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Latest hot news all day long.

DAILY NEWS

Latest hot news all day long.

DAILY NEWS

Latest hot news all day long.

DAILY NEWS

Latest hot news all day long.

DAILY NEWS

Latest hot news all day long.

Diana Ross, 81, Sparks Fan Frustration with Sudden Announcement

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Unexpected Cancellation of Diana Ross's Performance on Star of the Seas

Diana Ross, the legendary singer and cultural icon, has left many fans and organizers "disappointed" after she unexpectedly withdrew from a planned performance on Royal Caribbean’s Star of the Seas cruise ship. The 81-year-old entertainer was set to headline a three-day showcase cruise beginning August 20, but her absence has raised questions and concerns among attendees.

As the ship’s “godmother,” Diana had been scheduled to take part in a special naming ceremony. However, no official explanation for her withdrawal has been provided. Her spokesperson released a brief statement to People, saying, “Due to unforeseen circumstances, Diana Ross will be unable to appear.” This vague response has left fans and industry insiders speculating about the reason behind her decision.

The Star of the Seas is one of the most anticipated cruise launches of the year, departing from Port Canaveral in Florida and heading to Perfect Day at CocoBay in the Bahamas. It marks a major milestone for Royal Caribbean, as it is the first of the company’s new Icon Class ships, designed to offer an innovative and luxurious vacation experience.

Royal Caribbean expressed its disappointment in a statement, saying: “We are disappointed that Diana Ross is unable to join us to be godmother of Star of the Seas.” The company also mentioned that they plan to announce a “new godmother” of the ship “soon.”

Diana had previously shared her excitement about the opportunity when the news of her headlining performance was announced in June. In a press release, she said, “I am truly honored to join the Royal Caribbean family. Having spent years creating beautiful music and memories and bringing people together from all over the world, this feels like a perfect continuation of my journey as godmother of Star of the Seas.”

Michael Bayley, president and CEO of Royal Caribbean, added that the company was thrilled to have “a true icon” debut the Star of the Seas. He stated, “We are thrilled to have Diana Ross join us for the debut of Star of the Seas, the next bold vacation in our revolutionary Icon Class designed to encompass the best a vacation experience can offer.”

Despite her cancellation, Diana Ross will still kick off her U.S. tour, Beautiful Love, as planned on August 16 in Saratoga, California. She recently shared details of the tour on Instagram, posting a list of stops across the country, including performances in St. Louis, Atlantic City, Staten Island, and Palm Springs, with the final show scheduled for December 13.

In a recent interview, Diana opened up about how her passion for performing keeps her energized and grounded. “The love of what I do keeps me grounded, physically, mentally, emotionally, and spiritually,” she told People. She also reflected on her positive outlook, saying, “When you can't find the sunshine, be the sunshine. I have been very blessed in my life. I love what I do. I love my family. I love my life. I'm a happy person.”

While the cancellation of her appearance on the Star of the Seas may have been unexpected, Diana continues to inspire with her resilience and dedication to her craft. Fans around the world are eagerly awaiting her upcoming tour and hoping to see her shine on stage once again.

Rock legends celebrate the album that united their band

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A Journey Through Time: The Tedeschi Trucks Band and Their Legacy

It has been a decade since the Tedeschi Trucks Band revisited Joe Cocker’s iconic “Mad Dogs & Englishmen” during a live performance at the 2015 Lockn’ Festival in Virginia. This event, which also featured Leon Russell and other veterans of the original 1970 tour, marked a significant moment in the band's history. Derek Trucks, the band’s founder, still reflects on this experience with a sense of awe, recognizing how fortunate he was to be part of such a historic gathering.

This collaboration led to the formation of the Tedeschi Trucks Band in 2010, as Derek and his wife, Susan Tedeschi, sought to create their own traveling rock ‘n’ roll circus. Now, the band is set to embark on a co-headlining tour with Whiskey Myers, coinciding with the release of an album documenting their shared stage with history—“Mad Dogs & Englishmen Revisited (Live at Lockn')”.

The Magic of Collaboration

Derek Trucks recalls the initial conversations about the Mad Dogs & Englishmen project, highlighting the unique opportunity it presented. The idea came together after they had previously worked with Leon Russell, who opened for them at the Beacon Theatre. When Joe Cocker passed away before the planned collaboration, the focus shifted to a tribute that would honor the legacy of the original tour.

The process of bringing together the original members of the Mad Dogs & Englishmen was both challenging and rewarding. Trucks reached out to Leon Russell, expecting a rejection, but was surprised by his enthusiasm. Once Leon signed on, others followed, leading to a reunion that felt like a Super Bowl for the musicians involved.

The Influence of Leon Russell

Leon Russell played a pivotal role in shaping the band's direction. His mentorship and support were invaluable, especially for Derek and Susan. Trucks describes Russell as a larger-than-life figure who found kindred spirits in the couple. Their interactions were filled with mutual respect and admiration, creating a bond that extended beyond music.

