implement regulations regarding AI-related intellectual property rights, yet their appeals have gone unheeded.

A group dedicated to protecting artists' rights stated, "This is exactly the scenario that artists have been worried about." AI firms are appropriating artists' creations, developing items based on them, and subsequently flooding the market with comparable products, thereby taking away earnings from genuine human creators," he criticized.

bellho@Daily News

  • A 55-year-old volunteer YouTuber named A was arrested after becoming pregnant and giving birth to a 13-year-old girl [Roundup]
  • Lee Ji-soo is distressed by the family's request for an autopsy of their deceased loved one, who passed away at home during the early hours of the morning.
  • Park Soo-hong remarked, "The costly vacuum cleaner I was concerned about. My family was present. I wasn't the only one." a bittersweet admission.
  • Cho Sung-mo was found dead following his disappearance, "victim of a hit-and-run accident"
  • 3 Billion Debt Bankruptcy: Yoon Jeong-soo Sold 200 Million Houses per pyeong...My former wife Kim Sook also wept. [SC Review]
  • Lee Mi-sook, a 17-year-old young man from Hoba, is involved in a rumor about an affair... The original strong older sister's explanation. My charm remains.
  • Song Chang-sik revealed that two of his three children were adopted, and he had an unadopted child.

Country Star Conner Smith Faces Charges After Fatal Crash

Country musician Conner Smith has faced official charges following an incident where he struck and caused the death of an older woman with his vehicle.

Last Sunday evening, 77-year-old Dorothy Dobbins was walking her dog in Nashville, Tennessee, when Smith is said to have not yielded at a crosswalk in his Chevrolet Silverado pickup truck.

Following the incident, just after 7:30pm, Dobbins was transported to Vanderbilt University Medical Center.

Smith, 24, recognized for his work on "Creek Will Rise" and "Steal My Thunder," was at the location, and authorities stated he "exhibited no indications of being under the influence."

Law enforcement officials stated earlier that an inquiry was "in progress," but it has now been verified that Smith has faced charges for a Class A misdemeanor.

As per a statement issued by the Daily Newspolitan Nashville Police Department today, Smith's official charge is Failure to Yield the Right of Way Leading to Death.

He is required to come for processing on August 7 following a misdemeanor state citation.

As Smith has been accused of a misdemeanor instead of a felony, it suggests he could face a smaller penalty or a shorter period in jail.

Smith's legal representative, Worrick G. Robinson IV, statedTMZConner is deeply thankful to the MNPD for the time and work they put into thoroughly examining this heartbreaking incident and has remained cooperative throughout.

His mind is with Ms. Dobbins' family, and he continues to be dedicated to respecting her memory through kindness by aiding initiatives aimed at enhancing pedestrian safety and preventing further incidents.

Smith also shared a message on Instagram: 'Four weeks ago, I was part of a severe car accident that led to a fatality. Every day since, I have felt sorrow, offered prayers, and mourned for Ms. Dobbins and her family.

My heart is shattered in a way I have never felt before, and I still find it difficult to fully understand the magnitude of it all. I request that you keep praying for the Dobbins family by name, asking God for His peace to envelop them every day.

He added, "In consideration of everyone concerned and to allow room for mourning, I chose to withdraw from performances over the last few weeks. I have always viewed creating music and performing as a source of comfort for me, but at this time, it was essential for me to take a break."

I'm grateful to serve a God who is close to those with broken hearts, and I have relied on Him throughout every stage of my journey," Smith said. "In the face of tragedy, I've discovered that God is more faithful than I could have ever imagined.

Last month, Smith's legal representatives verified toPeoplethat the singer was "involved in a car crash that sadly resulted in a death," once more reflecting his regret.

A statement read, 'His heart is with Ms. Dobbins' family during this very challenging period.' 'Mr. Smith remains fully cooperative with the continuing inquiry.

Smith is a country music performer who was born and brought up in the city, currently residing with his surfer spouse, Leah Thompson, whom he wed last April.

He initially gained recognition in 2021 after his track "I Hate Alabama" became popular on TikTok, which resulted in him joining Big Machine Records, the previous label of Taylor Swift.

The musician achieved great success with his track "Creek Will Rise," which came out in 2023 and has accumulated more than 62 million plays on Spotify.

His first solo studio album came out in January 2024 and was called Smoky Mountains. Following the album's release, his single Creek Will Rise reached number one on the UK Country Airplay chart for the first time ever.

Smith has performed alongside Luke Bryan and contributed to the Twisters soundtrack with his track "Country in the Clouds," which he co-wrote with Dylan Marlowe.

Got a story?

If you have a celebrity story, video, or photos, get in touch with theDaily News.co.ukcontact our entertainment team via email at celebtips@Daily News.co.uk, dial 020 3615 2145, or stop by our office Submit Stuffpage – we would enjoy receiving your feedback.

Outsiders Target Daniel Regha as Burna Boy's New Album Sparks Controversy

  • Daniel Regha claimed that Burna Boy's latest album is lacking in depth and would only achieve sales success due to his fame.
  • The reviewer maintained that the international elements in the project contributed nothing, claiming they seemed artificial and failed to integrate well.
  • He criticized the singer for promoting harmful substances and overlooking music with a meaningful message in the project.

A controversial critic named Daniel Regha has once again lived up to his image as Nigeria's most fearless reviewer, and this time, he's directed his attention towards Grammy-winning star Burna Boy.

Burna Boy released his new album, called No Sign of Weakness, on Friday, July 11, 2025.

As fans continued to process the collection of work and industry peers praised the project, Regha released an unfiltered review that has sparked significant discussion within music communities.

Posting on his verified X (formerly Twitter) account, Regha gave the album a low rating of 2/10, claiming it was Burna Boy's least impressive work to date.

