KALKI's Most Audacious Chapter Yet Features Raja Kumari

HT SyndicationMumbai (Maharashtra) [India], July 11: When KALKI, a cherished luxury fashion brand in India, partnered with global music icon and bold style influencer Raja Kumari, it was more than just creating a limited collection — it was about making an impact. The KALKI x Raja Kumari collaboration represents a movement that redefines couture by embracing inclusivity, tradition, and dazzling glamour. Launching on the 11th of July, this dynamic alliance extends beyond fashion into music and messaging. For the collection, Raja Kumari has crafted a special version of her original song, LA INDIA —Spotify LinkA musical homage to origin, identity, and worldwide pride. The song has been reinterpreted specifically for the KALKI x Raja Kumari partnership, embedding the collection's essence into each rhythm. LA INDIA is a powerful anthem of being "Made in India" and created for the globe, with lyrics that state, "No matter where I'm from, they'll always know I'm Made in India." The message strongly aligns with the capsule's central themes - a tribute to cultural heritage, a bold, globally oriented identity, andauthentic storytellingthat celebrates every form, every being, and every woman. Raja Kumari has also shot aspecial music videoin partnership with KALKI, where she is seen wearing items from her jointly designed collection with KALKI. Developed from a common goal to establish a space where everyone feels at home, this capsule collection reinterprets Indian luxury fashion with a daring, contemporary, and fearless perspective. Raja Kumari, Grammy-nominated rapper, cultural innovator, and symbol of self-expression, takes on the role of co-creator, not just a muse. She introduces her own unique touch toglobal desi aesthetic, her signature fire, and her unwavering conviction that fashion should honor you in your entirety. Together, KALKI and Raja Kumari unveil a capsule collection that connects centuries of Indian craftsmanship with the bold spirit of global runways. The shapes are powerful yet graceful, including corseted gowns with striking drapes, fusion saris enhanced by capes and unique cuts, and lehengas that embrace defiance. This collection celebrates visibility from its core, for the woman who has always been the inspiration but never the standard size. Each design begins with body inclusivity as a fundamental principle—never an afterthought or a mere checkbox, but the very base. From structured velvets to flowing satins, from high-slit gowns to sheer overlays that move like a second skin, every piece is crafted to inspire confidence, whether you're on stage, at a sangeet, or simply embracing your presence.Visually, the collection captivates with rich jewel tones like oxblood, berry, and wine, symbolizing mystery and luxury. Earthy neutrals and gentle blush shades balance the more dramatic forms, while glimpses of platinum and gold add a modern shine. Signature features such as thigh-high slits, bold sleeves, sculpted drapes, and adorned bodices make it instantly ready for the red carpet. It clearly conveys that you don't need to compromise to fit into high fashion, but rather, high fashion should elevate to meet you.

Yet beneath the outlines and sparkle lies something more significant: purpose. Each thread, cut, and shape was crafted to embody women in their entirety—culturally, emotionally, and physically. And in an industry that has long been shaped by ideals that felt unattainable, the KALKI x Raja Kumari collection offers a courageous alternative—fashion that fits, enhances, and liberates. The capsule collection's price range is from INR 40,000 to INR 70,000 and can be purchased online at kalkifashion.com and at KALKI's flagship stores. The brand's choice to set the same price for every piece, regardless of size, further distinguishes it because self-expression should never have a cost. Speaking about the collection, Raja Kumari says, "This collection is a tribute to identity, strength, and heritage. We've created something for the protagonists, the rebels, the glamorous goddesses. This is Desi luxury with a global reach. I hope every woman who wears these pieces feels acknowledged, appreciated, and unstoppable." KALKI's design team also supports this view, stating, "Working with Raja Kumari, we were reimagining what luxury could feel like. This collection challenges norms while respecting our origins. It's tradition with flair, couture with a pulse." In a world seeking more pronounced individuality, deeper inclusivity, and bold beauty, KALKI x Raja Kumari changes the narrative completely. This isn't just a capsule collection. It's a cultural statement. Now available online and in stores—explore the collection and follow our social media for more updates and exclusive glimpses. ABOUT KALKI KALKI is a high-end Indian fashion label that skillfully blends traditional craftsmanship with modern style. Based in Mumbai, the brand focuses on bridal couture, event wear, and Indo-western outfits, known for detailed hand embroidery, rich fabrics, and elegant designs. With an expanding retail network across India and international pop-ups, KALKI serves a worldwide audience looking for contemporary takes on heritage fashion. (ADVERTORIAL DISCLAIMER: The above press release has been provided byHT Syndication. ANI will not be held responsible for the content in any manner)

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The 12-Year-Old Ghanaian Gospel Prodigy Shaping a New Sound