Russell’s influence can be heard throughout the album, with contributions from other notable musicians like Chris Stainton and Kofi Burbridge. These collaborations added a layer of authenticity and depth to the project, making it a true tribute to the original Mad Dogs & Englishmen.

Expanding the Vision

The success of the Mad Dogs & Englishmen project inspired the band to take on another classic album, “Layla and Other Assorted Love Songs,” four years later. This endeavor further solidified their reputation as a band capable of tackling ambitious projects. The experience also led to the creation of a four-record set titled “I Am the Moon,” which drew inspiration from the Persian poem “Layla and Majnun.”

Mike Mattison, a member of the band, played a key role in this creative process. His deep dive into the source material sparked a new perspective, encouraging the band to explore Layla’s story from her point of view. This shift in narrative led to a rich and diverse collection of songs that resonated with fans and critics alike.

The Pandemic and New Beginnings

The pandemic provided an unexpected opportunity for the band to focus on their creativity. With time on their hands, they embarked on the ambitious project of recording “I Am the Moon.” The process was both challenging and rewarding, allowing the band to reconnect and explore new musical directions.

Despite the initial skepticism from some record labels, the band remained committed to their vision. They released each record as a short film, offering fans a unique way to engage with their music during a difficult time. This innovative approach not only kept the audience connected but also helped maintain the band’s creative momentum.

Back on the Road

As the band returns to the road, Derek Trucks reflects on the joy of performing live again. The experience of playing for an audience, feeling the energy and connection, has become even more cherished after the long hiatus. The band remains grateful for the opportunity to share their music and connect with fans.

The Balance Between Studio and Live Performances

Derek Trucks shares his evolving perspective on studio work versus live performances. Initially, he preferred the spontaneity of live shows, but over time, he has come to appreciate the creative freedom the studio offers. This balance allows the band to experiment and grow, enriching their live performances with new ideas and perspectives.

Upcoming Tour Dates

The Tedeschi Trucks Band will be performing at the Arizona Financial Theatre in Phoenix on Monday, August 18, at 7:30 p.m. Tickets are available for purchase through Ticketmaster, with prices starting at $86.50. Fans can look forward to an unforgettable evening of music and celebration.

Jazz Flute Star to Open Waterbury's Fall Series

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A Night of Jazz and Folk at the Palace Theater

Jazz flutist Ali Ryerson is set to captivate audiences once again with her performances at Waterbury’s Poli Club at the Palace Theater. The event marks the start of the Early Fall Jazz Series, where Ryerson will take the stage on Friday. Known for her ability to transform each note into a meaningful conversation, Ryerson has established herself as one of the most compelling figures in contemporary jazz.

With a career spanning over five decades, Ryerson has consistently ranked among the top flutists in the Downbeat Jazz poll for more than a decade. Born in New York, she grew up in a family deeply rooted in music, with her father, Art Ryerson, being a renowned jazz guitarist. This early exposure helped shape her musical journey and passion for the art form.

Throughout her career, Ryerson has performed in some of the most prestigious venues around the world, including Carnegie Hall in New York, the Kennedy Center in Washington, D.C., and Blue Note in both New York and Japan. She has collaborated with legendary jazz musicians such as Red Rodney, Roy Haynes, Kenny Barron, Frank Wess, Hubert Laws, Stephane Grappelli, Art Farmer, Mike Mainieri, Joe Beck, and even made a guest appearance with Wynton Marsalis and the Jazz at Lincoln Center Orchestra.

In addition to her work in jazz, Ryerson has also performed with classical artists like Julius Baker and Luciano Pavarotti when she was the principal flutist with the Monterey Bay Orchestra. As an educator and author, she has published the widely acclaimed Jazz Flute Practice Method and conducts master classes globally. Her compositions have been performed internationally, further solidifying her reputation as a versatile and influential artist.

Ryerson will perform two shows on Friday at 7 p.m. and 9 p.m. Attendees can purchase individual tickets with general admission seating or opt for a series ticket that includes all four shows with reserved seating. The Early Fall Jazz Series will continue on August 29 with Vanessa Racci: Jazz Italian, followed by Adam Burnbaum Trio on September 19, and Svetlana and The New York Collective closing the series on October 3.

For more details, visit the Palace Theater Box Office or check out their website at www.PalaceTheaterCT.org.

CT Folk Fest and Green Expo Returns

The CT Folk Fest and Green Expo is set to return next month on September 6 at Edgerton Park in New Haven. This annual event brings together live music, food trucks, and a variety of artisan vendors through the "Green Expo." With two stages for performances, the festival promises a vibrant celebration of folk and acoustic music.