The album doesn't have a chart-topping track, only chaos – Regha

In his thorough critique, Regha, who has recently been captured in handcuffs, criticized the album's audio, guest appearances, and poetic elements, asserting that Burna Boy utilized the project primarily to elevate his own image rather than to produce meaningful music.

He wrote:

The record lacks a chart-topping track or notable collaboration, features weak wordplay, and is essentially an album of self-praise,

He commended a single track, Born Winner, describing it as the sole worthwhile contribution in the 12-track album.

He stated that the chorus in "Change Your Mind" with Shaboozey was poorly recorded, noting that the vocals were overshadowed by the music.

The critic was unreserved in discussing Burna's high-profile collaborations as well.

He referred to working with Travis Scott as a missed chance and mentioned that the track featuring Mick Jagger, "Empty Chairs," would have been stronger without the rock icon, as the rock elements didn't integrate well.

On 28 Grams, Regha criticized Burna Boy for encouraging drug use, pointing out that the lyrics made illegal drugs seem attractive. To him, this song was not only unenjoyable but also harmful in its message.

See Regha's post here:

Fans of Burna Boy have differing opinions on Regha's score

Daily News.ng gathered the responses from social media users below:

@iam_kelvinreal:

Daniel Regha will soon collect o. How do you rate Burna 2/10 with all those collaborations? Be serious, please.

@princess_opeyemi:

Let's be honest, not every Burna album is great. This one doesn't really hit like that, you know.

@obinna_fire:

Regha expressed what some individuals are considering but lack the courage to voice. It's not his strongest piece by any means.

@yusuf_vibes:

This guy is always seeking attention. The album hasn't even been released, and you're already giving a rating.

@tofunmi_bae:

Only 'Born Winner' makes sense? You must be kidding. 'Change Your Mind' is playing on loop here

Daniel Regha gives a poor rating to Davido's album

Daily News.ngPreviously reported in April that Daniel Regha shared a review of Davido's fifth studio album, 5ive, on X.

The commentator, who was born in Lagos, didn't hold back, criticizing the album for what he considered weak lyrics and unoriginal partnerships.

He highlighted tracks such as “With You” featuring Omah Lay as a missed chance and noted “10 Kilo” for employing the word “Orọbọ,” which he claimed mocked certain body types. Regha also criticized Davido's use of wordplay, pointing to examples like “Wheel-barrow” and “Toy-toy-toy” as signs of poor writing.

Mohbad: Nurse Trial Ordered, Police Faulted in Death Case

Mohbad: Nurse Trial Ordered, Police Faulted in Death Case

The Coroner's Court based in Ikorodu, Lagos, has suggested that an auxiliary nurse, Feyisayo Ogedengbe, should face criminal charges in connection with the death of singer Ilerioluwa Aloba, widely recognized as Mohbad.

The official investigation initiated by the state government to examine the events leading to the singer's death commenced on September 29, 2023. Nineteen witnesses provided their statements.

On Friday, Magistrate Adedayo Shotobi delivered her decision, stating that the nurse showed serious carelessness by giving an injection to the singer without a physician's order.

Even though the court determined there was no evidence of foul play or murder, it found that the nurse's actions were "unlawful and professionally careless."

She stated, "Taking into account all the evidence, I can confirm the cause of death. However, the majority of the evidence indicates that the death was sudden, happening within minutes or hours following the administration of injection drugs by an unauthorized individual or through improper means. There was no natural cause that could explain the death. There was no indication of murder or intentional harm, but there was medical evidence. An irregular burial without a proper investigation, medical certificate, or police report is important to the court of justice."

Following section 29 of the Lagos State coroner laws, this court suggests that the prosecution of the unlicensed medical staff by the Office of the Director of Public Prosecution should initiate suitable legal action against Felicia Ogedengbe for unauthorized medical activities and serious negligence.

The coroner also determined that Mohbad went through a series of challenging times prior to his passing, having been betrayed by his support network, which included his family, public organizations, and the music sector.

The coroner sounded the alarm about widespread failures in overseeing the health sector, noting that these deficiencies have allowed unlicensed and unqualified people to work as medical professionals without proper oversight or responsibility.

In a separate order, the coroner initiated a formal inquiry into the Nigeria Police's inaction concerning a petition submitted by the late musician prior to his passing. The court also instructed the appropriate authorities to assess if the lack of response constituted official neglect.

The magistrate added, 'Considering the extensive evidence of ongoing harassment, not just from security personnel and the Nigerian Police Force, the Human Rights Commission must look into all widely shared reports of intimidation or violence.'

During the funeral organized by the deceased's father, Joseph Aloba, the magistrate recognized the cultural reasons that influenced his choice to carry out the "hasty" and "undignified" burial.

However, it emphasized that he should have still completed the required legal and medical processes, such as obtaining a death certificate and conducting an autopsy following the unexpected passing of the talented artist.

The father's actions, although possibly influenced by cultural beliefs, showed a lack of procedural accountability in every burial, particularly considering the suspicion and natural conditions. The court determined that Mr. Aloba's behavior hindered forensic investigations, possibly delaying any opportunity for an inquiry.

"The following public claim and accusation, lacking supporting evidence, has further damaged his reputation and intentions. In situations where death seems unusual or sudden in a young adult without a terminal illness, a father genuinely seeking the truth would have opted for an autopsy and legal procedures before burial," she said.

The coroner noted that Omowunmi, the deceased's partner, was fully aware of the medical crisis but did not push for emergency services or guarantee appropriate ambulance assistance when Mohbad started vomiting and having seizures. Rather, several family members were seen fanning him and trying to move him on their own.

The coroner also highlighted that the most significant point was that, after Mohbad's death, Omowunmi remained notably quiet in questioning the conditions of his sudden illness. Although she lived with him as his wife and was the mother of his child, her complaints about harassment, abuse, and threats from the music industry only gained strength after his funeral and amid public anger.