Once Upon a Song…In a peaceful part of Ghana, where most 12-year-olds are focused on learning their multiplication tables or discovering the latest TikTok dance, Emily Adade Boateng is making a significant impact—she's creating history through music. While other children sing along to their favorite gospel songs, Emily is writing them. And not just any songs—tracks that carry meaning, clarity, spiritual depth, and a voice so mature, you'd think it belongs to someone three times her age.But this isn't a fantasy. Emily's journey is genuine. And much like the finest gospel songs, it starts with humility, builds in harmony, and ends in triumph.The Breakthrough That Changed EverythingAt only 11 years old, Emily released her first album,King of Glory—and no, it wasn't a single-song phenomenon put together with children's songs. This was an eight-track spiritual expression, rich with respectful worship and bold declarations of belief. Titles such as“Praise the Lord,” “I Love the Lord,” “Strong Fortress,” and “Ride in Victory”(featuring gospel singer KDM) not only impressed; they motivated. Audiences found it hard to believe that such powerful lyrics originated from such a young girl. And when she collaborated with her brother Ablin Adade on“Thankful Heart,”The outcome was a wonderful mix of family, faith, and jazz—a unique and uplifting blend. Emily wasn't merely singing to sound skilled. She was singing to convey a message. And Ghana paid attention.Then Came the AnthemAt the moment the spotlight began to shine on her, Emily directed it outward—with a statement for her nation.During the 2024 political campaign, as conflicts arose and views diverged, Emily released“Ghana for Peace”—a powerful, soul-soothing anthem urging the nation towards unity and direction. The track, which includes gospel icon Selina Boateng and is produced by talented Jakebeatz, wasn't meant to become a viral sensation. It was created to mend and restore. And it did just that. Pastors delivered sermons using it. Broadcasters aired it. Families distributed it. Even within the halls of Parliament, the name Emily Adade Boateng started to be heard—no longer as a trendy term, but as a form of blessing. Aseda & A Star Rising Then came“Aseda”, a joyful Thanksgiving collaboration with none other than Joyce Blessing—one of Ghana's most renowned gospel artists. The duet, filled with gratitude and elegance, marks a magnificent moment of passing the torch: one generation endorsing the next, one anointing confirming another. And let's be clear—this was not charity. Emily's involvement in the song was not a gimmick. It was well-deserved. Two Singles, One Message As if that weren't enough, Emily started 2025 with great acclaim through two impactful singles:“Fakye” and “Yen Boafo”—both released in January. Whether it's asking for forgiveness or declaring Christ as our Supporter, Emily's poetic depth and spiritual awareness are unmatched. These weren't just practice songs. They were an introduction to a greater mission.Miracle Working God — A Full Gospel FeastThen came June 21st, when Emily once again set a higher standard with her second album, "Miracle Working God". This 9-track project demonstrates that she is not only reliable—she'sprolific. This latest release has increased her total number of songs in a single year to an incredible 25. Let that register: Twenty-five energetic tracks—written, performed, and presented by a 12-year-old. That's not a typical rate of work. That's a vocation. Why Emily's Music Matters Emily Adade Boateng isn't just a talented child; she's a blessing to gospel music.

• Adaptable with Insight: From songs filled with admiration to socially aware hymns and heartfelt worship tunes, Emily explores various styles and emotions. She doesn't copy. She innovates.
• Unusual Partnerships for Her Age: Collaborating with gospel icons such as Selina Boateng and Joyce Blessing before reaching her teenage years? That's not by chance. That's divine favor combining with skill.
• Mission Beyond Fame: While others follow fads, Emily seeks authenticity.“Ghana for Peace”wasn't merely a song. It was a divine intervention.

The Present, Not Only the Future It's easy to label Emily as "the future of gospel music"—but that would be underestimating her. She is already here. Already making an impact on stages. Already influencing discussions. Already composing songs that move grown men to tears and that church choirs hold dear. In her sneakers and school uniform, with a notebook filled with lyrics and a heart full of devotion, Emily Adade Boateng is reminding us all: the Holy Spirit doesn't wait for a specific age to speak. And when God gives you a microphone, you sing.

So here’s your invitation:

Turn up the volume.

Lean in.

Allow her voice to encircle your spirit.

Since this 12-year-old is not merely reinterpreting gospel songs—

She’s rewriting hearts.

Provided by SyndiGate Media Inc. (Syndigate.info).

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A Fighter for the Forgotten - Natalia Kanem's UN Legacy

As Natalia Kanem looks back on her eight years leading the UN's reproductive health organization, she doesn't start with worldwide figures, corporate achievements, or even recollections of her trips to refugee settlements.

She keeps coming back, again and again, to one specific picture: a ten-year-old girl—on the threshold of adolescence, her future unclear, and her rights still facing serious uncertainty.

Will she manage to remain in school, graduate, and navigate life successfully?" Dr. Kanem ponders. "Or will she face obstacles such as early marriage, female genital mutilation, or extreme poverty?

That critical issue and that young girl—not a specific child, but a symbol of the millions around the globe whose future is in danger—have emerged as the central focus of Dr. Kanem's nearly eight-year leadership.Executive Directorof the UN's agency focused on sexual and reproductive health, officially named theUN Population Fund (UNFPA).

Starting from her initial work on the frontlines in East Africa, to leading a $1.7 billion organization operating in over 150 countries, Dr. Kanem has guided UNFPA through worldwide changes, political challenges, and ideological resistance.

Above all, she has ignited a powerful transformation in the lives of countless women and girls.

This month, she is resigning from her position earlier than planned. "It's time to hand over the responsibility," the 70-year-old said to her staff—a team of 5,000 employees—in a recorded message earlier this year. "I have committed to doing everything within my power to ensure UNFPA remains capable of achieving remarkable accomplishments."

Roots and ascent

A native of Panama, Dr. Kanem pursued a career as a medical doctor before joining UNFPA in 2014 following a background in philanthropy. Choosing to contribute to "the noble mission of the United Nations," she initially traveled to East Africa and Tanzania, where she was deeply moved by the quiet dedication of local workers. "It's truly at the national level that we demonstrate our value," she mentioned to UN News.

However, the role was not simple. In 2017, when she assumed leadership of the agency, Dr. Kanem took over an organization facing declining visibility, uncertain financial support, and ongoing resistance from conservative perspectives. Despite these challenges, UNFPA expanded—not only in terms of funding but also in influence.

When I arrived, the story was, 'We're a small organization, struggling, and no one comprehends what we do,"' she mentioned. "Now, I believe it's more evident.

That lucidity emerged, in part, from what Dr. Kanem refers to as "thought leadership."

Whether addressing false beliefs about fertility or tackling technology-fueled gender-based violence, she brought UNFPA to the forefront of global conversations. "We operate in a marketplace of ideas," she said. "And we must present the truth in a manner that is persuasive enough to attract the support this movement needs."

With her guidance, the organization educated hundreds of thousands of midwives, provided billions of contraceptive supplies, and broadened aid efforts to support women and girls in the most vulnerable areas — including the Rohingya refugee camps in Cox's Bazar, Bangladesh, war-affected Ukraine, and Haiti, which faced a cholera outbreak.

The involvement of UNFPA in areas affected by crises was both practical and meaningful. In regions like Sudan, Syria, and Gaza, a basic tent containing menstrual products, a blanket, and a bar of soap could offer a safe space. "It symbolizes the break that a woman requires during a crisis," she explained. "We refer to our kits as 'dignity kits' for this very reason."