The CT Folk Main Stage will feature Kala Farnham at 11:30 a.m., followed by The Meadow Brothers at 12:45 p.m., Eleanor & Dario at 2:15 p.m., Session Americana at 3:45 p.m., Chris Pierce at 5:15 p.m., Dustbowl Revival at 6:45 p.m., and Robert Finley at 8:30 p.m. Meanwhile, the Bigger Beast Stage will host D'Pew, Lee Totten and Canyon at 12:15 p.m., Oliva Clarke, Liz Read and Hailey Neal at 1:45 p.m., Undercover Cameo at 3:15 p.m., Sam Robbins at 4:45 p.m., and Frank Viele at 6:15 p.m.

Attendees are encouraged to make a tax-deductible donation of $25 to help cover event costs. The festival is held rain or shine and takes place at Edgartown Park, located at 75 Cliff St., New Haven. More information can be found at www.ctfolk.org/fest-expo-2025.

Tribute to Joan Baez at The MAC

Folk enthusiasts should mark their calendars for a special tribute to Joan Baez on August 21 at The MAC, or Milford Arts Council. The “Tip of the Hat” series will celebrate the music of Baez, featuring songwriters Meggie, Frank Crielli, North County Duo, and Denise Jones. These performers will take the stage in a round format, playing their own songs as well as interpretations of Baez's classic works.

The show starts at 6:30 p.m., with advance reserved tickets priced at $20. For more details or to purchase tickets, visit www.ctfolk.org/toth2joan.

This Week in Rock

On this day in 2017, Taylor Swift won a high-profile lawsuit against Denver disc jockey David Mueller. The case began when Mueller was fired after Swift accused him of groping her during a photo session before her concert in 2013. In response, Mueller sued Swift in 2015, prompting her to countersue for sexual assault. Ultimately, Swift was awarded $1 in damages, which she donated to charity, stating her hope was to help those whose voices should also be heard.

Kip Moore to Headline McGrath Amphitheatre

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A Unique Journey in Country Music

Kip Moore's career took an unexpected turn after his 2012 hit "Somethin' 'Bout a Truck" topped the Billboard country charts. The song, along with its follow-up tracks "Beer Money" and "Hey Pretty Girl," seemed to set him on a clear path toward a bro-country success. However, Moore's story didn't unfold as expected. Instead of sticking to the typical trends, he chose a different route that would redefine his music.

In 2015, Moore released his album "Wild Ones," which marked a shift in his style. This project blended rock and roll elements with traditional country sounds, drawing inspiration from artists like Bruce Springsteen and John Mellencamp. Moore explained that while he grew up listening to country music, he was also deeply influenced by rock and roll. He admired the lyrical craftsmanship of country music and the powerful melodies of rock, which shaped his artistic identity.

"I wanted to write substantial songs," Moore said. "I love the rock and roll melodies, but I also have to do it my way. I didn’t want to just recreate another 'Somethin' 'Bout a Truck.' I wanted to do what I wanted to do."

This philosophy is evident in his latest album, "Solitary Tracks," released in February. The album is considered Moore’s most profound work yet. It features songs from the perspective of an outsider striving to achieve his goals. While the hooks may not be as prominent as in his earlier work, the depth of the lyrics and the emotional resonance make it a compelling listen.

"The words are important to me," Moore emphasized. "I have something to say with each of these songs." This sentiment reflects his commitment to authenticity and storytelling through music.

A New Direction in Music

"Solitary Tracks" is an expansive two-album set featuring 23 songs and spanning 85 minutes. In an era dominated by short EPs, this album stands out for its length and depth. Songs like "Half Full Cup," "Learning As I Go," and "Flowers in December" showcase Moore's growth as an artist. Rather than focusing on creating a single hit, he prioritized crafting a complete album that resonates with him personally.

Moore's approach to music is rooted in his childhood experiences. He recalled being captivated by albums like Tom Petty's "Full Moon Fever," where he would listen to the entire record from start to finish. This deep connection to full-length albums inspired his current creative direction.

"I remember discovering Tom Petty's 'Full Moon Fever,' and I just sat there and was absolutely enthralled by that album," Moore shared. "That's what I grew up on, and that's probably why I'm still driven to make albums like what I grew up listening to."

Moore is currently preparing for a live performance at McGrath Amphitheatre on Saturday, August 16. His show is known for its authenticity, with no backing tracks or digital enhancements. The performance is a raw and genuine experience, featuring Moore and his band delivering a high-energy, organic set.

"I've always loved playing out, and that hasn't changed," Moore said. "We strive to give fans the best show and the most authentic depiction of us as musicians. We rehearse hard, and we feel out the audience so we might change the set. I often write a set list, and it just becomes something completely different."

A Passion for Creation

Moore's dedication to his craft is evident in his prolific writing habits. He has already begun working on his next album, having written over 100 songs for "Solitary Tracks." For Moore, writing is more than a job—it's a fundamental part of who he is.

"Writing is what I do," he said. "It's not a job. Writing is my life. I'll never stop writing, and I'll never stop making records. I'm so passionate about it."

This passion extends to his live performances, where he focuses on connecting with the audience. Whether it's through a well-rehearsed set or spontaneous moments, Moore aims to create an unforgettable experience for his fans.