The coroner also questioned why her voice was missing when it was most needed, and why there was no demand for a death certificate or a push for an investigation prior to the funeral.

"Although she might have felt overwhelmed, emotionally troubled, or ignored by the father, it was her duty as a wife and the last person present at the deceased's side to speak up, protest, or at minimum record the procedural issues at the time of death and burial. The wife, despite being deeply affected emotionally, holds some moral and practical responsibility for the silence around the death and the rushed burial. A more proactive and protective reaction was anticipated considering her role," the magistrate stated.

Legal advisor to Mohbad's family, Wahab Shittu, SAN, voiced approval of the suggestions.

This is a coroner who has demonstrated that she possesses intelligence, a sense of equilibrium, and moral integrity.

He mentioned that the next step would involve urging the authorities to adopt the suggestions and guarantee that the police thoroughly examine the petition submitted by the deceased musician and the events surrounding his passing.

Advice given to Mohbad's wife, Kabir Akingbolu, who also took a comparable position regarding the suggestions, stated that it wasn't his client's responsibility to prevent the father from burying the husband.

A 26-year-old man reportedly passed away on September 12, 2023, following an injury to the back of his right arm. He received treatment and was given an injection at his Lekki residence by a nurse, and died soon after experiencing a sudden seizure. His funeral took place the next day.

After significant public reaction, the body was removed from its resting place on September 21, 2023, for a post-mortem examination as directed by the Lagos State Government.

The results from the autopsy, released on April 29, 2024, indicated that the cause of death could not be determined because the internal organs were "in a condition of moderate to severe decay."

The second autopsy was requested by the Coroner in June 2024, following the family's petition for an independent examination.

Provided by SyndiGate Media Inc.Syndigate.info).

Relevance Driven by Virality, Not Value – Terry G

Relevance Driven by Virality, Not Value – Terry G

Music performer and record label executive, Gabriel Amanyi, widely recognized as Terry G, discusses his professional journey, the challenges of celebrity status, and other topics with FAITH AJAYI.

You recently discussed relevance within the industry. What motivated that post, and what did you aim to convey to fans and other artists?

The digital revolution changed everything. The industry moved from focusing on content to emphasizing strategy. Now, being relevant often means staying in the spotlight rather than offering real value. However, I think genuine legacy lasts beyond passing fads. It's possible to be popular without being remembered. I aimed to remind people—fans and other artists alike—that true influence is more important than short-lived attention.

Reflecting on your influence—the chimes, the vigor, the music—how would you describe your legacy in the Nigerian music industry?

Terry G's impact is that of a bold pioneer and cultural game-changer who brought intense energy, creativity, and genuine street flair into the mainstream afrobeats scene. I combined uniqueness with spiritual elements. From shaking up the industry with 'Free Madness' to shaping a new generation of musicians, my sound, persona, and atmosphere are unforgettable. I didn't chase trends; I carved out a path entirely my own.

Do you believe the industry has adequately recognized individuals such as yourself who have contributed a distinctive sound and approach to the field?

No, it hasn't. The industry frequently ignores trailblazers like me who introduced a daring, courageous sound that transformed the culture. We don't always receive the acknowledgment we merit while still being active. I wasn't merely creating music; I was altering energy, transforming language, and reshaping rhythm. The blend of gospel, street, and chaos wasn't just for entertainment; it ignited a movement.

Regrettably, Nigerian music often follows trends rather than preserving and recognizing those who laid the groundwork. This represents a cultural void. Although many are reluctant to acknowledge its impact, the streets are aware, and they do not overlook it. My legacy is more powerful than silence.

What does it genuinely signify to be "relevant" in the Nigerian music scene now, and how has this concept evolved over the years?

Today's relevance extends beyond just skill or a popular song; it involves being visible, flexible, and interactive. Currently, it is controlled by algorithms. You need to constantly be present—on TikTok, on the charts, at performances, and within trends. It's all about branding.

However, in my time, relevance meant being unquestionable. You couldn't overlook me, skip my music, or silence the Terry G vibe. Our relevance wasn't determined by clicks; it was experienced on the streets, in clubs, churches, and people's souls. We set the trends.

Have you ever felt like others don't understand you or don't value you enough?

No, I don't feel misunderstood. The genuine ones always recognized the vision, even when it wasn't popular. Music has never abandoned me. It has grown alongside me. Whatever comes next won't be about blending in; it will be about remaining authentic, honest, and unique.

What would you have done differently during the height of your professional success?

I wish I had paid more attention to structure, both in my personal life and in managing my brand. Everything moved quickly. I was fully engaged in creativity and the street vibe, but I didn't put enough effort into long-term planning or the business aspect.

I also wish I had formed a more solid team sooner—individuals who genuinely grasped my vision and could assist in managing the industry's intricacies. Talent is only part of the equation. Structure, timing, and relationships are just as important. Now, I operate with greater intention and understanding.

When you had your son, you mentioned the beneficial effect it had on your life. Many people anticipated that marriage would come next. Why haven't you made that move yet?

Becoming a father transformed my life. It provided me with clarity, tranquility, and a stronger feeling of accountability. My son introduced harmony into my disorder.

Marriage is a significant responsibility, and it's not something I would enter into simply to conform to societal pressures. I am committed to doing it properly—emotionally, spiritually, and mentally. When the moment is appropriate, and all factors match, I will make that move.

Have you collaborated with any of the current top artists?

Yes, I have contacted them. Some were friendly and appreciative; they recognized my efforts and were open to the concept. Others didn't reply, and that's fine. Everyone has their own path and focus.

I remain open to working with artists who grasp the culture and aren't hesitant to take risks. My style is distinct, and not everyone will resonate with it. I'm not looking for collaborations; I'm searching for harmony.

Some individuals think that performers create or arrange conflicts to gain popularity. What's your opinion on this, taking into account your previous disputes?