Shifting the conversation

In addition to providing services, Dr. Kanem enhanced UNFPA's position as a leading voice in a divided world. She guided the organization into challenging public discussions—on teenage pregnancy, climate stress, birth rates, and cyberbullying—with a firm commitment to rights.

The 10-year-old girl is present," she said. "What her parents, religious leaders, and community believe is crucial for her to be adequately prepared, for her to understand how to respond when faced with coercive practices.

This leadership reached into data. Under Dr. Kanem, UNFPA made significant investments in supporting national efforts.censuses and building dashboardsto assist legislators in developing reproductive health policy through immediate data.

This year's State of World Populationthe report, the agency's yearly analysis of demographic patterns, challenged typical stories about "population decline" - highlighting that many women and men postpone having children not due to beliefs, but because they cannot afford to support them.

Dr. Kanem commended the selflessness of young individuals who claim they are deciding against having children due to concerns about exacerbating the climate crisis. However, this is not supported by the data.

The global replacement fertility rate is not threatening the environment," she stated. "The data clearly shows: you can have as many children as your financial situation allows.

A principle-driven guide during challenging periods

Dr. Kanem's time in office overlapped with increasing challenges to reproductive rights, rising nationalistic sentiments, and a growing distrust of global institutions. She encountered prolonged reductions in U.S. financial support—under the present administration as well—even as the need for UNFPA's assistance increased.

UNFPA has more funds than we've ever had," she remarked. "But it's never going to be sufficient to halt the rising demand.

Merely having resources will not guarantee the agency's future - credibility and perseverance are equally important. "The multilateral system has been called into question at a moment when it is more essential than ever," she cautioned. "We must constantly demonstrate our value. And when we make errors, we need to rise again, correct them, and seek out allies who will stand with us."

One such collaboration has involved the private sector. In 2023, UNFPA partnered with technology companies tolaunchA results-based financing initiative in Kenya, providing mobile-focused sexual health services to reduce teenage pregnancy and new HIV infections among young females.

Changing mindsets

The UNFPA has been actively working to put an end to harmful traditions like female genital mutilation (FGM) and early marriages. With Dr. Kanem's leadership, this effort has focused not only on altering legal frameworks but also on transforming societal attitudes.

Yes, definitely," she replied when questioned about the authenticity of progress. "It has been crucial to witness religious and traditional leaders opposing specific practices... and to collaborate with educational institutions so that the girls can recognize the dangers and make more informed choices regarding their future.

The _HREF=https://www.un.org/coronavirus">COVID-19 outbreak, she acknowledged, posed a challenge. As schools were shut down, certain communities saw a rise in the number of weddings and FGM rituals. However, in numerous nations—such as Indonesia, which has a large population—UNFPA has observed a decrease in the practice, partly due to young advocates raising their voices within their own communities.

New generation, next chapter

Looking forward, Dr. Kanem did not focus on uncertainty. Instead, she emphasized potential. "We have redefined ourselves, updated ourselves," she stated. "There is truly limitless potential for UNFPA."

Her future holds what she refers to as a "short break" - additional time dedicated to music, her family, and, ultimately, her own well-being. However, she won't remain quiet for long. "I am aware that my dedication to matters concerning women and girls will not fade," she stated. "It has been a labor of love."

Her last reflection? A final return to the girl at the heart of everything.

When that 10-year-old girl achieves success, everyone shares in it," she remarked. "It creates a better world.

Copyright 2025 United Nations News Service. All rights reserved. Distributed by AllAfrica Global Media (Daily News).

Tagged: International Organizations and Africa, Refugees and Displacement, Africa, Women and Gender, External Relations, Conflict, Peace and Security

Provided by SyndiGate Media Inc.Syndigate.info).

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Music Streaming Platform Meets AI Band at Velvet Sundown – Fear Realized

photo source=Instagram

A unknown independent band has recently made an impact in the pop music scene, grabbing attention.

An independent band called 'The Velvet Sundown' has sparked debate after unexpectedly appearing on the music streaming service Spotify. The group started releasing tracks a few weeks back, and its monthly listenership has now reached over 900,000. Their standout track is 'Dust on the Wind'.

It has launched two full-length albums within a month, and is set to debut its third one in the middle of this month.

As reported by the BBC and other international media, their reality remains unclear. None of the four recognized members of the band have ever granted interviews to the press, nor do they have personal social media profiles or recorded live performances. Because of this, questions arise about whether the band and their music were developed using artificial intelligence (AI).

The group refuted the AI-generated content hypothesis via its official social media platforms, yet remained silent when approached by outlets like the BBC for interviews.

It was the report from the American music publication 'Rollingstone' that further complicated the situation.

As reported by the outlet, "Andrew Frelon, who claims to be the band's representative, stated that 'Velvet Sundown's music was produced using the AI platform 'Suno'.'" Nevertheless, shortly after, Rolling Stone revealed that the individual was, in fact, a fabricated persona designed to mislead the media.

Even on the band's Spotify page, the statement "The person and we are irrelevant, and there is no evidence to prove his existence" was published.

Velvet Sundown's song is an indie ballad featuring male vocals and guitar, with lyrics that are somewhat hard to decipher, making it challenging to determine if it was written by a human or generated by AI.

Due to the application of its AI detection system, the French music streaming platform 'Deaser' concluded that the music from Velvet Sundown is '100% AI-generated'. Nevertheless, Spotify has not issued an official response yet.

Dispute over AI-generated music remains ongoing.

Artists from different parts of the globe are worried about the issue of using their audio materials without permission for artificial intelligence training.

Numerous musicians, including Elton John and Dua Lipa, have urged the UK authorities to implement regulations regarding AI-related intellectual property rights, yet their appeals have gone unheeded.

A group dedicated to protecting artists' rights stated, "This is exactly the scenario that artists have been worried about." AI firms are appropriating artists' creations, developing items based on them, and subsequently flooding the market with comparable products, thereby taking away earnings from genuine human creators," he criticized.

bellho@Daily News

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Country Star Conner Smith Faces Charges After Fatal Crash

Country musician Conner Smith has faced official charges following an incident where he struck and caused the death of an older woman with his vehicle.