As Moore continues to evolve as an artist, his journey serves as a reminder of the power of authenticity and creativity in music. With each new album and performance, he reaffirms his commitment to telling stories that resonate on a deeper level.

Taylor Swift and Travis Kelce Take 'New Heights' to New Levels

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Taylor Swift and Travis Kelce Make a Big Announcement on "New Heights"

A new video has emerged showing Taylor Swift and her boyfriend, Travis Kelce, sharing exciting news on the "New Heights" podcast. The clip, which was released ahead of the August 13 episode, gives fans a glimpse into the couple’s dynamic as they discuss Swift’s upcoming projects.

In the latest teaser, Swift appears on the show wearing a white blouse and tan skirt, looking relaxed and happy. Co-host Jason Kelce delivers a long introduction that highlights many of her achievements, and Travis Kelce, sitting next to her, plays the role of a hype man by adding exclamations to emphasize her accomplishments.

After Jason finishes his speech, Swift reacts with humor, saying, “That was so good.” She then jokes about the length of the introduction, saying, “Thank you for screaming for like 47 seconds for me. That was so nice.”

Travis greets Swift on the podcast, calling her “Tay Tay,” and she thanks him for having her on what she calls “my favorite podcast.” The interaction is lighthearted and shows the close relationship between the two.

Swift also makes a self-deprecating joke at the end of the clip, saying, “You guys have a lot of male sports fans that listen to your podcast, and I think we all know that if there's one thing that male sports fans want to see in their spaces and on their screens, it's more of me.” Her humor adds a fun twist to the conversation.

The Buzz Around Taylor Swift’s New Album

The announcement of Taylor Swift’s new album, titled The Life of a Showgirl, has already created a lot of excitement among fans. The singer revealed the album title at 12:12 a.m. on August 12, sparking widespread online reactions. Although the cover art is blurred, the anticipation around the project is growing rapidly.

Fans are eager to know when the album will be released, whether there will be any singles, and what other surprises might come from the podcast. Some speculate that the album could be tied to the Eras Tour documentary or the Searchlight Pictures movie she is set to direct. Others are hoping for personal updates or additional content from Swift.

The first two videos posted on X, on August 11 and 12, have already gained over 20 million and 9 million views, respectively. This is significantly higher than the average views for other "New Heights" episodes featuring special guests, which typically range from 40,000 to 300,000 views.

What Fans Can Expect

Fans are eagerly awaiting the official release of The Life of a Showgirl. The album is expected to be announced during a prime-time YouTube livestream on August 13 at 7 p.m. ET. Those interested can subscribe to the channel to tune in.

The livestream is anticipated to draw a massive audience, with some estimates suggesting it could reach seven digits in viewership. The event will likely include more details about the album, its release date, and possibly even sneak peeks of the music.

In addition to the album, fans are also curious about what else might come from the "New Heights" podcast. The show has become a platform for Swift to share personal stories and insights, and fans are excited to see what she has in store.

Final Thoughts

Taylor Swift’s appearance on "New Heights" with Travis Kelce has generated a lot of buzz and excitement. The couple’s chemistry and the way they interact on the show have captivated fans, who are eager to learn more about her upcoming projects.

As the release date for The Life of a Showgirl approaches, fans are staying tuned for more updates. Whether it’s through the podcast, social media, or the livestream, there’s no doubt that Taylor Swift will continue to keep her fans engaged and excited about what’s next.

Top 10 Concerts: Must-See Shows in the Twin Cities and Beyond This Week

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Celebrating Music Across Genres and Venues

When she arrived at the Dakota last August, the veteran Texas singer-songwriter’s “Mileage” album was days ahead of the release, her first album for Sun Records. Now she returns having collected her first Grammy for best contemporary blues album for “Mileage,” which features the acoustic Delta blues “Done” with Larkin Poe and a remake of “That’s All Right,” the Arthur Crudup tune that Elvis Presley turned into one of his first hits in 1954, done to a swampy blues groove with gospel harmonies. Foster is back at the Dakota for two nights of her special mix of soul, gospel, blues, jazz, folk — oh, let’s just call it Americana.

What started in 2021 as a set of summer house concerts in Duluth is now an intimate gathering of outstanding musicians from around the country. For the festival’s closing concert, string players from the San Francisco Symphony, Dallas Symphony Orchestra, the Calidore String Quartet, the New England Conservatory of Music and elsewhere will join forces to breathe life into the small-scale creations of Domenico Scarlatti, Pablo de Sarasate, Jennifer Higdon, Franz Schubert and Johannes Brahms.

Also: mgk, formerly known as Machine Gun Kelly, is doing a surprise pop-up concert to promote his new rootsy album “Lost Americana.” The event is free with sign-up and takes place at the Electric Fetus.