There is some truth to that. In this modern era, controversy travels quicker than creativity. Certain artists utilize conflict to increase their visibility. However, my experience is different. Any conflicts I faced stemmed from genuine circumstances—misinterpretations or strong feelings. Nothing was planned. That being said, I have evolved. As you mature, you learn when to talk and when to step back. The industry relies on appearances, but lasting success comes from genuine quality. These days, I let my music and behavior do the talking.

You previously established a water production facility. Is it still operational, and what other ventures are you involved in?

The facility operated for a while and provided me with valuable insights into logistics and business operations. It is no longer in use because of structural and partnership challenges, but I don't view it as a failure; rather, it was a step in the learning process.

Currently, I am engaged in real estate, entertainment consulting, and minor import activities. I am also developing a platform aimed at supporting emerging artists through guidance and resources. My perspective has evolved from focusing on financial gain to creating structures and contributing to the culture.

What guidance would you offer to performers who are currently at the peak of their success?

Savor the attention, but keep a future perspective. Recognition is loud, yet temporary. A lasting impact is subtle, yet enduring. Make investments when you're in the spotlight. Remain humble and cultivate genuine connections.

Above all, avoid losing yourself in the pursuit of being relevant. It's positive to evolve, but only when it's genuine. Make preparations for your future while you're still in the spotlight. No one remains in power forever, and that's not a bad thing; it's just how things are.

What is a normal day in Terry G's life like?

My life has become more organized recently. I begin each day with prayer and contemplation, followed by time at the studio or attending to business discussions. It's calmer and more concentrated.

In the past, it was a mess—non-stop performances, exciting evenings, minimal rest. These days, I appreciate calm and prefer quality instead of quantity. Development isn't solely about rising higher; it's about being in sync.

Your fashion sense has always been daring and non-traditional. Has your way of living changed, or do you still maintain that same vibrant spirit?

The fundamental energy remains unchanged—bold and expressive—but has been polished. I no longer act on instinct. I am more deliberate and conscious. I still enjoy daring fashion and innovative music, but it's now structured spontaneity; not aimless frenzy.

Development does not imply altering your true self. It involves refining your core identity and applying it effectively. I continue to live with enthusiasm, but now, it is directed by a sense of direction.

What strategies do you use to keep harmony among your private life, musical pursuits, and professional endeavors?

Everything is about balance. I now separate my life into different areas. When I'm with my family, I give them my complete focus. When I'm in the studio, I am fully concentrated. For business, I change my approach entirely.

I also take time to rest and safeguard my mental well-being. Burnout is a genuine issue. You require space to breathe, or the noise will overwhelm you. Today, I function with clarity and composure.

Success arrived quickly and intensely. How did it impact your mental and emotional health?

It was intense. The stress, high hopes, and unending exposure had an impact. Everyone sought a part of Terry G, yet few attempted to comprehend Gabriel.

Emotionally, I experienced a sense of loneliness even when surrounded by people. That's the contradiction of being famous. It took time to achieve equilibrium and establish a solid network of support. I appreciate those who remained with me throughout everything.

What keeps you centered when you're not creating music?

I relax by playing video games, particularly soccer titles, Mortal Kombat, and adventure-based games. It serves as my way to unwind. I also enjoy audiobooks; they stimulate my thinking and maintain my motivation.

Occasionally, I go live on TikTok to "connect" with my followers. At other times, I take breaks, travel discreetly, or remain at home and create without any stress. Being alone helps me stay focused.

What would astonish fans the most if they could witness your true self away from the stage?

They would be surprised at how calm and reflective I have grown. People anticipate the energetic Terry G, but I am now more spiritual and structured. I laugh more, worry less, and pay closer attention.

I have become a mentor, steering emerging talents and assisting them in avoiding my previous errors. This is a side of me that fans seldom witness, yet it's a part I am confident about.

What was the inspiration behind your new track, 'Kolomala'?

It honors the African woman—her power, elegance, attractiveness, and essence. The term translates to "a stunning African woman," and that essence inspired the song.

African women embody love, passion, strength, and tradition. The song is lively and rhythmic, yet beneath its surface, it's a tribute. The atmosphere is rooted in African heritage, confident, and lively, much like the women it celebrates.

In what way does the track demonstrate your development and artistic path?

It's an ideal blend of past and present. It embodies my distinctive creativity but with improved production, more precise lyrics, and a more sophisticated approach to sound engineering.

My current focus is on equilibrium. I aim to amuse, motivate, and demonstrate that progression doesn't involve losing your intensity. It's about understanding how to manage your passion, and maintaining it over the years.

Provided by SyndiGate Media Inc.Syndigate.info).

Inspired by Jesus: Singing Love with Ric Hassani

Inspired by Jesus: Singing Love with Ric Hassani

Singer and composer, Ikechukwu Ahiauzu, also known as Ric Hassani, shares details about his professional journey and other topics with FAITH AJAYI

You've been candid about some of the challenges and difficult times you've experienced throughout your career. What helped you stay focused and driven during those quiet periods when your music wasn't receiving the attention it deserved?

I understood that I was performing to the best of my ability. I was putting everything I had into every task, so I knew it would eventually pay off. Giving your best is the only guarantee and self-assurance you can have in situations that appear to be governed by time.

Your tone has always been distinctive—gentle, heartfelt, and touching. How would you characterize the development of your music from 'Gentleman' to your most recent album, 'Lagos Lover Boy?'

My earlier creations are precisely like me. They showcase my true self. However, with this album, I aimed to produce something lively. I wanted to combine my identity with the latest trends and sounds shaping the industry right now.

What inspired that title?

I aimed to deliberately highlight the essence of Afro R&B. This album serves as a means of curating a genre that blends Afrobeat rhythms with deep emotional and melodic richness.