Last Sunday evening, 77-year-old Dorothy Dobbins was walking her dog in Nashville, Tennessee, when Smith is said to have not yielded at a crosswalk in his Chevrolet Silverado pickup truck.

Following the incident, just after 7:30pm, Dobbins was transported to Vanderbilt University Medical Center.

Smith, 24, recognized for his work on "Creek Will Rise" and "Steal My Thunder," was at the location, and authorities stated he "exhibited no indications of being under the influence."

Law enforcement officials stated earlier that an inquiry was "in progress," but it has now been verified that Smith has faced charges for a Class A misdemeanor.

As per a statement issued by the Daily Newspolitan Nashville Police Department today, Smith's official charge is Failure to Yield the Right of Way Leading to Death.

He is required to come for processing on August 7 following a misdemeanor state citation.

As Smith has been accused of a misdemeanor instead of a felony, it suggests he could face a smaller penalty or a shorter period in jail.

Smith's legal representative, Worrick G. Robinson IV, statedTMZConner is deeply thankful to the MNPD for the time and work they put into thoroughly examining this heartbreaking incident and has remained cooperative throughout.

His mind is with Ms. Dobbins' family, and he continues to be dedicated to respecting her memory through kindness by aiding initiatives aimed at enhancing pedestrian safety and preventing further incidents.

Smith also shared a message on Instagram: 'Four weeks ago, I was part of a severe car accident that led to a fatality. Every day since, I have felt sorrow, offered prayers, and mourned for Ms. Dobbins and her family.

My heart is shattered in a way I have never felt before, and I still find it difficult to fully understand the magnitude of it all. I request that you keep praying for the Dobbins family by name, asking God for His peace to envelop them every day.

He added, "In consideration of everyone concerned and to allow room for mourning, I chose to withdraw from performances over the last few weeks. I have always viewed creating music and performing as a source of comfort for me, but at this time, it was essential for me to take a break."

I'm grateful to serve a God who is close to those with broken hearts, and I have relied on Him throughout every stage of my journey," Smith said. "In the face of tragedy, I've discovered that God is more faithful than I could have ever imagined.

Last month, Smith's legal representatives verified toPeoplethat the singer was "involved in a car crash that sadly resulted in a death," once more reflecting his regret.

A statement read, 'His heart is with Ms. Dobbins' family during this very challenging period.' 'Mr. Smith remains fully cooperative with the continuing inquiry.

Smith is a country music performer who was born and brought up in the city, currently residing with his surfer spouse, Leah Thompson, whom he wed last April.

He initially gained recognition in 2021 after his track "I Hate Alabama" became popular on TikTok, which resulted in him joining Big Machine Records, the previous label of Taylor Swift.

The musician achieved great success with his track "Creek Will Rise," which came out in 2023 and has accumulated more than 62 million plays on Spotify.

His first solo studio album came out in January 2024 and was called Smoky Mountains. Following the album's release, his single Creek Will Rise reached number one on the UK Country Airplay chart for the first time ever.

Smith has performed alongside Luke Bryan and contributed to the Twisters soundtrack with his track "Country in the Clouds," which he co-wrote with Dylan Marlowe.

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Outsiders Target Daniel Regha as Burna Boy's New Album Sparks Controversy

• Daniel Regha claimed that Burna Boy's latest album is lacking in depth and would only achieve sales success due to his fame.
• The reviewer maintained that the international elements in the project contributed nothing, claiming they seemed artificial and failed to integrate well.
• He criticized the singer for promoting harmful substances and overlooking music with a meaningful message in the project.

A controversial critic named Daniel Regha has once again lived up to his image as Nigeria's most fearless reviewer, and this time, he's directed his attention towards Grammy-winning star Burna Boy.

Burna Boy released his new album, called No Sign of Weakness, on Friday, July 11, 2025.

As fans continued to process the collection of work and industry peers praised the project, Regha released an unfiltered review that has sparked significant discussion within music communities.

Posting on his verified X (formerly Twitter) account, Regha gave the album a low rating of 2/10, claiming it was Burna Boy's least impressive work to date.

The album doesn't have a chart-topping track, only chaos – Regha

In his thorough critique, Regha, who has recently been captured in handcuffs, criticized the album's audio, guest appearances, and poetic elements, asserting that Burna Boy utilized the project primarily to elevate his own image rather than to produce meaningful music.

He wrote:

The record lacks a chart-topping track or notable collaboration, features weak wordplay, and is essentially an album of self-praise,

He commended a single track, Born Winner, describing it as the sole worthwhile contribution in the 12-track album.

He stated that the chorus in "Change Your Mind" with Shaboozey was poorly recorded, noting that the vocals were overshadowed by the music.

The critic was unreserved in discussing Burna's high-profile collaborations as well.

He referred to working with Travis Scott as a missed chance and mentioned that the track featuring Mick Jagger, "Empty Chairs," would have been stronger without the rock icon, as the rock elements didn't integrate well.

On 28 Grams, Regha criticized Burna Boy for encouraging drug use, pointing out that the lyrics made illegal drugs seem attractive. To him, this song was not only unenjoyable but also harmful in its message.

See Regha's post here:

Fans of Burna Boy have differing opinions on Regha's score

Daily News.ng gathered the responses from social media users below:

@iam_kelvinreal:

Daniel Regha will soon collect o. How do you rate Burna 2/10 with all those collaborations? Be serious, please.

@princess_opeyemi:

Let's be honest, not every Burna album is great. This one doesn't really hit like that, you know.

@obinna_fire:

Regha expressed what some individuals are considering but lack the courage to voice. It's not his strongest piece by any means.

@yusuf_vibes:

This guy is always seeking attention. The album hasn't even been released, and you're already giving a rating.

@tofunmi_bae:

Only 'Born Winner' makes sense? You must be kidding. 'Change Your Mind' is playing on loop here

Daniel Regha gives a poor rating to Davido's album

Daily News.ngPreviously reported in April that Daniel Regha shared a review of Davido's fifth studio album, 5ive, on X.