We’ve seen a lot of both these veteran alt-rock bands in the Twin Cities in recent years, but take their frequent tours as a sign they’re in fine form and having fun. Wayne Coyne and his Oklahoman acid-punk-pioneering Lips always seem to be having a good time with their many inflatables and stage gimmicks and singalongs from classic albums like “The Soft Bulletin” and “Yoshimi Battles the Pink Robots.” Isaac Brock’s nervy Washington State unit of “Float On” fame didn’t seem to be having fun for many years but put on a spirited and playful set at Surly last summer with the Pixies. Buzzing Chicago duo Friko is scheduled to open.

Even though fans have been tantalized by the reissue of “Buckingham Nicks,” they’ve been bummed about Stevie Nicks’ concert postponement next week at Xcel Energy Center because of a shoulder injury. She promises to return on Nov. 12. Meanwhile, get a Fleetwood Mac fix with one of the Twin Cities’ best tribute bands doing a free outdoor show in one of the metro’s loveliest parks. Pamela McNeill, Mary Jane Alm and Jeff Engholm are the featured vocalists in this nine-piece band covering everything from “Rhiannon” to “Go Your Own Way.”

OK, we’ll admit it. We weren’t too excited to see these somewhat slapstick ‘90s punk rockers on the lineup for last year’s Minnesota Yacht Club festival, but like a discernibly large part of the crowd, we had fun singing/shouting along to their many radio and MTV hits, including “Come Out and Play” and “Self Esteem.” The Orange County vets are getting radio play again with “Make It All Right,” from their new album, “Supercharged.” Whether their fan base is charged enough to fill an arena is questionable, but openers Jimmy Eat World and New Found Glory should help fill seats.

Also: Dustin Lynch, who has scored nine No. 1 country hits including “Chevrolet” featuring Jelly Roll, becomes the latest star to sing after a Twins game. After several years of charming local audiences with their jazzy and western-swinging guitar/sax/bass retro grooves, Jake Hanson, Nelson Devereaux and Ted Olsen are finally celebrating the release of the Riffin’ Trio’s first EP with Aby Wolf, Beemer and other surprise guests.

Those Medley Kids, an all-star group of Twin Cities players featuring vocalist Bill Pyle III, will visit the prog-rock sounds of Rush, King Crimson, Yes and Genesis’ “The Lamb Lies Down on Broadway.” The countdown to closing time at Palmer’s Bar continues with a rocking patio lineup featuring the Scarlett Goodbye, Faith Boblett and the Heavy Sixers.

It looks as if this is the last concert of the season — or maybe for a long time — at this utilitarian amphitheater serving the greater Twin Cities area. Who knows what shows Somerset will attract after the state-of-the-art Shakopee Amphitheater opens in 2026 since both are operated by Live Nation? To close things out in Somerset, it’s the duality dude known simply as Hardy, who has scored a string of country hits mentioning trucks and beer, as well as making noise in hard-rock circles. After appearing at country fests this summer in Iowa, Wisconsin and Minnesota, Hardy headlines his own gig. With three openers including Koe Wetzel of “High Road” success, it’s like a mini-fest.

Also: Jane Monheit, the technically superb New York jazz vocalist, is back at the Dakota. “How to Save a Life” hitmakers the Fray return. Seven local mainstay acts that usually play original tunes are cutting loose with tribute-band sets for a great local cause at the third annual We Got You Covered concert, featuring the de’Lindas, Doug Collins and the Receptionists, the Mighty Mofos, the New Brunettes, RuDeGirl, the Wandering Sons and the Belfast Cowboys, benefitting Foothold Twin Cities. Robert Wilkinson and his influential Twin Cities combo Flamin’ Ohs are heading up another benefit for the Parkinson’s Foundation with Annie & the Bang Bang.

As if there hasn’t been much for him to march and rage against in the interim, Trent Reznor finally saw fit to return to the road this year with his angst-fueled, piggies-lambasting techno-metal band for their first Minnesota gig in 12 years. No surprise the pent-up demand put a hurt on the box office, with only very limited seats remaining at face value. Shows so far on the Peel It Back Tour have focused on classic NIN cuts rather than new music from the upcoming “Tron: Ares” soundtrack. But it features some new twists to the old stuff, including help from German producer/opener Boys Noize and some clever staging.

Bluesmen from different generations but the same northern part of Louisiana, Shephard and Rush came together in a big and beautiful way on a new collaborative album, “Young Fashioned Ways.” The 91-year-old Rush told the Star Tribune that he and his fellow Louisiana native “were only going to record two songs together, but we just kept recording we were having so much fun.” The fun continues on a joint tour that gives the elder singer/guitarist a chance to lean on the younger guitar slinger and his sturdy band. They have two Minnesota stops on their trek.