Several people were taken aback that you included Portable on the record. What motivated this partnership, and how was the artistic journey in merging such different styles?

Portable is an exceptionally skilled performer. I was genuinely eager to connect two distinct worlds. For me to be that individual, I had to demonstrate my ability to enter any musical environment and still produce something remarkable. I appreciate Portable's authentic energy and creativity. I believe he is genuinely talented.

You added some gospel influences to the album. How does spirituality or belief impact your personal life and the way you create music?

I am profoundly spiritual. My belief is the most significant aspect of my life. The tale of Lagos Lover Boy ends with discovering God—the supreme love—and giving oneself back to the Creator.

You've spoken out about how RnB is not given enough recognition compared to Afrobeat in Nigeria. What do you believe the Nigerian audience now comprehends about RnB that they didn't before?

I believe individuals are starting to recognize the enduring nature of this sound. The music I create is designed to stand the test of time. You can enjoy it years later, and it will still sound new. That's one of the remarkable aspects of R&B.

You have been creating music for many years prior to achieving broad recognition. What lessons did that time of being unknown impart to you?

It showed me that there was still much more for me to discover and accomplish. It encouraged me to explore further and exert greater effort to transform into the individual I had imagined.

As a judge on the music reality program, Nigerian Idol, what is it like to hold the power to shape the future of upcoming musicians?

It is a significant honor to have the opportunity to coach and mentor participants. My time within the industry has provided me with valuable insights that I am now excited to pass on to emerging talents. It is truly a privilege for me.

What characteristics do you seek in emerging musicians, and what guidance do you frequently offer to them?

I seek enthusiasm—the flame and the struggle. That profound desire to achieve. While technical abilities can be acquired with time, that internal motivation must remain constant.

You have consistently embraced openness in your songwriting. Have you ever been concerned about coming across as 'too gentle' for the Nigerian audience, who typically prefer high-energy music?

I truly only do what I am passionate about. That's the only thing that counts. As long as I can enjoy my music and be satisfied with it, then I have accomplished what I set out to do.

In a music scene that's highly focused on performance and moves quickly, how can you maintain your artistic authenticity and remain faithful to your unique style?

My creativity is a present intended for the world. Therefore, every time I have the opportunity to create, I do so completely. In this manner, the quality of the work serves as its own shield and authenticity.

Do you compose music based on your own life events, or do you share narratives you observe in the world?

It combines elements of both. Occasionally, a strong film motivates me. At other times, I write based on my own values and life experiences.

What constitutes success in your opinion?

Achieving success begins with a particular way of thinking. The reality that I am engaged in work I cherish and dedicating my full effort is, in itself, success for me. The audience can recognize this through the standard of my musical creations.

What single fact have you learned about the Nigerian music scene?

It is very energetic. You must have a clear understanding of your true self. You cannot attempt to be someone different.

What are your expectations for your upcoming album?

I hope it demonstrates to people what it means to be deliberate in pursuing excellence. I desire for listeners to genuinely feel something; not merely hear noises, but engage in an emotional experience that resonates with them on a profound level.

How have you maintained your genuine nature while keeping up with the rapidly changing industry trends?

I have concentrated on performing tasks I am most skilled at and taking pleasure in the journey. The more you embrace your strengths, the better you can regularly deliver your finest work.

What are some personal hobbies or interests you're currently discovering that fans might find unexpected?

I read extensively. I've been deeply involved in personal development recently, which has led me to study a lot. I'm also a regular gym companion; I exercise often.

Being under the public eye brings significant stress. How do you maintain your visibility while remaining authentic to who you are?

I concentrate on the things I am most skilled at. Nowadays, I have a greater sense of self-understanding. Therefore, I act with clarity and direction.

You frequently express themes of love, openness, and principles. In a society that occasionally promotes the contrary, what maintains your focus and motivates you to create from a genuine perspective?

I am a devotee of Jesus, and I ground my truth in Him. I endeavor to make Jesus the benchmark in all that I produce.

An increasing dialogue is taking place regarding mental health and self-esteem within the entertainment sector. How do you handle self-care and emotional well-being?

I truly have a documentary called 'Self-Worth'. I think it's important to focus on ourselves because all our actions come from who we are. The better we feel internally, the more we can offer. Mental health must always be a top concern.

What is your understanding of celebrity, and how do you decide what to reveal or keep private?

My goal is to remain genuine. Being authentic allows others to recognize that you are also human. I lead my life in a manner that serves as a model—starting with myself—choosing actions that I will be satisfied with in the years to come.

If you had the opportunity to work with an artist from a different genre, who would you choose and what would be the reason?

It would certainly be Beyoncé.

What is one recent fan engagement or message that reminded you of your motivation?

I once got a message from a parent who used my music for their child during a coma. The music provided comfort during that difficult time. That deeply moved me.

What do you do to relax when you're not working?

I enjoy watching numerous films.

Provided by SyndiGate Media Inc.Syndigate.info).

Eno Barony Honored as Brand Ambassador for Premium Olande Fabrics

  • Ghanaian artist Ruth Eno Adjoa Amankwah Nyame Adom, widely known as Eno Barony, has secured a new ambassadorial agreement.
  • A renowned female rapper, recognized for her awards, has been appointed as a brand representative for a leading textile production company.
  • Certain online platform users have shared their thoughts on female rapper Eno Barony's latest appearance for the photo session.

Ghanaian artist Ruth Eno Adjoa Amankwah Nyame Adom, commonly referred to in the music scene as Eno Barony, has officially been appointed as the brand representative for Verbelle Limited and their premium collection, Premium Olande Fabrics.

The acclaimed female rapper shared the thrilling update via a set of engaging posts across her different social media accounts, attracting considerable interest from her followers and the fashion industry.

Eno Barony poses in an elegant outfit

In a widely shared post, Eno Barony displayed her attractiveness while wearing a stylish long-sleeve black dress that beautifully emphasized her well-defined legs.