The commentator, who was born in Lagos, didn't hold back, criticizing the album for what he considered weak lyrics and unoriginal partnerships.

He highlighted tracks such as “With You” featuring Omah Lay as a missed chance and noted “10 Kilo” for employing the word “Orọbọ,” which he claimed mocked certain body types. Regha also criticized Davido's use of wordplay, pointing to examples like “Wheel-barrow” and “Toy-toy-toy” as signs of poor writing.

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Mohbad: Nurse Trial Ordered, Police Faulted in Death Case

The Coroner's Court based in Ikorodu, Lagos, has suggested that an auxiliary nurse, Feyisayo Ogedengbe, should face criminal charges in connection with the death of singer Ilerioluwa Aloba, widely recognized as Mohbad.

The official investigation initiated by the state government to examine the events leading to the singer's death commenced on September 29, 2023. Nineteen witnesses provided their statements.

On Friday, Magistrate Adedayo Shotobi delivered her decision, stating that the nurse showed serious carelessness by giving an injection to the singer without a physician's order.

Even though the court determined there was no evidence of foul play or murder, it found that the nurse's actions were "unlawful and professionally careless."

She stated, "Taking into account all the evidence, I can confirm the cause of death. However, the majority of the evidence indicates that the death was sudden, happening within minutes or hours following the administration of injection drugs by an unauthorized individual or through improper means. There was no natural cause that could explain the death. There was no indication of murder or intentional harm, but there was medical evidence. An irregular burial without a proper investigation, medical certificate, or police report is important to the court of justice."

Following section 29 of the Lagos State coroner laws, this court suggests that the prosecution of the unlicensed medical staff by the Office of the Director of Public Prosecution should initiate suitable legal action against Felicia Ogedengbe for unauthorized medical activities and serious negligence.

The coroner also determined that Mohbad went through a series of challenging times prior to his passing, having been betrayed by his support network, which included his family, public organizations, and the music sector.

The coroner sounded the alarm about widespread failures in overseeing the health sector, noting that these deficiencies have allowed unlicensed and unqualified people to work as medical professionals without proper oversight or responsibility.

In a separate order, the coroner initiated a formal inquiry into the Nigeria Police's inaction concerning a petition submitted by the late musician prior to his passing. The court also instructed the appropriate authorities to assess if the lack of response constituted official neglect.

The magistrate added, 'Considering the extensive evidence of ongoing harassment, not just from security personnel and the Nigerian Police Force, the Human Rights Commission must look into all widely shared reports of intimidation or violence.'

During the funeral organized by the deceased's father, Joseph Aloba, the magistrate recognized the cultural reasons that influenced his choice to carry out the "hasty" and "undignified" burial.

However, it emphasized that he should have still completed the required legal and medical processes, such as obtaining a death certificate and conducting an autopsy following the unexpected passing of the talented artist.

The father's actions, although possibly influenced by cultural beliefs, showed a lack of procedural accountability in every burial, particularly considering the suspicion and natural conditions. The court determined that Mr. Aloba's behavior hindered forensic investigations, possibly delaying any opportunity for an inquiry.

"The following public claim and accusation, lacking supporting evidence, has further damaged his reputation and intentions. In situations where death seems unusual or sudden in a young adult without a terminal illness, a father genuinely seeking the truth would have opted for an autopsy and legal procedures before burial," she said.

The coroner noted that Omowunmi, the deceased's partner, was fully aware of the medical crisis but did not push for emergency services or guarantee appropriate ambulance assistance when Mohbad started vomiting and having seizures. Rather, several family members were seen fanning him and trying to move him on their own.

The coroner also highlighted that the most significant point was that, after Mohbad's death, Omowunmi remained notably quiet in questioning the conditions of his sudden illness. Although she lived with him as his wife and was the mother of his child, her complaints about harassment, abuse, and threats from the music industry only gained strength after his funeral and amid public anger.

The coroner also questioned why her voice was missing when it was most needed, and why there was no demand for a death certificate or a push for an investigation prior to the funeral.

"Although she might have felt overwhelmed, emotionally troubled, or ignored by the father, it was her duty as a wife and the last person present at the deceased's side to speak up, protest, or at minimum record the procedural issues at the time of death and burial. The wife, despite being deeply affected emotionally, holds some moral and practical responsibility for the silence around the death and the rushed burial. A more proactive and protective reaction was anticipated considering her role," the magistrate stated.

Legal advisor to Mohbad's family, Wahab Shittu, SAN, voiced approval of the suggestions.

This is a coroner who has demonstrated that she possesses intelligence, a sense of equilibrium, and moral integrity.

He mentioned that the next step would involve urging the authorities to adopt the suggestions and guarantee that the police thoroughly examine the petition submitted by the deceased musician and the events surrounding his passing.

Advice given to Mohbad's wife, Kabir Akingbolu, who also took a comparable position regarding the suggestions, stated that it wasn't his client's responsibility to prevent the father from burying the husband.

A 26-year-old man reportedly passed away on September 12, 2023, following an injury to the back of his right arm. He received treatment and was given an injection at his Lekki residence by a nurse, and died soon after experiencing a sudden seizure. His funeral took place the next day.

After significant public reaction, the body was removed from its resting place on September 21, 2023, for a post-mortem examination as directed by the Lagos State Government.

The results from the autopsy, released on April 29, 2024, indicated that the cause of death could not be determined because the internal organs were "in a condition of moderate to severe decay."

The second autopsy was requested by the Coroner in June 2024, following the family's petition for an independent examination.

Provided by SyndiGate Media Inc.Syndigate.info).

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Relevance Driven by Virality, Not Value – Terry G

Music performer and record label executive, Gabriel Amanyi, widely recognized as Terry G, discusses his professional journey, the challenges of celebrity status, and other topics with FAITH AJAYI.

You recently discussed relevance within the industry. What motivated that post, and what did you aim to convey to fans and other artists?

The digital revolution changed everything. The industry moved from focusing on content to emphasizing strategy. Now, being relevant often means staying in the spotlight rather than offering real value. However, I think genuine legacy lasts beyond passing fads. It's possible to be popular without being remembered. I aimed to remind people—fans and other artists alike—that true influence is more important than short-lived attention.