Also: After her would-be tourmates the 29:11 South Africa Ensemble were denied U.S. visas for their series of Midwest performances, the Twin Cities’ hopeful hip-hop hero Dessa is going ahead with her hometown show and hoping to capture the spirit of the transatlantic collaboration. WDGY, the now-oldies radio station that was one of two Twin Cities Top 40 outlets in the 1960s, will commemorate the 60th anniversary of the Beatles’ Aug. 21 performance at the old Met Stadium on the same site, which is now Mall of America. A Hard Day’s Night, a tribute band, will recreate the set list from that historic concert. Last call is nearing for piano legend Cornbread Harris’ Church of Cornbread evening shows at Palmer’s Bar.

Long before there were TV talent competitions for a cappella ensembles, this New York septet was building a reputation for sounding like a full band with just voices. Now in their 26th year, Naturally 7 still boasts four original members, including founding brothers Roger and Warren Thomas. Last year, the septet dropped “Naturally 7 @theMovies, Volume One,” featuring their inventive interpretations of such tunes as “Stayin’ Alive,” “Sound of Silence” and “Lose Yourself.”

Also: John Rzeznik and Goo Goo Dolls are back for what seems like their annual Minnesota visit to reprise “Iris” and “Slide,” with Dashboard Confessional opening. Canada’s contribution to the Blink-182-led pop-punk movement for millennials, Simple Plan, is out celebrating its 25th anniversary with a mini-fest like opening entourage featuring Bowling for Soup, 3OH!3 and Lolo. Colorado’s dramatic, cult-loved folk-rocker Gregory Alan Isakov is taking on Surly Brewing Festival Field with Canadian roots duo Ocie Elliott opening.

His hotly hyped new record landed with a thud, and he has a bad rep with Twin Cities fans after thrice canceling on them in the 2010s. So tickets to Weezy’s first local arena show since before COVID haven’t exactly flown off the shelf. The New Orleans rap king has a lot of incentive to come and reprove himself, though, and to maybe finally convince fans to check out “Tha Carter VI.” Set lists have included a handful of tunes off the new record along with more than 30 better-known hits going back 20 years. Tyga and Belly Gang Kushington will open.

Also: Lettuce, the jazz-funk band that got its start at the Berklee College of Music in the 1990s, adds some hip-hop seasoning on their latest, “Cook.” Minnesota jazz mainstays Steve Kenny Quintet celebrate the new album “Blue Chunks.” Power belter Claudio Sanchez and his enduring metal band Coheed and Cambria are back with Taking Back Sunday. Cleveland’s pop-rocker/comedian Dave Hill was last seen in town opening for actor Michael Shannon’s R.E.M. tribute tour. Outlaw countryman Cole Diamond hosts the last installment of his Whiskey Wednesdays shows at Palmer’s.

Jazz legend passes while immersed in her passion

Jazz legend passes while immersed in her passion

A Legacy of Jazz and Innovation

Sheila Jordan, a legendary jazz singer known for her pioneering work in bebop and scat singing, has passed away at the age of 96. Her death was shared by her daughter, Tracey, through an Instagram post on Monday, August 11. In the message, she described how her mother peacefully passed away at 3:50 p.m., surrounded by music that defined her life. Joan Belgrave, a close friend, played a bebop tune called “Bill for Bennie” by Jordan’s late husband, Marcus Belgrave, as Sheila drifted off to sleep.

Tracey expressed gratitude for the support received from the jazz community and mentioned that funds raised on her mother's GoFundMe page would be used to pay off medical debt and secure a plot for her at Woodlawn Cemetery in the Jazz Corner. A memorial service is planned for the future at Saint Peter’s Church in New York City.

Early Life and Career

Born in Detroit on November 18, 1928, Jordan was raised by her grandparents in Pennsylvania. She moved to New York in the 1950s, where she married Duke Jordan in 1952. During this time, she studied under Lennie Tristano and began performing in jazz clubs, laying the foundation for her influential career. According to AllMusic, despite having a relatively small voice, Jordan made the most of her instrument, earning recognition as one of the most consistently creative jazz singers.

Scott Yanow, a respected jazz historian, praised Jordan for her ability to improvise logical lyrics that often rhymed, her superb scat singing, and her emotional interpretation of ballads. He noted that her contributions helped pave the way for later artists such as Norah Jones and Diana Krall.

Musical Contributions and Achievements

Jordan's career saw her featured on George Russell’s 1962 rendition of “You Are My Sunshine” for his album “The Outer View (Riverside).” The following year, she released her debut album, “Portrait of Sheila,” becoming one of the few singers to lead her own project through Blue Note Records. However, it took a decade before she returned to the music scene, collaborating with Carla Bley, Roswell Rudd, and co-leading a group with Steve Kuhnin in the late 1970s.

By the 1980s, Jordan was recording as a leader for numerous projects, including her final album, “Portrait Now,” released in February. Among her many accolades, she was honored as a 2012 recipient of the National Endowment for the Arts, the nation’s highest honor in jazz.