This photography session was her initial partnership with the company, and she displayed assurance and elegance.

Maintaining her characteristic style, she enhanced her look with a sophisticated front lace hairstyle, dramatic makeup, vibrant eyeshadow, and extended, fluttering lashes that highlighted her lively facial expressions.

To finish her appearance, Eno added gold bold earrings and coordinating, trendy rings, highlighting her sense of fashion.

View the images below:

Eno Barong supports Premium Olande Fabrics

Premium Olande Fabrics has established a strong reputation over the years as a leading textile company known for its premium, opulent materials that are highly desired in the fields of fashion, furniture, and interior decoration.

As the representative of Verbelle Limited, Eno Barony will participate in a variety of promotional efforts. This involves wearing and displaying the beautiful fabrics at different events, expos, and in advertising initiatives.

Furthermore, she will be instrumental in introducing newly designed collections, working alongside fashion stylists, designers, and tailors to enhance the prominence and attractiveness of the fabric range.

This collaboration marked a major achievement in Eno Barony's wide-ranging career, highlighting her reach beyond the music world and her substantial effect on the fashion and textile sector in Ghana.

View the images below:

The early life and education of Eno Barony

Eno Barony grew up in a supportive atmosphere under the care of her missionary parents, her father, Reverend Abraham Nyame Adom, and her mother, Mrs. Rebecca Nyame Adom.

This background fostered in her a strong love for music and religion from an early age. She started her schooling at Shallom Preparatory School, moved on to Cambridge Academy, and finally finished her Junior High School studies at Methodist J.H.S. For her senior secondary education, she went to Methodist Day Secondary School in Tema.

Excited to broaden her experiences, she later continued her higher education at Kumasi Polytechnic, where she refined her abilities and strengths.

View the images below:

Eno Barony's music career

Eno Barony's journey in music began in 2012, but it was in 2014 that she gained significant attention from audiences through her popular tracks "Wats Ma Name" and the remix of "Tonga" by Joey B featuring Sarkodie.

Her interpretation of "Tonga" gained special attention, as she was acknowledged as the first Ghanaian female rapper to surpass one million views on YouTube, signifying a major milestone in her professional journey.

Throughout the years, Eno has worked with a wide range of notable artists, such as prominent figures in the industry like Shatta Wale, Medikal, Stonebwoy, and Wendy Shay.

Her collection of songs included several standout hits, like "Juicy Me," "Daawa," "King of Queens," and "God is a Woman."

Her 2020 track "Rap Goddess" reinforced her position within the Ghanaian music scene, highlighting her skill with words and distinctive approach.

View the images below:

Awards and recognition received by Eno Barony

Over the course of her professional journey, Eno Barony has received numerous awards and honors that underscore her remarkable skill and impact within the music field.

In 2021, she broke barriers by being the first woman in rap to receive the highly esteemed "Best Rap Performance" honor at the Vodafone Ghana Music Awards (VGMA) for her impactful song "God is a Woman."

In the same year, she received the recognition of "Rapper of the Year" at the 3Music Awards, highlighting another major milestone in her career.

Her impact has gone beyond national boundaries, as she received the "Best Female Rap Act in Africa" honor at the African Muzik Magazine Awards (AFRIMMA) in 2020, solidifying her position as a powerful presence in the African music industry.


Kneecap Controversy Hits France as Saint-Cloud Cuts Support for Rock en Seine

One of France's largest and most well-liked music events takes place annually at the Domaine National de Saint-Cloud, located west of Paris, during the month of August.

Rock en Seinedraws over 150,000 attendees annually, and this year's event includes major acts such asChappell Roan, Fontaines D.C., Queens of the Stone Age and Doechii, one main act is already causing controversy.

The rap group Kneecap remains in the lineup for this year's event, which runs from August 20 to 24, and has affected the festival.

Certainly, Rock en Seine has unexpectedly faced a budget reduction of €40,000 – a choice made by the Saint-Cloud municipal council due to the inclusion of the Northern Irish band.

Scheduled for Sunday, August 24, the Kneecap are recognized for theirsupport for the Palestinian movement through voiceand has faced the British legal system over what the band described as a "trumped up terrorism charge”.  

One of the group's members, Liam Óg Ó hAnnaidh, is charged withshowing a flag in support of the banned group Hezbollahat a London concert last year. He wasreleased on unconditional bailfollowing the hearing at Westminster Magistrates' Court in London last month.

Their controversial Glastonbury set, along with Bob Vylan’s, hasserious issues in the UK.  

The mayor of Saint-Cloud, Éric Berdoati, cast a vote to revoke the funding, stating: "We support cultural projects, not political ones. When they no longer align with our goals, we cease financial support."

Nevertheless, Rock en Seine has chosen not to be deterred by any political influence and has kept the Kneecap performance.

When we coded them last autumn, they weren't the center of attention, except forgood reasons," says festival director Mathieu Ducos, who emphasizes the importance of keeping positive ties with the town of Saint-Cloud.

"I hope the history we've managed to create and combine doesn't conclude with this conflict and our perspective on this group," Ducos adds.

The €40,000 from Saint-Cloud is unlikely to significantly impact the budget, since Rock en Seine's budget for this year has been reported at approximately €17 million, with 3% coming from grants.

The exclusion, a first for the festival since it began in 2003, followed Valérie Pécresse, head of the Île-de-France region, expressing on X in May that Kneecap "should be removed from existing French music festivals" due to ongoing legal cases in the UK.

On the other hand, French politician Xavier Brunschvicg (Parti Radcal de Gauche) stated that Kneecap's behavior and statements were primarily due to the Northern Irish group "taking a stance against the events occurring in Gaza."

From his perspective, Éric Berdoati was "yielding to a social pressure from his most conservative supporters."