Reflecting on your influence—the chimes, the vigor, the music—how would you describe your legacy in the Nigerian music industry?

Terry G's impact is that of a bold pioneer and cultural game-changer who brought intense energy, creativity, and genuine street flair into the mainstream afrobeats scene. I combined uniqueness with spiritual elements. From shaking up the industry with 'Free Madness' to shaping a new generation of musicians, my sound, persona, and atmosphere are unforgettable. I didn't chase trends; I carved out a path entirely my own.

Do you believe the industry has adequately recognized individuals such as yourself who have contributed a distinctive sound and approach to the field?

No, it hasn't. The industry frequently ignores trailblazers like me who introduced a daring, courageous sound that transformed the culture. We don't always receive the acknowledgment we merit while still being active. I wasn't merely creating music; I was altering energy, transforming language, and reshaping rhythm. The blend of gospel, street, and chaos wasn't just for entertainment; it ignited a movement.

Regrettably, Nigerian music often follows trends rather than preserving and recognizing those who laid the groundwork. This represents a cultural void. Although many are reluctant to acknowledge its impact, the streets are aware, and they do not overlook it. My legacy is more powerful than silence.

What does it genuinely signify to be "relevant" in the Nigerian music scene now, and how has this concept evolved over the years?

Today's relevance extends beyond just skill or a popular song; it involves being visible, flexible, and interactive. Currently, it is controlled by algorithms. You need to constantly be present—on TikTok, on the charts, at performances, and within trends. It's all about branding.

However, in my time, relevance meant being unquestionable. You couldn't overlook me, skip my music, or silence the Terry G vibe. Our relevance wasn't determined by clicks; it was experienced on the streets, in clubs, churches, and people's souls. We set the trends.

Have you ever felt like others don't understand you or don't value you enough?

No, I don't feel misunderstood. The genuine ones always recognized the vision, even when it wasn't popular. Music has never abandoned me. It has grown alongside me. Whatever comes next won't be about blending in; it will be about remaining authentic, honest, and unique.

What would you have done differently during the height of your professional success?

I wish I had paid more attention to structure, both in my personal life and in managing my brand. Everything moved quickly. I was fully engaged in creativity and the street vibe, but I didn't put enough effort into long-term planning or the business aspect.

I also wish I had formed a more solid team sooner—individuals who genuinely grasped my vision and could assist in managing the industry's intricacies. Talent is only part of the equation. Structure, timing, and relationships are just as important. Now, I operate with greater intention and understanding.

When you had your son, you mentioned the beneficial effect it had on your life. Many people anticipated that marriage would come next. Why haven't you made that move yet?

Becoming a father transformed my life. It provided me with clarity, tranquility, and a stronger feeling of accountability. My son introduced harmony into my disorder.

Marriage is a significant responsibility, and it's not something I would enter into simply to conform to societal pressures. I am committed to doing it properly—emotionally, spiritually, and mentally. When the moment is appropriate, and all factors match, I will make that move.

Have you collaborated with any of the current top artists?

Yes, I have contacted them. Some were friendly and appreciative; they recognized my efforts and were open to the concept. Others didn't reply, and that's fine. Everyone has their own path and focus.

I remain open to working with artists who grasp the culture and aren't hesitant to take risks. My style is distinct, and not everyone will resonate with it. I'm not looking for collaborations; I'm searching for harmony.

Some individuals think that performers create or arrange conflicts to gain popularity. What's your opinion on this, taking into account your previous disputes?

There is some truth to that. In this modern era, controversy travels quicker than creativity. Certain artists utilize conflict to increase their visibility. However, my experience is different. Any conflicts I faced stemmed from genuine circumstances—misinterpretations or strong feelings. Nothing was planned. That being said, I have evolved. As you mature, you learn when to talk and when to step back. The industry relies on appearances, but lasting success comes from genuine quality. These days, I let my music and behavior do the talking.

You previously established a water production facility. Is it still operational, and what other ventures are you involved in?

The facility operated for a while and provided me with valuable insights into logistics and business operations. It is no longer in use because of structural and partnership challenges, but I don't view it as a failure; rather, it was a step in the learning process.

Currently, I am engaged in real estate, entertainment consulting, and minor import activities. I am also developing a platform aimed at supporting emerging artists through guidance and resources. My perspective has evolved from focusing on financial gain to creating structures and contributing to the culture.

What guidance would you offer to performers who are currently at the peak of their success?

Savor the attention, but keep a future perspective. Recognition is loud, yet temporary. A lasting impact is subtle, yet enduring. Make investments when you're in the spotlight. Remain humble and cultivate genuine connections.

Above all, avoid losing yourself in the pursuit of being relevant. It's positive to evolve, but only when it's genuine. Make preparations for your future while you're still in the spotlight. No one remains in power forever, and that's not a bad thing; it's just how things are.

What is a normal day in Terry G's life like?

My life has become more organized recently. I begin each day with prayer and contemplation, followed by time at the studio or attending to business discussions. It's calmer and more concentrated.

In the past, it was a mess—non-stop performances, exciting evenings, minimal rest. These days, I appreciate calm and prefer quality instead of quantity. Development isn't solely about rising higher; it's about being in sync.

Your fashion sense has always been daring and non-traditional. Has your way of living changed, or do you still maintain that same vibrant spirit?

The fundamental energy remains unchanged—bold and expressive—but has been polished. I no longer act on instinct. I am more deliberate and conscious. I still enjoy daring fashion and innovative music, but it's now structured spontaneity; not aimless frenzy.

Development does not imply altering your true self. It involves refining your core identity and applying it effectively. I continue to live with enthusiasm, but now, it is directed by a sense of direction.

What strategies do you use to keep harmony among your private life, musical pursuits, and professional endeavors?

Everything is about balance. I now separate my life into different areas. When I'm with my family, I give them my complete focus. When I'm in the studio, I am fully concentrated. For business, I change my approach entirely.

I also take time to rest and safeguard my mental well-being. Burnout is a genuine issue. You require space to breathe, or the noise will overwhelm you. Today, I function with clarity and composure.