Recognition and Impact

In a press release announcing her passing, the NEA highlighted Jordan’s exceptional talent as a scat singer and her ability to reach emotional depths in ballads. Whether performing well-known standards or original material, she brought a unique voice to every song. Beyond her musical achievements, Jordan also dedicated herself to education, teaching at the City College of New York and serving as a faculty member for Jazz in July at the University of Massachusetts at Amherst and the Vermont Jazz Center in Brattleboro, Vermont. She conducted workshops internationally, further cementing her legacy as a mentor and educator.

A Lasting Influence

Sheila Jordan’s impact on the world of jazz is undeniable. Her innovative style and dedication to the art form left an indelible mark on the genre. From her early days in New York to her later years as a revered figure in the jazz community, she inspired generations of musicians and fans alike. As her family prepares for a future memorial service, the jazz world mourns the loss of a true pioneer who helped shape the sound of modern jazz.

AtHeart: A K-Pop Band Defying Boundaries from Los Angeles

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The Debut of AtHeart: A New Chapter in K-Pop

AtHeart, a fresh girl group making waves in the K-pop scene, recently unveiled their first EP titled “Plot Twist” during a debut showcase held at Blue Square in central Seoul. This event marked the beginning of their global journey and highlighted their unique approach to music and performance.

The group's choreographer, Lia Kim, shared some key advice with the members: "Just be yourself." This message resonated deeply with the rookie artists as they stepped into the spotlight for the first time. Lia Kim, known for her work at 1Million Dance Studio, has been instrumental in shaping AtHeart into what is now considered K-pop's next big act. Her collaboration with Titan Content, a U.S.-based agency led by a former SM Entertainment executive, has set the stage for this new generation of performers.

A Unique Formation

AtHeart is the first K-pop group launched by Titan Content. While the agency's U.S. headquarters handles production and distribution, talent development still takes place in Seoul. This blend of international and local expertise has created a unique environment for the group's growth. The debut showcase featured the release of their five-track EP, which includes the title track and other songs such as “Push Back,” “Dot Dot Dot …,” “Knew Me,” and “Good Girl (AtHeart).” The title track combines dreamy pop with EDM elements, showcasing the group's versatility and innovation.

The Team Behind the Group

The success of AtHeart is not just due to the members but also the experienced team at Titan Content. The agency's founding team includes industry veterans such as Board Chairman Nikki Semin Han, former co-CEO of SM Entertainment; CEO Katie Kang, who played a pivotal role in SM Entertainment's casting and training process; Chief Visual Officer Guiom Lee, founder of Dazed Korea; and Chief Business Officer Dom Rodriguez, who was recognized on Billboard’s “40 under 40” list in 2023. Lia Kim serves as chief performance officer, further emphasizing the high level of expertise guiding the group.

Challenges and Aspirations

With seven members—Nahyun, Seohyeon, Bome, Arin, Michi, Katelyn, and Aurora, who missed the debut showcase due to health reasons—the group faces significant pressure. The average age of the members is 16, with Michi being the oldest at 16 and Nahyun the youngest at 14. Despite the challenges, the members remain focused on their goals.

“It’d be a lie if we say there’s no pressure,” said Arin. “But with all the support and feedback from our company’s executives, we’ll do our best to become an act that can leave a lasting footprint.”

A Mission Beyond Music

Beyond achieving musical success, AtHeart aims to connect with their audience on a deeper level. The group's name symbolizes mind, heart, and love, reflecting their mission to share these feelings with everyone. According to the agency, the concept of the album is centered around the “butterfly effect,” aiming to create a significant impact through their artistry.

A Strong Start

The group's debut has already garnered attention, with the music video for “Good Girl (AtHeart)” surpassing 10 million views on YouTube. Additionally, Girls' Generation's Sooyoung made a special appearance, adding to the excitement surrounding the group. Nahyun, the youngest member, shared her emotional experience of meeting her idol, expressing how much it meant to her.

“Our role model as a group is Girls’ Generation, so we were especially more nervous before meeting Sooyoung,” Nahyun said. “But she offered us advice and support."

As AtHeart continues to build their presence in the K-pop industry, their journey reflects a blend of talent, dedication, and the support of a strong team. Their story is just beginning, and the world is watching closely.

Rascal Flatts Returns to Iowa State Fair for 25th Anniversary Tour

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Rascal Flatts' Return to the Iowa State Fair: A Nostalgic Performance with Mixed Results

Country trio Rascal Flatts made their third appearance at the Iowa State Fair, bringing with them a mix of nostalgia and high expectations. The band, consisting of Gary LeVox on lead vocals, Jay DeMarcus on bass guitar, and Joe Don Rooney on lead guitar, is currently on a 2025 tour titled "Life is a Highway Tour," celebrating their 25 years of performing together at the Grandstand.

In 2020, the group announced they would be taking a break after two decades of music-making, followed by a planned tour. However, the pandemic forced the cancellation of that tour. They officially disbanded in 2021, but it seems the band couldn't resist marking their silver anniversary with a new album and a series of shows.