Several musicians have shown support for Kneecap, such as Brian Eno, Fontaines D.C., and Pulp. Theysigned an open letterdenouncing a "clear, coordinated effort to suppress and eventually remove" Kneecap and standing against "the political suppression of creative expression."

The message states: "As creators, we believe it is necessary to express our dissent against any political suppression of artistic liberty."

In a democratic system, no political leaders or parties should be allowed to decide who can and cannot perform at music festivals or events that attract thousands of attendees.

The Rock en Seine festival will be held at Domaine National de Saint-Cloud from August 20 to August 24, 2025.

Show! Music Core in Japan, Veruna Dome Dominated by Unmatched Lineup

MBC's "Show! Music Center in JAPAN" brought excitement to the Japanese archipelago this summer.

On July 5th and 6th, 2025, the "Show at the Beruna Dome in Japan! Music Center in JAPAN" event was successfully held. The performance, themed PLAYFUL SUMMER!, once again demonstrated the significant local popularity of K-POP.

The Veruna Dome was already sweltering before the performance began. As the 3MCs took the stage, the enthusiastic cheers from the crowd echoed throughout the entire dome. The longest-serving MC, SHINee Minho, along with 'Show! ZEROBASEONE Kim Kyu-bin and Hearts2Hearts Ana, who have consistently demonstrated strong performance on Music Center', came together as three MCs to deliver their opening statements. The ultimate K-pop festival of the summer was beautifully held, perfectly aligning with the theme of 'PLAYFUL SUMMER!'. This year, it featured special stages that could only be witnessed in "Music Core in JAPAN", starting from the first release of a legendary new song to a global mega hit.

▶ From representatives of the 5th generation to global superstars! the ultimate lineup collection

The first day of July 5 kicked off the festival with a refreshing performance by global newcomers Hearts2Hearts, who are already gaining attention since their debut. KiiiKiii, who is very popular in Japan, then delivered an energetic stage.

NEXZ, emerging as a promising performer, has enhanced the ambiance at the event, while Izna captivated audiences with her refined performance and youthful appeal. ZEROBASEONE, a leading act of the 5th generation, intensified the excitement on the first day with an energetic show.

The global top girl group IVE continued to win over the audience, while TREASURE, which has charmed fans worldwide including in Japan, demonstrated its international appeal. TAEMIN, a solo artist known for his exceptional performances, showcased his remarkable stage presence and added grandeur to the first day of the event.

The second day (July 6) started with a beautiful stage performance by ILLIT, who has strong backing from the Gen Z fanbase. n. is broadening its international reach. SSign delivered an original performance.

The stage of NCT WISH, which recently achieved its career peak and gained widespread popularity, attracted significant attention, while the representative icon of Japan's Generation Z, INI, impressed local fans. Charismatic idol group NiziU, which is gaining global recognition, delivered an outstanding performance.

THE BOYZ, gaining global attention from K-pop enthusiasts, delivered an impressive sword dance, while girl group aespa, enjoying widespread popularity, showcased its remarkable presence. TOMORROW X TOGETHER, closing the grand finale, concluded the second day of performances with a flawless stage that reflected their status as a global superstar.

▶ Enhance the varied K-pop festival with an impressive special stage

This year, the standout aspect of "Music Core in JAPAN" was the legendary special stage. Emerging talents mesmerized international fans with performances that reimagined the iconic stage according to the theme of "PLAYFUL SUMMER!".

NEXT's 'LOVE ME RIGHT (Original song: EXO)', Izna's 'Forever Young (Original song: BLACKPINK)', Hearts2Hearts' 'Gee (Original song: Girls' Generation)', and n.Each team, including SSign's 'Son Goku (Original Song: SEVENTEEN)' and NCT WISH's 'Miracle', created lasting memories for local fans by showcasing their own outstanding performances. Especially on the lively NCT WISH's 'Miracle' stage, the members organized an activity where they gave signed balls to fans, generating a strong reaction from the audience present.

The two-day final concluded with the entire cast gathering on EXO's 'Peter Pan' stage to enhance the atmosphere of unity. Amidst continuous cheers and heartfelt declarations from the audience, all performers united to create an emotional conclusion, marking the end of the grand finale of 'PLAYFUL SUMMER!' and reaffirming the worldwide popularity of K-POP.

The top music festival of this summer captivated K-pop fans globally! "Music Center in JAPAN" will be broadcast at 8:40 p.m. on July 25 (Friday) and August 1 (Friday).

rightlight@Daily News

  • Ahn Jung-hwan's child, Lee Hye-won, is doing great; I have sent my daughter to Seoul National University. Who does she resemble?
  • Cho Sung-mo was found dead following his disappearance, "victim of a hit-and-run accident"
  • Lee Ji-soo feels distressed by the family's request for an autopsy of their deceased loved one, who passed away at home during early morning hours.
  • 3 Billion Debt Bankruptcy: Yoon Jeong-soo Sold 200 Million Houses per pyeong...My former wife Kim Sook also wept. [SC Review]
  • Song Chang-sik revealed that two of his three children were adopted, and he had an unadopted child.
  • Lee Jae-gyun was arrested by the police. Was he the one responsible for killing Lee Si-young's best friend?
  • Does this make sense? You just got married Liverpool ★ Jota's passing, Ronaldo and Klopp, the entire world is in shock and grief.

Edtech Insights: Kwame Nyatuame on Coding in Schools and the Digital Economy

Edtech Insights: Kwame Nyatuame on Coding in Schools and the Digital Economy

It's a Thursday morning at a modest public school in Ho. A group of JHS students gather eagerly around one laptop.

They aren't just having fun—they're creating basic code that causes a cat to move on the screen using Scratch, a graphical programming platform designed for newcomers. The laughter is noticeable, but even more prominent is the sound of the future resonating within that small classroom.