Success arrived quickly and intensely. How did it impact your mental and emotional health?

It was intense. The stress, high hopes, and unending exposure had an impact. Everyone sought a part of Terry G, yet few attempted to comprehend Gabriel.

Emotionally, I experienced a sense of loneliness even when surrounded by people. That's the contradiction of being famous. It took time to achieve equilibrium and establish a solid network of support. I appreciate those who remained with me throughout everything.

What keeps you centered when you're not creating music?

I relax by playing video games, particularly soccer titles, Mortal Kombat, and adventure-based games. It serves as my way to unwind. I also enjoy audiobooks; they stimulate my thinking and maintain my motivation.

Occasionally, I go live on TikTok to "connect" with my followers. At other times, I take breaks, travel discreetly, or remain at home and create without any stress. Being alone helps me stay focused.

What would astonish fans the most if they could witness your true self away from the stage?

They would be surprised at how calm and reflective I have grown. People anticipate the energetic Terry G, but I am now more spiritual and structured. I laugh more, worry less, and pay closer attention.

I have become a mentor, steering emerging talents and assisting them in avoiding my previous errors. This is a side of me that fans seldom witness, yet it's a part I am confident about.

What was the inspiration behind your new track, 'Kolomala'?

It honors the African woman—her power, elegance, attractiveness, and essence. The term translates to "a stunning African woman," and that essence inspired the song.

African women embody love, passion, strength, and tradition. The song is lively and rhythmic, yet beneath its surface, it's a tribute. The atmosphere is rooted in African heritage, confident, and lively, much like the women it celebrates.

In what way does the track demonstrate your development and artistic path?

It's an ideal blend of past and present. It embodies my distinctive creativity but with improved production, more precise lyrics, and a more sophisticated approach to sound engineering.

My current focus is on equilibrium. I aim to amuse, motivate, and demonstrate that progression doesn't involve losing your intensity. It's about understanding how to manage your passion, and maintaining it over the years.

Provided by SyndiGate Media Inc.Syndigate.info).

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Inspired by Jesus: Singing Love with Ric Hassani

Singer and composer, Ikechukwu Ahiauzu, also known as Ric Hassani, shares details about his professional journey and other topics with FAITH AJAYI

You've been candid about some of the challenges and difficult times you've experienced throughout your career. What helped you stay focused and driven during those quiet periods when your music wasn't receiving the attention it deserved?

I understood that I was performing to the best of my ability. I was putting everything I had into every task, so I knew it would eventually pay off. Giving your best is the only guarantee and self-assurance you can have in situations that appear to be governed by time.

Your tone has always been distinctive—gentle, heartfelt, and touching. How would you characterize the development of your music from 'Gentleman' to your most recent album, 'Lagos Lover Boy?'

My earlier creations are precisely like me. They showcase my true self. However, with this album, I aimed to produce something lively. I wanted to combine my identity with the latest trends and sounds shaping the industry right now.

What inspired that title?

I aimed to deliberately highlight the essence of Afro R&B. This album serves as a means of curating a genre that blends Afrobeat rhythms with deep emotional and melodic richness.

Several people were taken aback that you included Portable on the record. What motivated this partnership, and how was the artistic journey in merging such different styles?

Portable is an exceptionally skilled performer. I was genuinely eager to connect two distinct worlds. For me to be that individual, I had to demonstrate my ability to enter any musical environment and still produce something remarkable. I appreciate Portable's authentic energy and creativity. I believe he is genuinely talented.

You added some gospel influences to the album. How does spirituality or belief impact your personal life and the way you create music?

I am profoundly spiritual. My belief is the most significant aspect of my life. The tale of Lagos Lover Boy ends with discovering God—the supreme love—and giving oneself back to the Creator.

You've spoken out about how RnB is not given enough recognition compared to Afrobeat in Nigeria. What do you believe the Nigerian audience now comprehends about RnB that they didn't before?

I believe individuals are starting to recognize the enduring nature of this sound. The music I create is designed to stand the test of time. You can enjoy it years later, and it will still sound new. That's one of the remarkable aspects of R&B.

You have been creating music for many years prior to achieving broad recognition. What lessons did that time of being unknown impart to you?

It showed me that there was still much more for me to discover and accomplish. It encouraged me to explore further and exert greater effort to transform into the individual I had imagined.

As a judge on the music reality program, Nigerian Idol, what is it like to hold the power to shape the future of upcoming musicians?

It is a significant honor to have the opportunity to coach and mentor participants. My time within the industry has provided me with valuable insights that I am now excited to pass on to emerging talents. It is truly a privilege for me.

What characteristics do you seek in emerging musicians, and what guidance do you frequently offer to them?

I seek enthusiasm—the flame and the struggle. That profound desire to achieve. While technical abilities can be acquired with time, that internal motivation must remain constant.

You have consistently embraced openness in your songwriting. Have you ever been concerned about coming across as 'too gentle' for the Nigerian audience, who typically prefer high-energy music?

I truly only do what I am passionate about. That's the only thing that counts. As long as I can enjoy my music and be satisfied with it, then I have accomplished what I set out to do.

In a music scene that's highly focused on performance and moves quickly, how can you maintain your artistic authenticity and remain faithful to your unique style?

My creativity is a present intended for the world. Therefore, every time I have the opportunity to create, I do so completely. In this manner, the quality of the work serves as its own shield and authenticity.

Do you compose music based on your own life events, or do you share narratives you observe in the world?

It combines elements of both. Occasionally, a strong film motivates me. At other times, I write based on my own values and life experiences.

What constitutes success in your opinion?

Achieving success begins with a particular way of thinking. The reality that I am engaged in work I cherish and dedicating my full effort is, in itself, success for me. The audience can recognize this through the standard of my musical creations.

What single fact have you learned about the Nigerian music scene?

It is very energetic. You must have a clear understanding of your true self. You cannot attempt to be someone different.

What are your expectations for your upcoming album?

I hope it demonstrates to people what it means to be deliberate in pursuing excellence. I desire for listeners to genuinely feel something; not merely hear noises, but engage in an emotional experience that resonates with them on a profound level.