As the lights dimmed, the band opened with Thin Lizzy's "The Boys Are Back in Town," setting the tone for an evening filled with hits from their extensive catalog. LeVox took the stage, reflecting on the past 25 years of Rascal Flatts. He humorously noted how technology has evolved since their early days, when cassette players were the norm, and now everything can be streamed directly to a phone.

Despite the nostalgic sentiment, the performance had its challenges. The band played a series of hits back-to-back, which left the audience struggling to keep up. The energy was high, but the lack of structure made it difficult to build momentum throughout the set.

LeVox's vocal performance remained strong, showcasing his signature voice that has defined country music over the years. His delivery of slower songs like "My Wish" and "Bless the Broken Road" was particularly moving, with the crowd singing along in unison.

However, the live mix posed some issues. The powerful instrumentation, including heavy bass and loud guitars, often drowned out LeVox’s voice, making it challenging for the audience to hear him clearly. This issue was especially noticeable during moments where he invited the crowd to sing along.

The band also introduced a new track, "I Dare You," a collaboration with The Jonas Brothers. The song, part of their latest album "Life Is a Highway: Refueled Duets," showcased their creative evolution while still maintaining their signature sound.

The evening also featured opening act Neal McCoy, who delivered a high-energy set that resonated with the audience. Known for his 90s hits, McCoy brought a mix of classic country and rock n roll, engaging the crowd with his charisma and storytelling.

McCoy’s performance included songs like "The Shake" and "No Doubt About It," as well as a medley of rock n roll classics. His ability to connect with the audience and his smooth baritone voice made for a memorable opening act.

The show concluded with Rascal Flatts’ encore, featuring their hit "Life Is a Highway." The performance served as a fitting end to the evening, highlighting the band's enduring appeal and their ability to bring people together through music.

As the Iowa State Fair continues, the Grandstand remains a hub for entertainment, with upcoming acts like American rock-and-roll tribute band Hairball set to take the stage next. The fair offers a variety of experiences, from food to music, making it a must-visit event for locals and visitors alike.

Alabama's Link to the Rock Legend Behind a Classic Hit

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A Legacy of Music and Friendship

Bobby Whitlock, a key figure in the creation of one of rock’s most iconic albums, "Layla and Other Assorted Love Songs," left an indelible mark on music history. Known for his work with Derek and the Dominos, Whitlock played the Hammond organ, provided backing vocals, and contributed to writing several tracks on the 1970 album. His role was particularly significant in the closing track, “Thorn Tree in the Garden,” which he wrote about the loss of his dog while living in Los Angeles. This deeply personal song became a highlight of the album, showcasing Whitlock's emotional depth and musical talent.

The Journey of a Musician

Whitlock's journey took him from Memphis to Alabama’s Muscle Shoals area in the early 2000s. He spent time in what had once been the reception area of the legendary Muscle Shoals Sound studio before moving to a home in Florence. There, he lived with his partner, musician Kim “Coco” Carmel. Their relationship led to several collaborative albums, featuring guest musicians such as country legend Willie Nelson. The two eventually married, forming a partnership that would last throughout their lives.

A Connection with Jason Isbell

Jason Isbell, a Grammy-winning singer and songwriter, grew up in the Shoals and Green Hill areas. He first encountered "Layla" at the age of ten, when he taped it off a local radio broadcast. The song left a profound impact on him, leading him to purchase the album on cassette and vinyl. Isbell often spoke of how the album shaped his musical journey and inspired his own career.

After Whitlock moved to Alabama, Isbell reached out to him, and they formed a friendship. They spent time together, playing songs and sharing their passion for music. Whitlock recognized Isbell's guitar skills and invited him to join him for a couple of shows, a gesture that meant a lot to Isbell. Their collaboration included appearances at the Muscle Shoals Songwriter Showcase, where Whitlock praised Isbell's talent on stage.

A Lasting Influence

Whitlock's influence extended beyond his work with Clapton and the Allman Brothers Band. He contributed to various other projects, including George Harrison’s "All Things Must Pass" and the Rolling Stones’ "Exile On Main St." His songs were also recorded by artists like Ray Charles, Cher, and Sheryl Crow, highlighting his versatility and talent.

Remembering a Friend

When news of Whitlock's passing spread, many in the music community expressed their grief. Eric Clapton, who had worked with Whitlock in Derek and the Dominos, shared his condolences on social media, honoring his friend and collaborator. Pattie Boyd, the muse behind "Layla," also paid tribute, recalling the fun times they shared at Friar Park.

Whitlock's legacy lives on through his music and the friendships he built. Kelvin Holly, a longtime guitarist with Little Richard, remembered him as a unique individual, describing how he would often spend mornings creating art from driftwood. His creativity and passion for life left a lasting impression on those who knew him.

A Timeless Classic

Fifty-five years after its release, "Layla" remains a timeless classic, celebrated for its powerful storytelling, innovative sound, and emotional depth. Whitlock's contributions to the album continue to resonate with fans and musicians alike, ensuring that his voice and talent will be remembered for generations to come.