That's the significance of incorporating coding education in schools—it goes beyond merely producing software engineers. It's about equipping young individuals to comprehend, influence, and succeed in a digital-first economy that is already present. In this piece, we examine what coding in schools truly signifies for Ghana's growth, why it has become more crucial than ever, and how we can implement it effectively.

Why coding? Why now?

Coding is frequently referred to as the "literacy of the future." However, let's examine it closely. Similar to how learning to read enables us to comprehend our surroundings, learning to code empowers us to build and shape the digital world. We reside in a society driven by technology.

From the applications used to order meals, to the systems that handle banking, elections, and our medical records, software is quietly controlling everything. Those who can comprehend and develop this software are not just employees—they are designers of tomorrow. Therefore, when we educate children on programming, we are doing more than just filling their minds with code. We are helping them learn to think in a structured way, tackle challenges, and come up with solutions for themselves and their neighborhoods.

The rising enthusiasm for programming in Ghana

It's true that Ghana is beginning to recognize this situation. In 2019, the Ministry of Education launched the Coding for Kids initiative, teaching fundamental programming abilities in certain public schools. By 2024, more than 250 primary schools in the Greater Accra and Ashanti regions have incorporated coding into their ICT syllabus—with intentions to extend it nationwide.

Several prominent Ghanaian Edtech projects in this area are:

  • Ghana Code Club –Established by Ernestina Appiah, this non-profit organization has exposed more than 20,000 children to programming through engaging, interactive approaches such as Scratch and Python.
  • Soronko Academy –The first coding and human-centered design institution for girls in Africa, established by Regina Honu. Soronko has equipped thousands of girls from marginalized communities with coding skills and the ambition to achieve great things.
  • Young and Heart Ghana –Via their Learning Lions initiative, they employ storytelling and game-based technological education to introduce children to digital abilities, such as fundamental programming concepts.

These efforts go beyond instructing in programming—they are transforming people's lives.

The African setting – A significant chance, an even greater duty

Throughout the continent, significant efforts are being made. Rwanda introduced coding as a required subject in schools in 2019. South Africa implemented a comprehensive coding curriculum for Grades R–9 in 2023. Kenya and Nigeria have put substantial resources into training teachers for digital skills education. According to a World Economic Forum report (2023), Africa's digital economy could reach US$712 billion by 2050—but only if we develop a workforce skilled in digital technologies. In Ghana, the Ghana Statistical Service and UNICEF note that fewer than 30 percent of basic school teachers feel confident incorporating digital tools into their teaching. This is a gap that needs to be addressed urgently.

The actual impact of programming on national development

Let’s bring this home.

Programming goes beyond creating applications. It's about developing mindsets—those essential for crafting a Ghana that we can all be proud of:

  • Young individuals equipped with the skills to leverage technology for addressing challenges within their local areas.
  • Skilled individuals capable of securing positions within Ghana's technology sector—or launching their own ventures.
  • Bold visionaries who don't merely use technology but develop it.
  • Innovators who create with compassion, keeping their community at heart.
  • Patriotic individuals who recognize that Ghana's future will be shaped not through assistance, but through innovative thoughts.

Picture young individuals developing waste management solutions through IoT, farmers utilizing AI-driven applications crafted by local programmers, or students designing platforms to aid learning in their mother tongues. This is the Ghana we need to code into reality.

But… Are we ready?

Certainly, there are difficulties.

  • Infrastructure: Numerous rural schools do not have access to computers or consistent power, let alone Wi-Fi.
  • Teacher Development: Many educators find programming challenging. Without adequate instruction, implementation may face delays.
  • Educational Structure: The present learning system continues to emphasize memorization, rather than fostering innovative thinking.

However, none of these difficulties are impossible to overcome. Through targeted investments, effective collaborations, and strong political commitment, Ghana has the potential to serve as an example of inclusive, technology-based education across Africa.

What steps can be taken?

  1. National programming curriculum – Ghana should officially integrate coding at the primary school level and develop a structured, culturally appropriate program.
  2. Support professional development for teachers – Provide our education professionals not only with technology, but also with self-assurance. A teacher proficient in digital skills plays a key role in shaping a country's future.
  3. Back local Edtech ventures – indigenous platforms have the deepest understanding of the Ghanaian environment. Let's invest in and expand them.
  4. Make programming enjoyable and relevant – Employ narratives, game elements, and practical projects that resonate with students' experiences – such as developing an app to report broken water wells or monitor market costs.
  5. Focus on girls and marginalized groups – fairness should be the core principle. Digital skills should not turn into a means that increases social inequalities.

Last reflections – Beyond a talent, a super ability

Frequently, we discuss the importance of expanding Ghana's economy beyond gold and cocoa. However, the most significant asset we possess is not found in the ground. It resides within the minds of our students. If we can educate them to code—encourage critical thinking, construction, learning from failure, perseverance, and innovation—we are not merely imparting a professional skill. We are bestowing upon them a remarkable ability.

A capability to envision. To address challenges. To create. And above all, to dream and bring forth a more improved, courageous Ghana. Let's incorporate this into our nation's narrative—one line of code at a time.

>>>Next in the Series: ‘Working Beyond Borders – How Pan-African Edtech Collaborations Can Create Wide-Ranging Effects’

Sources:

  • World Economic Forum Africa Digital Economy Report (2023)
  • Ghana Statistical Service and UNICEF Ghana Digital Skills Report (2024)
  • Kids' Coding Pilot Program Report – Ministry of Education, Ghana
  • Soronko Academy Annual Impact Report (2023)
  • Ghana Code Club Data (2023)

>>>the author is an edtech enthusiast, writer, and president of the ghana edtech alliance. he is dedicated to leveraging storytelling to highlight the impact of educational technology in changing lives throughout africa. he can be contacted throughghanaedtechalliance@gmail.com

Provided by SyndiGate Media Inc. (Syndigate.info).