How have you maintained your genuine nature while keeping up with the rapidly changing industry trends?

I have concentrated on performing tasks I am most skilled at and taking pleasure in the journey. The more you embrace your strengths, the better you can regularly deliver your finest work.

What are some personal hobbies or interests you're currently discovering that fans might find unexpected?

I read extensively. I've been deeply involved in personal development recently, which has led me to study a lot. I'm also a regular gym companion; I exercise often.

Being under the public eye brings significant stress. How do you maintain your visibility while remaining authentic to who you are?

I concentrate on the things I am most skilled at. Nowadays, I have a greater sense of self-understanding. Therefore, I act with clarity and direction.

You frequently express themes of love, openness, and principles. In a society that occasionally promotes the contrary, what maintains your focus and motivates you to create from a genuine perspective?

I am a devotee of Jesus, and I ground my truth in Him. I endeavor to make Jesus the benchmark in all that I produce.

An increasing dialogue is taking place regarding mental health and self-esteem within the entertainment sector. How do you handle self-care and emotional well-being?

I truly have a documentary called 'Self-Worth'. I think it's important to focus on ourselves because all our actions come from who we are. The better we feel internally, the more we can offer. Mental health must always be a top concern.

What is your understanding of celebrity, and how do you decide what to reveal or keep private?

My goal is to remain genuine. Being authentic allows others to recognize that you are also human. I lead my life in a manner that serves as a model—starting with myself—choosing actions that I will be satisfied with in the years to come.

If you had the opportunity to work with an artist from a different genre, who would you choose and what would be the reason?

It would certainly be Beyoncé.

What is one recent fan engagement or message that reminded you of your motivation?

I once got a message from a parent who used my music for their child during a coma. The music provided comfort during that difficult time. That deeply moved me.

What do you do to relax when you're not working?

I enjoy watching numerous films.

Provided by SyndiGate Media Inc.Syndigate.info).

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Eno Barony Honored as Brand Ambassador for Premium Olande Fabrics

• Ghanaian artist Ruth Eno Adjoa Amankwah Nyame Adom, widely known as Eno Barony, has secured a new ambassadorial agreement.
• A renowned female rapper, recognized for her awards, has been appointed as a brand representative for a leading textile production company.
• Certain online platform users have shared their thoughts on female rapper Eno Barony's latest appearance for the photo session.

Ghanaian artist Ruth Eno Adjoa Amankwah Nyame Adom, commonly referred to in the music scene as Eno Barony, has officially been appointed as the brand representative for Verbelle Limited and their premium collection, Premium Olande Fabrics.

The acclaimed female rapper shared the thrilling update via a set of engaging posts across her different social media accounts, attracting considerable interest from her followers and the fashion industry.

Eno Barony poses in an elegant outfit

In a widely shared post, Eno Barony displayed her attractiveness while wearing a stylish long-sleeve black dress that beautifully emphasized her well-defined legs.

This photography session was her initial partnership with the company, and she displayed assurance and elegance.

Maintaining her characteristic style, she enhanced her look with a sophisticated front lace hairstyle, dramatic makeup, vibrant eyeshadow, and extended, fluttering lashes that highlighted her lively facial expressions.

To finish her appearance, Eno added gold bold earrings and coordinating, trendy rings, highlighting her sense of fashion.

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Eno Barong supports Premium Olande Fabrics

Premium Olande Fabrics has established a strong reputation over the years as a leading textile company known for its premium, opulent materials that are highly desired in the fields of fashion, furniture, and interior decoration.

As the representative of Verbelle Limited, Eno Barony will participate in a variety of promotional efforts. This involves wearing and displaying the beautiful fabrics at different events, expos, and in advertising initiatives.

Furthermore, she will be instrumental in introducing newly designed collections, working alongside fashion stylists, designers, and tailors to enhance the prominence and attractiveness of the fabric range.

This collaboration marked a major achievement in Eno Barony's wide-ranging career, highlighting her reach beyond the music world and her substantial effect on the fashion and textile sector in Ghana.

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The early life and education of Eno Barony

Eno Barony grew up in a supportive atmosphere under the care of her missionary parents, her father, Reverend Abraham Nyame Adom, and her mother, Mrs. Rebecca Nyame Adom.

This background fostered in her a strong love for music and religion from an early age. She started her schooling at Shallom Preparatory School, moved on to Cambridge Academy, and finally finished her Junior High School studies at Methodist J.H.S. For her senior secondary education, she went to Methodist Day Secondary School in Tema.

Excited to broaden her experiences, she later continued her higher education at Kumasi Polytechnic, where she refined her abilities and strengths.

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Eno Barony's music career

Eno Barony's journey in music began in 2012, but it was in 2014 that she gained significant attention from audiences through her popular tracks "Wats Ma Name" and the remix of "Tonga" by Joey B featuring Sarkodie.

Her interpretation of "Tonga" gained special attention, as she was acknowledged as the first Ghanaian female rapper to surpass one million views on YouTube, signifying a major milestone in her professional journey.

Throughout the years, Eno has worked with a wide range of notable artists, such as prominent figures in the industry like Shatta Wale, Medikal, Stonebwoy, and Wendy Shay.

Her collection of songs included several standout hits, like "Juicy Me," "Daawa," "King of Queens," and "God is a Woman."

Her 2020 track "Rap Goddess" reinforced her position within the Ghanaian music scene, highlighting her skill with words and distinctive approach.

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Awards and recognition received by Eno Barony

Over the course of her professional journey, Eno Barony has received numerous awards and honors that underscore her remarkable skill and impact within the music field.

In 2021, she broke barriers by being the first woman in rap to receive the highly esteemed "Best Rap Performance" honor at the Vodafone Ghana Music Awards (VGMA) for her impactful song "God is a Woman."

In the same year, she received the recognition of "Rapper of the Year" at the 3Music Awards, highlighting another major milestone in her career.

Her impact has gone beyond national boundaries, as she received the "Best Female Rap Act in Africa" honor at the African Muzik Magazine Awards (AFRIMMA) in 2020, solidifying her position as a powerful presence in the African music industry.

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